Tag: Alex Sadkin

Duran Duran – The Reflex (Dance Mix) (UK 12″)

Burning The Ground Exclusive 1984

NEW 2022 Transfer!
NEW Meticulous Audio Restoration!

Originally posted August 14, 2012

++ Of note the original transfer in 2012 was the USA 12″ of “The Reflex” which was pressed at 33 ⅓ RPM it also did not include the live b-side track. For this NEW 2022 Transfer, I decided to use the UK 12″ which is pressed at 45 RPM for better sound fidelity along with the addition of “Make Me Smile (Come Up And See Me)” recorded live on the b-side.

“The Reflex” is the eleventh single by the English new wave band Duran Duran, released in 1984. The song was heavily remixed for single release and was the third and last to be taken from their third studio album Seven and the Ragged Tiger (1983). The single became the band’s first to reach the top of the US singles chart and their second to top the UK singles chart.

“The Reflex” became the band’s most successful single, topping the UK chart on 5 May 1984. It was their second UK No. 1, after 1983’s “Is There Something I Should Know?”, and would prove to be their last. The single entered the charts in America on 21 April 1984 at no. 46, became Duran Duran’s first of two singles to hit no. 1 on the US Billboard Hot 100 (for 2 weeks) on 23 June 1984 , and was a huge hit internationally. (Their only other single to hit no. 1 in the US was the title song to the 1985 James Bond film “A View to a Kill”.) It was also the first of two songs that kept “Dancing in the Dark” by Bruce Springsteen out of the top spot (the other one being Prince’s “When Doves Cry”). The band wanted it to be the lead single from Seven and the Ragged Tiger (1983), but their label did not like the warbling singing during the “why don’t you use it” segments, thinking this would hinder its success as a stand-alone single track.

The remixes for both the 7″ and 12″ singles were created by Nile Rodgers, of Chic fame. It was his first work with the band, and he would later go on to produce “The Wild Boys” single as well as the album Notorious (1986) and several tracks on Astronaut (2004).

Producer Ian Little recalled the sound Nick Rhodes came up with on his Roland Jupiter-8 keyboard: “…whenever I hear that steel-drum part it always brings a smile to my face because it’s so out of tune. Steel drums always are, but it was exactly right in terms of rhythm and tone. So a wood-block sound was mixed in to make it even more percussive and, successfully, it did the job.”

The live B-side “Make Me Smile (Come Up and See Me)” is a cover version of a Steve Harley & Cockney Rebel song, recorded 16 November 1982 at Hammersmith Odeon in London, with lead Rebel Steve Harley joining the band onstage.

SIDE A:
The Reflex (Dance Mix) 6:34
Mixed By – Jason CorsaroNile Rodgers
Written-By – Duran Duran

SIDE B:
The Reflex (Dance Mix Edited) 4:22
Mixed By –Jason CorsaroNile Rodgers
Written-By – Duran Duran

Make Me Smile (Come Up And See Me) 4:55
Mixed By – Ian Little
Written-By –Steve Harley

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHARTS HISTORY

Year Single Chart Position
1984 The Reflex U.S. Billboard Hot 100 #1
1984 The Reflex U.S. Billboard Hot Dance Music/Club Play #15

RELEASE INFORMATION:
Label: EMI – 12DURAN 2, EMI – 12 DURAN 2
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Apr 28, 1984
Genre: Rock, Pop
Style: New Wave, Synth-pop

CREDITS:
Lacquer Cut By –  Arun*
Producer – Alex Sadkin (tracks: A, B1), Duran Duran (tracks: A, B1), Ian Little (tracks: A, B1)

NOTES:
Track B2 recorded live in November 1982 at Hammersmith Odeon.
Manufactured In The UK By EMI Records Limited.

From the LP “Seven And The Ragged Tiger”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

 

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Grace Jones – Pull Up To The Bumper (Remix) (UK 12″)

Burning The Ground Exclusive 1985

Celebrating Pride 2021

NEW 2021 Transfer!
NEW Meticulous Restoration!

Originally posted May 21, 2011

“Pull Up to the Bumper” was the second single released by Grace Jones from her critically-acclaimed 1981 album Nightclubbing. The song has since come to be one of Jones’ signature tunes. The song was co-written by Jones herself, Sly Dunbar, Dana Mano, and Robbie Shakespeare.

Upon its release, “Pull Up to the Bumper” spent seven weeks at number 2 on the U.S. Billboard Hot Dance Club Play chart, as well as becoming a Top-5 single on the U.S. R&B chart.

In 1985 the track was remixed and re-released to promote the Island Life compilation, the Extended Remix includes additional keyboard overdubs and remix by Paul “Groucho” Smykle. This 1985 remix peaked at #12 on the UK pop chart in early 1986.

