Tag: Boy George

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Culture Club – Do You Really Want To Hurt Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

“Do You Really Want to Hurt Me” is a song written and recorded by the British new wave band Culture Club. Released as a single in September 1982 from the group’s platinum-selling debut album Kissing to Be Clever, it was the band’s first UK #1 hit. In the United States, the single was released in November 1982 and also became a huge hit, reaching #2 for three weeks.

“Do You Really Want to Hurt Me” was the third single released in Europe by Culture Club and their debut release in the United States and Canada. The song was picked up by BBC Radio 2 and became a UK #1 single for three weeks in October 1982. The song entered the American Pop chart the week ending December 4, 1982. It hit #1 in Cash Box magazine and held at #2 for three weeks on the Billboard Hot 100 chart in March and April 1983 (kept from the #1 spot by Michael Jackson’s “Billie Jean”). The single achieved sales of 900,000 US copies and also hit #1 in Canada. It was also number one in Australia.

This was Culture Club’s first success, after their first two releases, “White Boy” and “I’m Afraid of Me” charted in the UK at #114 and #100 respectively. According to Boy George, it was their last chance to get an album deal.

The song rose rapidly in the UK charts after the group’s first appearance on Top of the Pops, which resulted in George’s androgynous style of dress and sexual ambiguity making newspaper headlines. The group were only asked to appear on Top of the Pops the night before the show, after Shakin’ Stevens pulled out.

In a retrospective review, Allmusic journalist Jose F. Promis described “Do You Really Want to Hurt Me” as “a simple masterpiece, resonating with an ache that harked back to the classic torch songs of yesteryear.”

In 2007, Boy George said that the song was “not just about Culture Club’s drummer Jon Moss, my boyfriend at the time. It was about all the guys I dated at that time in my life.”

The B-side was a dub version featuring Pappa Weasel in many countries and “You Know I’m Not Crazy” on the US release. On the 12″ version of the record, the track “Love Is Cold (You Were Never No Good)” was also included.

SIDE A:
Do You Really Want To Hurt Me 4:22
Do You Really Want To Hurt Me (Dub Version) 3:39

SIDE B:
Love Is Cold (You Were Never No Good) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Do You Really Want To Hurt Me U.S. Billboard Hot 100 #2
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Black Singles #39
1983 Do You Really Want To Hurt Me U.S. Billboard Hot Adult Contemporary #8
1983 Do You Really Want To Hurt Me U.S. Billboard Mainstream Rock Tracks #21

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 518-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Sep 1982
Genre: Reggae, Pop
Style: Reggae-Pop, Dub

CREDITS:
Bass – Michael Craig
Design [Cover] – Jik Graham
Drums, Percussion –Jon Moss
Engineer [Assistant Engineer] – Gordon Milne (tracks: A1, A2), Richard Lengyel (tracks: B1)
Featuring, Vocals [Additional Vocals] – Papa Weasel* (tracks: A2)
Guitar, Keyboards, Piano – Roy Hay
Mastered By – JA*
Mixed By – Jon Moss (tracks: A1, A2)
Photography By – Mark LeBon
Producer, Engineer, Mixed By – Steve Levine
Vocals – Boy George
Vocals [Additional Vocals] – Helen Terry
Written-By, Performer – Culture Club

NOTES:
The debut album “KISSING TO BE CLEVER”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Boy George – Don’t Cry (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

A. Front

“Don’t Cry” was the first single taken from the album High Hat by English singer and Culture Club front man Boy George. The single debuted on the U.K. singles chart on August 10, 1988 peaking at #60.

SIDE A:
Don’t Cry (In Full) 7:01

SIDE B:
Don’t Cry (Edit) 4″09

Leave In Love 5:03
Vocals [Vocal Solo] – Carroll Thompson

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– BOY 107 12
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork By [Sleeve Design] – Mx + Tex
Design [Sleeve Design] – Assorted Images
Mixed By – Mike Pela
Photography By – Brad Branson, Industria (3)
Producer – Bobby Z*
Written-By – Bobby Z*, O’Dowd*, Maidman* (tracks: A, B1)

NOTES:
Mixed (for Powerplant London)
Thanks To: Fritz Kok & Debbie Bunn

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi