Tag: David Lord

Tears For Fears – Suffer The Children (UK 12″) (1981)

Burning The Ground Exclusive

“Suffer the Children” is the debut single by British band Tears for Fears. Written and sung by Roland Orzabal, it was released in October 1981 and marked the duo’s first official release following the breakup of Graduate, Orzabal and Curt Smith’s previous band.

The single was produced by David Lord and recorded at his own Crescent Studios in Bath, England. Along with “Pale Shelter,” it was one of two demo songs that landed Tears for Fears their first record deal with Phonogram in 1981.

“Suffer the Children was the first song we did together when we left Graduate. It was our very first experimentation with sequencers and drum machines, with a guy called David Lord, who worked with Peter Gabriel and different people down in Bath. So that was actually the first song we did as Tears For Fears.”
— Curt Smith

According to Orzabal:

“We were really big on this at the time – we really thought children were born innocent and good and holy… When you’ve got kids of your own, you realize how bloody difficult it is. But it’s that kind of thing – saying look at what you’re doing with your child.”
— Roland Orzabal

The 12″ version features a Remix and an Instrumental, both distinct from the 7″ version. The remix, handled by David Lord, has a slightly punchier electronic arrangement that highlights the early use of sequencers and drum machines that would later define the band’s sound. The haunting female vocal heard on the track comes from Carol Kenyon, while Orzabal’s wife Caroline provides the childlike voice heard during the bridge.

The B-side, “Wino,” is an unusual Tears for Fears recording — stripped of synthesizers and studio polish, featuring only a simple acoustic performance.

Despite support from influential BBC Radio 1 DJs John Peel and Peter Powell, the single failed to chart upon its original release. In 1985, following the success of Songs from the Big Chair, Phonogram reissued “Suffer the Children” in the UK with a new picture sleeve, using the same audio and track listing as the 1981 release. This reissue narrowly missed the UK Top 50.

The song was later re-recorded for the band’s debut LP The Hurting (1983), produced by Chris Hughes and Ross Cullum. That album version removes an opening lyric sung by Curt Smith and slightly alters the arrangement but maintains the song’s emotional intensity.

No music video was ever produced for the song.

SIDE A:
Suffer The Children (Remix) 4:23

SIDE B:
Suffer The Children (Instrumental) 4:30
Wino 2:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – idea 12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1981
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Their 1st single. “Suffer The Children” later re-recorded for their debut album “The Hurting”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Echo & The Bunnymen – The Killing Moon (UK 12″) (1984)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: October 26, 2016

“Fate, up against your will…”

Some songs don’t just play — they haunt. Echo & The Bunnymen’s 1984 masterpiece “The Killing Moon” is one of those rare tracks that feels like it was conjured rather than composed. Brooding, poetic, and drenched in moonlight melancholy, it’s the perfect entry for Spooky Season.

This has long been one of my all-time favorite tracks from the ’80s, so I just had to give it a brand-new 2025 Meticulous Transfer. A timeless classic deserves to shine (and shimmer) under a full moon once again. 🌕

Released in January 1984 as the lead single from the band’s fourth studio album Ocean Rain, “The Killing Moon” was an immediate standout. Written by frontman Ian McCulloch, guitarist Will Sergeant, bassist Les Pattinson, and drummer Pete de Freitas, the song became the band’s signature — peaking at #9 on the UK Singles Chart and later cementing its legacy in films, television, and pop culture.

McCulloch has never been shy about the weight of his creation.

“I’ve always said that The Killing Moon is the greatest song ever written,” he explained. “It’s more than just a song. It’s a psalm, almost hymnal. It’s about everything — from birth to death to eternity and God, whatever that is — and the eternal battle between fate and the human will. It contains the answer to the meaning of life. It’s my ‘To be or not to be.’”

According to McCulloch, the song came to him in a dream — almost divinely delivered:

“One morning, I just sat bolt upright in bed with this line in my head: ‘Fate up against your will. Through the thick and thin. He will wait until you give yourself to him.’ You don’t dream things like that and remember them. That’s why I’ve always half credited the lyric to God.”

The melody was inspired by McCulloch playing David Bowie’s “Space Oddity” backward and experimenting with the chords. The rest of the lyrics, rich with celestial and existential imagery — “your sky all hung with jewels” — came naturally, reflecting his childhood fascination with The Sky at Night, Star Trek, and the moon landing.

Recording took place in both Bath and Liverpool, though McCulloch wasn’t satisfied with the early sessions:

“I wasn’t happy with the drums or the way it sounded in Bath, so I refused to sing on it. Me and Pete de Freitas went to Amazon Studios in Kirkby and finished it with Gil Norton mixing. I got home around 9 a.m., slightly the worse for wear, and played the song for my wife. She cried.”

The result was a song that feels eternal — darkly romantic yet strangely comforting. The lush strings, courtesy of producer David Lord, swirl around McCulloch’s voice like mist, while Will Sergeant’s shimmering guitars cast silvery reflections across the mix. It’s lush yet cold, beautiful yet foreboding — the musical embodiment of an October night.

“The Killing Moon” later gained new life in 2001 when it was featured in the cult film Donnie Darko, its fateful tone perfectly mirroring the movie’s eerie, time-bending world.

As McCulloch once said, “When I sing it, I think of death, sex, and the moon.”
Could there be anything more fitting for Spooky Season?

Every October, this one finds its way back onto my turntable — and every time, it feels just as hauntingly perfect as the first. “The Killing Moon” captures that mid-’80s gothic elegance that so many bands chased but few ever caught. It’s cinematic, mysterious, and drenched in atmosphere — a song that belongs to the shadows.

SIDE A:
The Killing Moon (All Night Version) 9:10
Mixed By – Gil Norton
Recorded By – David Lord

SIDE B:
The Killing Moon 5:47
Mixed By – Gil Norton
Recorded By – David Lord

Do It Clean (Live) 6:31
Mixed By – Bill Drummond

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Korova – KOW 32 TKorova – 249535-0
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Jan 20, 1984
Genre: Rock
Style: New Wave, Indie Rock

CREDITS:

NOTES:
Do It Clean recorded live at The Royal Albert Hall, London, July 18th 1983.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Icehouse – Electric Blue (Ltd. Edition US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

“Electric Blue” is a 1987 hit single by the Australian rock / synthpop band Icehouse. In th United States two seperate promo 12″ singles were released. One featured more dance oriented mixes by Steve Thompson And Michael Barbiero. The other released on limited edition Electric Blue vinyl contained more rock oriented remixes staying more true to the album version with mixes by Michael H. Brauer and David Lord.

SIDE A:
Electric Blue (Single Version) 4:24
Mixed By – Michael H. Brauer

Electric Blue (12″ Version) 6:43
Mixed By – Michael H. Brauer

SIDE B:
Electric Blue 4:28
Mixed By – David Lord

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Electric Blue U.S. Billboard Hot 100 #7
1988 Electric Blue U.S. Billboard Mainstream Rock Tracks #10
1988 Electric Blue U.S. Billboard Hot Adult Contemporary #36

 

RELEASE INFORMATION:
Label: Chrysalis ‎– VAS-2899
Format: Vinyl, Promo, 12″, 33 ⅓ RPM, Promo, Blue Vinyl
Country: US
Released: 1988
Genre: Rock
Style: Pop Rock

NOTES:
US promo-only mixes.

Sticker states: “Very Limited Edition Blue Vinyl”

Record states: “Mixed by Michael Brauer for MHB Productions”
“Special Unreleased Mixes”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi