Tag: Dennis Muyet

The Belle Stars – Iko Iko (US 12″) (1989)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration
NEW 2026 Bonus Tracks

Original post date: October 17, 2012

With Fat Tuesday in full swing, there’s no better time to revisit the joyous pulse of “Iko Iko.” Rooted in the Mardi Gras Indian traditions of New Orleans, the song has traveled across decades and continents — and The Belle Stars’ vibrant version remains one of its most recognizable incarnations.

Originally released in 1982, their take on the New Orleans classic reached #35 on the UK Singles Chart, introducing the chant-driven anthem to a new wave audience. Bright percussion, tight harmonies, and an infectious groove gave the track a polished yet celebratory feel that stood apart from much of the synth-heavy pop of the era.

The Rain Man Revival

In 1988 The song found an even larger audience when it appeared in the opening scene of Rain Man, starring Tom Cruise and Dustin Hoffman. The high-profile placement brought “Iko Iko” back into the spotlight, leading to a remix and re-release tied to the film’s momentum.

The renewed push paid off:

#7 in Australia

#14 on the US Billboard Hot 100 (1989)

#7 on the US Dance Chart

For many American listeners, this cinematic moment was their introduction to the song — proof of how a well-placed soundtrack feature could reignite a single years after its original release.

A Timeless Mardi Gras Anthem

Long before its pop and Hollywood success, “Iko Iko” was popularized in 1965 by The Dixie Cups, whose spontaneous, percussion-driven recording helped cement the chant in mainstream culture. The Belle Stars carried that celebratory spirit forward, preserving its call-and-response energy while giving it a crisp, early-’80s sheen.

It’s a song built for days like today — colorful, communal, and rhythm-driven. Whether you’re celebrating on Bourbon Street or simply marking Fat Tuesday from home, “Iko Iko” captures the heartbeat of Carnival.

A Brand-New 2026 Transfer

Today’s feature is a brand-new 2026 meticulous audio transfer, carefully restored to bring out every layer of percussion and vocal harmony with clarity and warmth. The result is a dynamic, punchy presentation that lets the groove breathe while preserving the character of the original pressing.

To make this edition even more special, I’ve included two NEW bonus tracks sourced from the legendary remix services Disconet and Rhythm Stick — both vinyl-only DJ mixes that expand the song’s dancefloor energy. These extended interpretations showcase how club culture embraced the track, stretching its celebratory rhythm into deeper, more percussive territory.

It’s a fitting way to honor a song that has thrived in so many settings: street parades, radio charts, movie theaters, and nightclubs.

On this Fat Tuesday, turn it up loud. Let the chant roll. And celebrate the enduring magic of “Iko Iko.”

SIDE A:
ko Iko (12″ Mix) 4:51
Iko Iko (7″ Mix) 3:21

SIDE B:
Iko Iko (Bonus Beats) 3:16

BONUS TRACKS:
Iko Iko (The Vancouver Feet Beat Remix) 5:28
Remix – Mario S. David
Taken From – Rhythm Stick 1-4

Iko Iko (Rain Man Mix) 5:34
Edited By – Dennis Muyet
Taken From – Disconet Volume 11 Program 6

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance  –  The Belle Stars: Iko Iko (1989)
Chart Peak Position Date
US Billboard Dance Club Songs #7 1989
US Billboard Hot 100 #14 1989
Australia (ARIA) #7 1989
Canada (RPM) #42 1989
New Zealand Recoded Music NZ) #5 1989
UK Singles #98 1989

RELEASE INFORMATION:
Label: Capitol Records – V-15475
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic, Funk / Soul, PopStyle: Synth-pop, Cajun, African, New Wave

CREDITS:

NOTES:
(Original version appears on the Original Motion Picture Soundtrack LP “Rain Man.”

Additional Production and Edit for Powermix Productions.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Cover Girls – Inside Outside (US 12″) (1989)

Burning The Ground Exclusive

💔 “You turn me inside out, you leave me outside in…”

Emotion, melody, and beat—freestyle heartbreak at its finest.

