Burning The Ground Exclusive 1983
“Encore,” released in 1983, is an R&B hit single by acclaimed R&B/soul singer Cheryl Lynn. Written and produced by the legendary Minneapolis funk duo Jimmy Jam & Terry Lewis, the song marked a milestone as their first number-one R&B hit as producers and Lynn’s second chart-topping R&B single. Despite peaking at #69 on the Billboard Hot 100, it became the most successful track from her fifth studio album, Preppie. The song also found success in the dance scene, climbing to #6 on the U.S. Dance chart.
+De-notes vinyl-only
SIDE A:
Encore (Dance Version)+ 8:20
SIDE B:
Encore (Dance Version)+ 8:20
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
U.S. CHART HISTORY:
| Year | Single | Chart | Position |
|---|---|---|---|
| 1984 | Encore | U.S. Billboard Hot 100 | #69 |
| 1984 | Encore | U.S. Billboard Hot Black Singles | #1 |
| 1984 | Encore | U.S. Billboard Hot Dance Music / Club Play | #6 |
RELEASE INFORMATION:
Label: Columbia – 44 04257
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Funk / Soul
Style: Soul, Disco
CREDITS:
- Executive-producer – Larkin Arnold
- Producer – Cheryl Lynn, Terry Lewis & James Harris*
- Written-By – T. Lewis/J. Harris III*
NOTES:
Promotional Copy Not For Sale
Special Version from the Columbia LP “Preppie”
Same track on both sides
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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The Harlem drag ball scene — described by the social activist and writer Langston Hughes as “the strangest and gaudiest of all Harlem’s spectacles in the 1920s” — fragmented along racial lines in the early 1960s when Black queens became tired of having to “whiten up” if they wanted to have a chance of winning any in-house beauty contest. By the early 1970s, Black drag houses started to multiply and soon outstripped their white counterparts in terms of glamour, style and popularity. As contests expanded, categories multiplied and competition intensified, with prizes awarded to entrants whose drag was the most believable, the most real. Released in 1978, Cheryl Lynn’s feisty, upbeat disco track “Got to Be Real” became an instant ballroom classic.