Tag: 1986

Steve Winwood – Freedom Overspill (US 12″)

Burning The Ground Exclusive 1986

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted on May 10, 2011

“Freedom Overspill” is a 1986 song by Steve Winwood that reached number 20 on the Billboard Hot 100 pop chart. It was the second single released from his fourth solo album, Back in the High Life. It was produced by Russ Titelman and Winwood. James Hooker, Winwood’s touring keyboard player and a former member of the Amazing Rhythm Aces, was credited with co-writing the song with Winwood and George Fleming. In the UK the song reache #69.

It appeared in the 1987 Ridley Scott film Someone to Watch Over Me, as well as the 1987 film Big Shots.

SIDE A:
Freedom Overspill (The Liberty Mix) 7:25
Keyboards [Additional] – Ed Terry
Producer – Russ Titelman
Producer [Additional Production], Remix – Steve Thompson & Michael Barbiero

Freedom Overspill (Dub) 5:56
Keyboards [Additional] – Ed Terry
Producer – Russ Titelman
Producer [Additional Production], Remix – Steve Thompson & Michael Barbiero

SIDE B:
Higher Love (Extended Remix) 7:44
Mixed By – Tom Lord-Alge
Producer – Russ Titelman

Help Me Angel 5:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Freedom Overspill U.S. Billboard Hot 100 #20

RELEASE INFORMATION:
Label: Island Records – 0-20537
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, SRC
Country: US
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
Original version available on the Steve Winwood LP “BACK IN THE HIGH LIFE”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



The Big Supreme – Don’t Walk (UK 12″)

Burning The Ground Exclusive 1986

TOTALLY OBSCURE 80s!

NEW 2023 Transfer!
NEW Meticulous Audio Restoration

Originally posted August 18, 2018

“Don’t Walk” is the second single released by British new wave band The Big Supreme, featuring vocalist Barry Flynn. “Don’t Walk”, entered the U.K. singles chart on 13 September 1986. It remained in the chart for four weeks, reaching #58. In the U.S., “Don’t Walk” became a classic at the Dallas, Texas nightclub The Starck and also regularly played as the last song of the night by DJ Joe Friar at Club Control in Victoria, Texas. In Houston, the track was frequently played on KKBQ-FM and KRBE. Clubs such as The Ocean Club (Galleria) and Club 6400 (Richmond ave.) also included the track as part of their mix playlists.

SIDE A:
Don’t Walk (Extended Version) 6:42
Producer – Tim Palmer

SIDE B:
Don’t Walk (7″ Version) 3:32
Producer –Tim Palmer

My Addiction 3:34

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Polydor ‎– POSPX809
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1986
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Made in the U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



The Big Supreme – Let’s Turn Our Love Around (UK 12″)

Burning The Ground Exclusive 1986

TOTALLY OBSCURE 80s!

“Let’s Turn Our Love Around” was the debut single by the English band The Big Supreme. The single failed to chart and was the first of only four singles released by the band. The record was produced by American producer Bobby Eli who has worked with El Debarge, Stevie Wonder, Red Hot Chili Peppers, and George Clinton, among others. Both tracks on this record were remixed by one of alternative rock’s unsung heroes, Tim Palmer. In the early ’80s, Palmer worked as an assistant engineer at Utopia Studios in London, England, helping musicians like Mark Knopfler and Dead Or Alive.

In the latter half of the ’80s, Palmer became a producer, and his keen ears and technical knowledge contributed to edgy post-punk groups such as The Mighty Lemon Drops, The Mission, Gene Loves Jezebel, and House Of Love acquiring airplay on U.S. modern rock stations; Palmer gives the band a radio-friendly sheen that didn’t mollify their sound.

In 1989, Palmer produced David Bowie’s debut LP with Tin Machine.

The Big Supreme is one of those great obscure 80s offerings that make you crave more of them sadly they never released a full-length LP and disappeared just as fast as they began.

SIDE A:
Let’s Turn Our Love Around (Extended Version) 6:00

SIDE B:
He’ll Deceive (Extended Version) 6:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Polydor – POSPX 791
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Made in the U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Real Life – Babies (US 12″)

Burning The Ground Exclusive 1986


TOTALLY OBSCURE 80s!

“Babies” is a 1986 song by Australiann band Real Life. In 1986, they recorded a handful of new songs, which were the band’s first recordings not written by Sterry and Zatorski. “Babies”, was written by the songwriting team of Holly Knight, Michael Des Barres, and Mike Chapman, and was released as the first single from the LP “Night After Night” which was later changed to “Down Comes The Hammer”. The single failed to chart.

SIDE A:
Babies (Club Version) 7:52
Engineer [Assistant Engineer] – Paul Kosky
Producer, Engineer – Ross Fraser
Remix – Boris Granich, Christer Modig
Written-By – Holly Knight, Michael Des Barres, Mike Chapman

SIDE B:
Babies (Rock Mix) 5:18
Engineer [Assistant Engineer] – Paul Kosky
Producer, Engineer – Ross Fraser
Remix – Boris Granich, Christer Modig
Written-By – Holly Knight, Michael Des Barres, Mike Chapman

Exploding Bullets 4:19
<Producer, Remix – Steve Hillage
Written-By – D. Sterry, R. Zatorski

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Curb Records – MCA-23661, MCA Records – MCA-23661, Wheatley Records – MCA-23661
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
“Babies” from the forthcoming MCA/Curb LP, “Night After Night” which was later changed to “Down Comes The Hammer” before its release.
“Exploding Bullets” from the MCA/Curb LP, “Heartland”.
Recorded in Australia.
Recorded at Platinum Australia.
Mastered at Amigo Studios.
Tracks A & B1 Remixed for EAM.
Management for Shankman De Blasio.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.