Jones’ genre-hopping artistry earned her a diehard LGBTQ+ fan base from day one, largely because of her very uncommon divadom. By gleefully toying with masculine and feminine conventions, she offered her queer audience a constantly evolving performance in which they could recognize their own sexual fluidity. “Bumper” succinctly captures Jones’ protean mix of playfulness and aggression, simultaneously tongue-in-cheek and deadly serious. It’s a masterstroke of double entendre that, with its sinuous reggae-disco backdrop and Jones’ snarled vehicular puns, really only demands one thing from you: that you move.

SIDE A:
Pull Up To The Bumper (Extended Remix) 6:25
Remix –  Paul “Groucho” Smykle
Producer – Alex SadkinChris Blackwell
Written-By – Dana ManoGrace JonesKoo Koo Baya

SIDE B:
La Vie En Rose 7:20
Arranged By – Duke Williams
Producer – Tom Moulton
Written-By –  E. Piaf*, Louiguy

Nipple To The Bottle 5:50
Producer – Alex SadkinChris Blackwell
Written-By – Grace JonesSly Dunbar

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

RELEASE INFORMATION:
Label: Island Records ‎– 12 IS 240
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Dub, Downtempo, Disco

CREDITS:
Mastered By – GD* (tracks: B1, B2), Jonz* (tracks: A)

NOTES:
Pull Up To The Bumper
A version of this song appears on the Grace Jones album ‘Island Life’
Rydim Music Ltd.
(P) 1985 Original sound recording made by Island Records Inc.

La Vie En Rose
Produced for Beam Junction Productions
Taken from the album ‘Island Life’
Noel Gay Music-MPCS
(P) 1977 Island Records Inc.

Nipple To The Bottle
Taken from the album ‘Living My Life’
Rydim Music Ltd.
(P) 1982 Island Records Inc.

Find the 12″ at DISCOGS

VINYL ReSTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Grace Jones – Living My Life (Portugal 12″)

BURNING THE GROUND EXCLUSIVE 1983

NEW 2021 Transfer!
Meticulously Remastered!

Originally posted September 25, 2014

“Living My Life” is a Grace Jones song released as a single in 1983.

The track was originally recorded for the album of the same name, but for unknown reasons, it did not make the final cut. It received a scarce 1983 release as a UK white-label single and was officially released only in Portugal.

A remixed version was released as the B-side to the UK reissue single of “Love Is the Drug” in 1986. The original long and dub versions are yet to be reissued on CD.

SIDE A:
Living My Life (Long Version) 7:43
Mixed By – John Owen Williams*
Mixed By [Assistance] – Andy LydenStephen Street

SIDE B:
Living My Life (Dub Version) 4:16
Mixed By – Stephen Street

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Island Records ‎– 12 IS 118, Dacapo ‎– 12 IS 118
Format: Vinyl, 12″, 45 RPM
Country: Portugal
Released: 1983
Genre: Electronic
Style: Synth-pop, Dub

CREDITS:
Producer – Alex SadkinChris Blackwell

NOTES:
“Dub Version” is exclusive to this 12″

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Arcadia – Goodbye Is Forever (Extended Remix) (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Goodbye Is Forever” is the second single released by the Duran Duran offshoot band, Arcadia. The song achieved success only in the United States, peaking at number 33 on the Billboard Hot 100 chart in March 1986. It also was released by Capitol Records in January 1986 in many regions around the world except the UK.

The B-side of Goodbye Is Forever was the mid-tempo ballad “Missing” which was released only as a promo track in the U.S and Canada.

SIDE A:
Goodbye Is Forever (Extended Version) 6:43
Remix – Francois Kevorkian*, Ron Saint Germai*

Goodbye Is Forever (7inch Remixed Version) 4:11
Remix – Alex Sadkin, Walter Samuel

SIDE B:
Goodbye Is Forever (Dub Version) 5:14
Remix – Francois Kevorkian*, Ron Saint Germai*

Missing 3:40
Mixed By – Larry Alexander
Mixed By [Assistant] – Billy Miranda

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Goodbye Is Forever U.S. Billboard Hot 100 #33

 

RELEASE INFORMATION:
Label: EMI ‎– S14-130
Format: Vinyl, 12″, 45 RPM, Single
Country: Japan
Released: 05 Mar 1986
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Liner Notes [Lyrics Translation] – 山本安見*
Photography By [Arcadia] – Norman Parkinson
Photography By [Staircase] –Tansy Spinks
Producer – Alex Sadkin, Arcadia (3)
Sleeve – Assorted Images
Written-By – Rhodes*, Taylor* (tracks: A1, A2, B1), Le Bon*

NOTES:
Taken from the album “SO RED THE ROSE”

2-digit numeric code on back cover reads:
40 32 52 52 32 42 28 00 =
M I S S I N G _
00 28 44 44 22 18 12 24 32 52 26 44 50 24 06 24 50 =
_ G O O D B Y E I S F O R E V E R

2-digit numeric code on A-side label reads:
02 30 24 46 50 44 40 32 52 24 =
T H E P R O M I S E

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.