Tag: 1988

Gladys Knight & The Pips – Lovin’ On Next To Nothin’ (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Lovin’ On Next To Nothin'” is the second single taken from the album All Our Love by soul quartet Gladys Knight & The Pips. The album was the last ever studio album before The Pips retired and Knight embarked on a solo career. “Lovin’ On Next To Nothin'” peaked at #3 on the U.S. Billboard R&B chart and became a #10 dance hit. In the U.K. the single peaked at #81 on the U.K. singles chart.

SIDE A:
Lovin’ On Next To Nothin’ (Extended Version) 7:30

SIDE B:
Lovin’ On Next To Nothin’ (Instrumental) 7:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Lovin’ On Next To Nothin’ U.S. Billboard Hot Black Singles #3
1988 Lovin’ On Next To Nothin’ U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA 23804, MCA Records ‎– MCA-23804
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Funk / Soul
Style: Soul

CREDITS:
Engineer [Remix Engineer] – Taavi Mote
Executive Producer – Bubba Knight, Gladys Knight
Producer – Howie Rice
Remix – Louil Silas, Jr.*
Written-By – Alan Rich*, Howie Rice, Jeff Pescetto

NOTES:
From the MCA LP “ALL OUR LOVE”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

 

Billy Ocean – Get Outta My Dreams, Get into My Car (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Get Outta My Dreams, Get into My Car” is a 1988 single by Trinidadian-born British singer Billy Ocean, based on a line in the Sherman Brothers’ song (famously covered by Johnny Burnette as well as Ringo Starr) “You’re Sixteen”. Part of its popularity lay in its cutting-edge (for the time) video, which featured cartoon mixed with live-action sequences. The song went to number one on both the U.S. Billboard Hot 100 and Hot Black Singles charts. It also peaked at number three on the UK Singles Chart.

The song was also featured on the soundtrack of the 1988 film License to Drive. The short but notable saxophone solo is by Vernon Jeffrey Smith.

SIDE A:
Get Outta My Dreams, Get Into My Car (Extended Version) 9:00
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

Get Outta My Dreams, Get Into My Car (Instrumental Version) 5:29
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

SIDE B:
Get Outta My Dreams, Get Into My Car (7″ Version) 4:45
Mixed By – Nigel Green
Producer – Robert John “Mutt” Lange*
Written-By – Billy Ocean, R.J. Lange*

Showdown 4:58
Mixed By – Bryan “Chuck” New
Producer – Barry J. Eastmond*, Wayne Brathwaite

Special Mix 9:40
Mixed By – Jerry Peal

a. Bittersweet
b. When The Going Gets Tough, The Tough Get Going
c. Caribbean Queen (No More Love On The Run)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Hot 100 #1
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Adult ContemporaryTracks #5
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Black Singles #1
1988
Get Outta My Dreams, Get Into My Car
U.S. Billboard Hot Dance Music/Club Play #25

 

RELEASE INFORMATION:
Label: Jive ‎– JD1-9679
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Pet Shop Boys – Left To My Own Devices (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Left to My Own Devices” is a song recorded by Pet Shop Boys, released as the second single from their third studio album, Introspective.

The single fared better than the album’s lead single, “Domino Dancing”, charting three positions higher in the UK Singles Chart, at Number 4. It became the first track that Pet Shop Boys recorded with an orchestra, arranged by Richard Niles. Since its release, it has become a staple of Pet Shop Boys live performances.

In the U.S. the single only managed to rech #84 on the Billboard Hot 100 singles chart. “Left To My Own Devices” was a bigger hit in U.S. dance clubs peaking at #8 on the Billboard Dance Chart.

SIDE A:
Left To My Own Devices (The Disco Mix) 11:28
Arranged By [Orchestra], Conductor – Richard Niles
Remix – Robin Hancock, Stephen Lipson, Trevor Horn
Vocals [Additional] – Bruce Woolley, Sally Bradshaw

SIDE B:
Left To My Own Devices 4:46
Arranged By [Orchestra], Conductor – Richard Niles
Vocals [Additional] – Bruce Woolley

The Sound Of The Atom Splitting 3:29
Engineer [Assistant] – Renny Hill
Written-By – Lipson*, Tennant/Lowe*, Horn*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Left To My Own Devices U.S. Billboard Hot 100 #84
1988 Left To My Own Devices U.S. Billboard Hot Dance Music/Club Play #8
1988 Left To My Own Devices U.S. Billboard Hot Dance Music/Maxi-Singles Sales #25

 

RELEASE INFORMATION:
Label: EMI-Manhattan Records ‎– V-56121, EMI USA ‎– V-56121
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: House, Synth-pop

CREDITS:
Arranged By, Producer – Stephen Lipson, Trevor Horn
Design – Mark Farrow, Pet Shop Boys
Engineer –Stephen Lipson
Engineer [Assistant] – Danton Supple
Photography By – Michael Roberts (6)
Written-By – Tennant and Lowe* (tracks: A, B1)

NOTES:
Mark Farrow at Three Associates
Printed in U.S.A.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Icehouse – Electric Blue (Ltd. Edition US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

“Electric Blue” is a 1987 hit single by the Australian rock / synthpop band Icehouse. In th United States two seperate promo 12″ singles were released. One featured more dance oriented mixes by Steve Thompson And Michael Barbiero. The other released on limited edition Electric Blue vinyl contained more rock oriented remixes staying more true to the album version with mixes by Michael H. Brauer and David Lord.

SIDE A:
Electric Blue (Single Version) 4:24
Mixed By – Michael H. Brauer

Electric Blue (12″ Version) 6:43
Mixed By – Michael H. Brauer

SIDE B:
Electric Blue 4:28
Mixed By – David Lord

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Electric Blue U.S. Billboard Hot 100 #7
1988 Electric Blue U.S. Billboard Mainstream Rock Tracks #10
1988 Electric Blue U.S. Billboard Hot Adult Contemporary #36

 

RELEASE INFORMATION:
Label: Chrysalis ‎– VAS-2899
Format: Vinyl, Promo, 12″, 33 ⅓ RPM, Promo, Blue Vinyl
Country: US
Released: 1988
Genre: Rock
Style: Pop Rock

NOTES:
US promo-only mixes.

Sticker states: “Very Limited Edition Blue Vinyl”

Record states: “Mixed by Michael Brauer for MHB Productions”
“Special Unreleased Mixes”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi