Tag: 1987

July 22, 2025

Siouxsie & The Banshees – This Wheel’s On Fire (US 12″) (1987)

Burning The Ground Exclusive

“If your memory serves you well…”

Gothic meets psychedelic in this swirling, cinematic cover of the Dylan/Hudson classic.

In 1987, Siouxsie & The Banshees released a haunting, otherworldly take on “This Wheel’s On Fire,” a song co-written by Bob Dylan and The Band’s Rick Danko. Originally recorded during the Basement Tapes era, the song has always had a mysterious and foreboding undercurrent. But in the hands of Siouxsie Sioux and company, it becomes something entirely different—decadent, surreal, and even apocalyptic.

Released as a standalone single, This Wheel’s On Fire was part of a larger project: the soundtrack to the BBC series The Life and Loves of a She-Devil. The Banshees’ version climbed into the UK Top 20, peaking at #14, and marked one of the band’s most visible moments in the late ’80s, during a period of experimentation and reinvention.

The track opens with swirling backwards guitars and a slow-building tribal rhythm before Siouxsie’s commanding voice enters, dripping with theatrical menace. Producer Mike Hedges gives the mix a hazy, dreamlike quality—layers of reverb, echo, and glimmering effects wrap around the instrumentation like smoke.

The 12″ version (clocking in at 7:28) stretches the psychedelic elements even further. It’s more spacious, more hypnotic, and lets the slow burn of the arrangement unfurl at its own pace. It’s not just a cover—it’s a reimagining. Siouxsie takes Dylan’s cryptic lyrics and steers them into a post-punk fever dream that fits seamlessly into the Banshees’ sonic universe.

The B-sides are worth the needle drop as well. “Shooting Sun” is a glimmering, textured track that leans into the band’s experimental tendencies, while “Sleepwalking (On The High Wire)” plays like a surreal lullaby—both adding depth to this single’s dark beauty.

For fans of Siouxsie’s rich catalog, this track is a highlight from their “late period”—sophisticated, gothic, and still fiercely original. Nearly four decades on, This Wheel’s On Fire continues to burn.

SIDE A:
This Wheel’s On Fire (Incendiary Mix) 7:28
Written-By – Dylan, Danko

SIDE B:
Shooting Sun 4:46
Written-By – Siouxsie & The Banshees

Sleepwalking (On The High Wire) 5:10
Written-By – Siouxsie & The Banshees

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Geffen Records – 0-20609, Geffen Records – 9 20609-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Rock
Style: New Wave, Goth Rock

CREDITS:

Design – Crocodile (London)*, Banshees*
Lacquer Cut By – KP*
Producer [Production] – Hedges*, Banshees*

NOTES:
Track A: Original version available on the forthcoming Siouxsie & The Banshees album “Through The Looking Glass” on Geffen Records

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

May 5, 2025

The Lucy Show – New Message (US 12″) (1987)

Burning The Ground Exclusive

Following the brooding and atmospheric textures of their critically acclaimed 1985 debut …undone, British band The Lucy Show took a bold sonic turn with their second—and final—album, Mania, released in 1986. With this album, the band shifted toward a more polished, upbeat, and commercially accessible sound, embracing jangly guitars, brighter melodies, and a cleaner production style. The lead single from this release was the energetic and hook-laden “New Message.”

“New Message” immediately signaled a departure from the band’s earlier gothic-tinged introspection. Clocking in with punchy guitars, melodic bass lines, and a propulsive rhythm, the song channels a style more in line with contemporaries like The Psychedelic Furs, The Church, or even early R.E.M., while still retaining The Lucy Show’s lyrical depth and emotional intensity.

Lyrically, the song touches on themes of miscommunication, modern detachment, and longing—topics that resonate even more strongly in today’s digital age. Mark Bandola’s vocals are more assertive here, riding atop a dense but shimmering wave of guitar-driven production.

Despite positive reviews and a growing cult following, Mania and its singles, including “New Message,” didn’t break through to mainstream success—partly due to label troubles with Big Time Records, which went under shortly after the album’s release. Sadly, this led to the band’s premature disbandment.

Over time, however, Mania has earned a well-deserved reputation as a lost classic of the ’80s alternative scene, with “New Message” standing out as a highlight—a vibrant track that captures the tension between artistic evolution and commercial appeal.

SIDE A:
New Message (Solo Trumpet Mix) 4:56

SIDE B:
New Message (Instrumental) 3:29
New Message (New Version) 3:29
Invitation 2:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Big Time – 6043-1-BD
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic, Rock
Style: Synth-pop, Indie Rock

CREDITS:

Mixed By – Gordon Milne, The Lucy Show
Producer – David Ruffy, Mark Bandola, Rob Vandeven
Written-By – Mark Bandola, The Lucy Show

NOTES:
Recorded at Red Bus Studios, London 2/87

Original version from the Big Time LP “MANIA”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 30, 2025

New Order – True Faith (US 12″) (1987)

Burning The Ground Exclusive

Released in July 1987, “True Faith” stands as one of New Order’s most enduring and critically acclaimed singles. Written specifically for their compilation Substance 1987, the track marked a creative peak for the band—seamlessly blending moody post-punk sensibilities with polished synth-pop and club-ready beats. It soared to #4 on the UK Singles Chart and became their first real breakthrough in the U.S., peaking at #32 on the Billboard Hot 100.

Co-produced with Stephen Hague (best known for his work with Pet Shop Boys and OMD), “True Faith” is layered with shimmering synths, dynamic drum programming, and Bernard Sumner’s unmistakably detached vocal delivery. The lyrics, while cryptic, are widely interpreted as reflecting personal struggles, particularly with addiction and emotional disconnection.

The single’s success was amplified by its surreal, artful music video directed by French choreographer Philippe Decouflé, featuring colorfully costumed performers in bizarre, theatrical movement—a staple of late-’80s MTV.

Included here is the 12″ remix by Shep Pettibone, whose club credentials need no introduction. His rework maintains the song’s brooding elegance while enhancing its rhythmic pulse for the dancefloor—striking a balance between underground edge and commercial appeal.

This post is particularly special as it marks the first vinyl transfer using the Ortofon Concorde Music Black cartridge, bringing out an even greater level of clarity, warmth, and precision in this pressing. The result is a faithful and dynamic reproduction of one of the most iconic singles of the era.

SIDE A:
True Faith (The Morning Sun Extended Remix) 9:02

SIDE B:
True Faith (Alternate Faith Dub) 10:44
1963 5:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1987	True Faith	U.S. Billboard Hot 100	#32
1987	True Faith	U.S. Billboard 12-Inch Singles Sales	#10
1987	True Faith	U.S. Billboard Hot Dance Music / Club Play	#3

RELEASE INFORMATION:
Label: Qwest Records – 0 – 20733, Qwest Records – 9 20733-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, ARC Pressing
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:

Engineer – Steve Peck (tracks: A, B1)
Producer [Additional Production], Remix – Shep Pettibone (tracks: A, B1)
Producer, Written-By – New Order, Stephen Hague

NOTES:
True Faith (The Morning Sun Extended Remix) is the same mix as “True Faith (Remix)” & “True Faith (Alternate Faith Dub)” is the same as “True Dub” from the UK remix 12″.

From the New Order album “Substance” on Qwest Records 1 – 25621

Made in USA

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 10, 2025

Whitney Houston – So Emotional (US 12″) (1987)

Burning The Ground Exclusive

“I get so emotional, baby… Every time I think of you…”

Released in October 1987, “So Emotional” was the third single from Whitney Houston’s mega-selling second album, Whitney. The song showcases a grittier, more rock-infused side of Whitney’s voice—complete with big drums, searing guitar, and of course, that unmatched vocal power.

Written by Billy Steinberg and Tom Kelly—the same duo behind hits like Madonna’s “Like a Virgin” and Cyndi Lauper’s “True Colors”—“So Emotional” brought a harder edge to Whitney’s pristine pop image. With its fusion of pop-rock, dance, and soul, the song showed she could do much more than just ballads.

The single was a massive success, becoming Whitney’s sixth consecutive #1 on the Billboard Hot 100, tying her with The Beatles and The Bee Gees for the longest streak of chart-topping singles at the time. It also topped the Dance Club Songs chart and cracked the Top 10 internationally, including the UK, Canada, and Australia.

The music video for “So Emotional,” directed by Wayne Isham, captures Whitney on the road and backstage as she preps for a high-energy concert. Shot at Lehigh University’s Stabler Arena in Bethlehem, Pennsylvania, the video was filmed between dates of her 1987–1988 Moment of Truth Tour. It’s a candid, electrifying snapshot of Whitney in her prime—playful, stylish, and commanding the stage with ease.

For the clubs, Shep Pettibone crafted a total of five mixes for the 12″ release, each tailored for different dancefloor moments. The Extended Remix brings the drama with punchy synths and an amped-up groove. The Dub Mix strips things back to spotlight the rhythm section, while the Bonus Beats offers DJs pure percussive fuel. The Edited Remix trims things down for more commercial play.

And then there’s “The Voice”—a jaw-dropping acapella version that isolates Whitney’s soaring vocals over minimal backing. It’s a masterclass in vocal control, phrasing, and emotion. If you ever doubted her range or power, this version will silence you.

From the glam-rock guitars to the iconic belting chorus, “So Emotional” is pure ’80s fire—a perfect blend of vulnerability and power. Whether you were sweating it out on the dance floor in 1987 or just discovering it today, this track remains one of Whitney’s most thrilling and energetic performances.

Stay tuned—this one’s worth cranking up loud.

SIDE A:
So Emotional (Extended Remix) 7:53
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix Engineer] – Steve Peck
Producer [Additional Production By], Remix [Remix By] – Shep Pettibone
Programmed By [Additional Programming By] – Fred McFarlane

So Emotional (Edited Remix) 4:27
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix Engineer] – Steve Peck
Producer [Additional Production By], Remix [Remix By] – Shep Pettibone
Programmed By [Additional Programming By] – Fred McFarlane

SIDE B:
So Emotional (Single Version) 4:02

So Emotional (Dub Version) 5:15
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix Engineer] – Steve Peck
Producer [Additional Production By], Remix [Remix By] – Shep Pettibone
Programmed By [Additional Programming By] – Fred McFarlane

So Emotional (Bonus Beats) 4:28
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix Engineer] – Steve Peck
Producer [Additional Production By], Remix [Remix By] – Shep Pettibone
Programmed By [Additional Programming By] – Fred McFarlane

So Emotional (The Voice) 4:18
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix Engineer] – Steve Peck
Producer [Additional Production By], Remix [Remix By] – Shep Pettibone
Programmed By [Additional Programming By] – Fred McFarlane

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1987	So Emotional-	U.S. Billboard Hot 100	#1
1987	So Emotional-	U.S. Billboard Hot R&B / Hip-Hop Songs	#5
1987	So Emotional-	U.S. Billboard Hot Adult Contemporary	#8
1987	So Emotional-	U.S. Billboard Hot Dance Music / Club Play	#1

RELEASE INFORMATION:
Label: Arista – AD1-9641
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

A&R [A & R Coordination By] – Richard Sweret
Arranged By [Vocal Arrangements By] – Whitney Houston
Design – Dave Brubaker*
Executive-Producer – Clive Davis
Photography By [Photo] – Patrick Demarchelier
Producer [Original Production By] – Narada Michael Walden
Written-By – Billy Steinberg & Tom Kelly*

NOTES:
Printed in U.S.A.

From the LP “WHITNEY”

Includes a special full-color souvenir poster.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.