Today on Burning the Ground, we’re diving into a stone-cold freestyle gem from The Cover Girls—“Inside Outside.” Released in 1988 as the third single from their debut album Show Me, this track captures everything that made freestyle one of the defining dance genres of the late ’80s: high drama, lush synths, and an infectious rhythm you couldn’t escape on dance floors from NYC to Miami.

By this point, The Cover Girls—originally Angel Clivillés, Caroline Jackson, and Sunshine Wright—were riding high off the success of earlier singles like Show Me and Because of You. Inside Outside continued the streak, reaching #12 on the Billboard Dance Club Songs chart and making its way onto the Hot 100, where it peaked at #55—a testament to freestyle’s growing mainstream appeal in 1988.

Song & Production
Written by Alex Cabrera, Andy Tripoli, and Tony Moran, “Inside Outside” marked a pivotal moment for The Cover Girls. While not as mainstream as their future crossover ballads, it still reached #55 on the Billboard Hot 100 and soared to #12 on the Dance Club Songs chart, earning heavy rotation in clubs and on mixshows across the country.

The 12″ single on Fever Records was a DJ’s dream, featuring a fierce Extended Mix alongside a Drumapella and two Dub versions. The track was mixed by Andy “Panda” Tripoli and The Latin Rascals, whose legendary tape-edit techniques are on full display. Sharp edits, rhythmic dropouts, and echo-laden vocals turn the Extended Mix into a peak-hour freestyle workout.

Legacy
While not as commercially dominant as some of their later crossover hits, Inside Outside has earned its place as a freestyle essential—a track that’s still spun at old-school nights and freestyle festivals to this day. Its mix of heartbreak and high energy is a perfect example of why this era and genre continue to resonate with so many fans decades later.

There was no music video filmed for this single.

SIDE A:
Inside Outside 6:48
Inside Outside (Drumapella) 5:37

SIDE B:
Inside Outside (Dub 1) 6:29
Inside Outside (Dub 2) 5:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Inside Outside U.S. Billboard Hot 100 #55
1988 Inside Outside U.S. Billboard Hot Dance Music / Club Songs #12

RELEASE INFORMATION:
Label: Fever Records – SF 824
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle

CREDITS:

NOTES:
Jacket made in Canada

Edited for SoS Entertainment

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Cruise Control – No Condom, No Sex (US 12″)

BURNING THE GROUND WORLD AIDS DAY EXCLUSIVE 1988

“No Condom, No Sex” is a 1988 single released during the height of the AIDS crisis, several musicians including Steve Peck and Tuta Aquino got together and recorded this song, for the purpose of raising AIDS awareness. 100% of the proceeds went to fund AIDS research. Sire Records released the single as 12″ only in the United States.

“No Condom, No Sex” with it’s poignant lyrics that are just as important today as they were more than two decades ago reached #34 on the Billboard Dance Chart on September 24th, 1988 after spending four weeks on the survey.

The music video for the song featured cameo appearences by Toni Basil, Randy Quaid, Julie Brown, Richard Lewis and others.

December 1 marks World Aids Day, a time for us to honor and reflect on the millions of people around the world who have lost their lives to the epidemic and raise awareness about those currently living with HIV and AIDS.

SIDE A:
No Condom, No Sex (Let Reason Govern Passion Mix) 8:12
No Condom, No Sex (Rock Single Mix) 5:06

SIDE B:
No Condom, No Sex (Single Mix) 5:06
No Condom, No Sex (Single Instrumental) 5:06
No Condom, No Sex (Chamber Acappella) 5:06

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 No Condom, No Sex U.S. Billboard Hot 100 #34

 

RELEASE IMFORMATION:
Label: Sire ‎– 0-20983
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Euro House, Synth-pop

CREDITS:
Art Direction – John Heiden
Edited By – Dennis Muyet, Tuta Aquino
Engineer – Michael Aarvold*
Executive Producer – Craig Kostich
Mastered By – Ted Jensen
Musician – Mac Quayle
Photography By – Larry Williams (9), Leslie Libman
Producer – Randy Morrison, Stewart Pfalzer
Remix, Producer [Additional Production], Engineer – Steve Peck

NOTES:
100% of the Artists and Producers will be donated to AIDS Education.
National AIDS Hotline 1-800-342-7514

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi