Tag: Brian Reeves

Philip Oakey & Giorgio Moroder – Good-Bye Bad Times (Re-Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Good-Bye Bad Times” is a song by the British singer and composer Philip Oakey and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the album Philip Oakey & Giorgio Moroder. Released as a single in the UK in June 1985 as the follow-up to Oakey and Moroder’s 1984 hit “Together In Electric Dreams”; it reached number 44 in the UK singles charts and remained in the charts for 5 weeks. It was moderately successful in Australia, where it peaked at number 26. In the United States, the single peaked at number 20 on the Billboard Dance chart on September 14, 1985 spending nine weeks on the survey.

Virgin records had high expectations for the single but it failed to sell in the quantities forecast. Because the single was not a huge success, it didn’t do much to promote the album. After a final single “Be My Lover Now” the short partnership between Oakey and Moroder effectively ended. Oakey then returned to work with his band The Human League full-time.

As a bonus track I have included the Brian Reeves remix taken from the US 12″.

SIDE A:
Good-Bye Bad Times (Extended Re-Mix) 6:53

SIDE B:
Good-Bye Bad Times (Instrumental Version) 5:21

BONUS TRACK:
Good-Bye Bad Times (US 12″ Mix) 6:30
Engineer, Mixed By [Mixed Down] – Brian Reeves

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Good-Bye Bad Times U.S. Billboard Hot Dance Music/Club Play #20

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 772-13
Format: Vinyl, 12″, 45 RPM, Limited Edition
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Lyrics By – Philip Oakey
Producer – Giorgio Moroder
Remix – Steve Bates

NOTES:
Produced for Revelation Music AG.
Recorded at Musicland Studios Munich and Powerplay Zurich.

Original version appears on the A&M album “Philip Oakey & Giorgio Moroder”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Sparks – All You Ever Think About Is Sex (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

“All You Ever Think About Is Sex” was the second single released from the album In Outer Space by American rock band Sparks. The single was remixed for it’s single release but failed to chart. The b-side is a remixed version of the album track; “Dance Godammit”.

SIDE A:
All You Ever Think About Is Sex (12″ Club Version) 5:06

SIDE B:
Dance Godammit (12″ Club Version) 4:05

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86990
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Art Direction – Larry Vigon
Engineer – Dan Lacksman
Management [Personal] – Joseph Fleury
Photography By – Jim Shea
Producer, Written-By – Ron Mael, Russell Mael
Remix – Brian Reeves

NOTES:
Produced for Giorgio Moroder Enterprises Ltd.
Mastered at Sterling Sound, New York.
Printed in U.S.A.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Glenn Frey – The Heat Is On (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

Side 1

Glenn Frey Nov. 6, 1948 – Jan. 18, 2016.

Glenn Frey was the founding member of the 70’s rock group The Eagles. Glenn also had a very succesful solo career in the 1980’s including three Billboard top ten singles. Frey passed away at age 67 in New York City on January 18, 2016. Glenn Frey was a music legend he will be missed..

“The Heat Is On” is a song written by Harold Faltermeyer and Keith Forsey, and recorded by Glenn Frey for the American film Beverly Hills Cop (1984). The song was published as a single and as the fourth track of the album Beverly Hills Cop: Music From the Motion Picture Soundtrack (1984).

It was a major hit single in its own right, reaching No. 2 on the Billboard Hot 100 chart in March 1985, behind “Can’t Fight This Feeling” by REO Speedwagon. It was also popular internationally, reaching No. 2 two on the Australian Singles Chart in 1985 and gaining peaks of No. 8 on the Canadian Singles Chart and No. 12 on the UK Singles Chart. In the United States, it is the highest charting solo single by any member of the Eagles.

The mid-to-up-tempo recording featured a steady drumbeat, synthesizer, and guitar, with a repeated saxophone riff framing the lyrical message. The guitar solo is played by Frey himself.

The song was ranked 784th out of 2006 songs by voting featured in the Triple M “Essential 2006 Countdown”.

SIDE A:
The Heat Is On 6:04

SIDE B:
The Heat Is On (Dance Version) 5:40
The Heat Is On (Dub Version) 2:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 The Heat Is On U.S. Billboard Hot 100 #2

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-23540
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Harold Faltermeyer, Keith Forsey
Remix – Brian Reeves

NOTES:
Music From The Motion Picture Soundtrack “BEVERLY HILLS COP”

Find the 12″ on DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi