Tag: 1985

The Chicago Bears Shufflin’ Crew – The Super Bowl Shuffle (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

Super Bowl Flashback!

Re-Rip Newly Remastered!

Originally I posted this one on February 5, 2011. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon Super 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“The Super Bowl Shuffle” is a rap song performed by players of the Chicago Bears football team during 1985. It was released 3 months prior to their win in Super Bowl XX, peaking at No. 41 in February, 1986 on the Billboard Hot 100 chart.

The 1985 rap hit recorded by the players of the Chicago Bears known as the “Super Bowl Shuffle” instantly became a mainstream phenomenon. The single sold more than a half-million copies and reached No. 41 on the US Billboard Hot 100, making the Chicago Bears the only American professional team of any sport with a hit single.

The Bears finished with a 15–1 record for the 1985 season. Randy Weigand, a die-hard Bears fan and music lover, had the idea to write, produce, and choreograph a rap song for the Chicago Bears. Weigand’s girlfriend, cheerleader Courtney Larson, introduced them to Willie Gault who put them in touch with other Bears players and the “Super Bowl Shuffle” was born. The lyrics related to each player and his craft on the field, and fame in the community.

“The Super Bowl Shuffle” fell in line with the Bears high-media attention as they completed their one-loss regular season. The Bears backed up their musical strutting by dominating their playoff opponents and hammering the New England Patriots in the Super Bowl by a score of 46–10, the most lopsided victory in Super Bowl history at the time (the record was broken just four years later when the San Francisco 49ers beat the Denver Broncos by a score of 55–10 in Super Bowl XXIV).

The 1985 Chicago Bears were the first sports team to have their own rap video. The song was nominated for a Grammy Award in 1985 for best rhythm and blues performance by a duo or group, eventually losing to “Kiss”. The 20th Anniversary DVD was released in 2004, including the making of the video, outtakes, and the music video itself. Julia Meyer has kept the copyright to the video. Over $300,000 in profits from the song and music video was donated to the Chicago Community Trust to help needy families in Chicago with clothing, shelter, and food. This was consistent with Walter Payton’s rap lyrics in the song: “Now we’re not doing this because we’re greedy, the Bears are doing it to feed the needy.”

SIDE A:
The Super Bowl Shuffle (Vocal Mix)  5:50

SIDE B:
The Super Bowl Shuffle (Extended Vocal Mix)  6:27
The Super Bowl Shuffle (Instrumental Mix)  5:32

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

U.S. ChART HISTORY:

Year Single Chart Position
1986 The Super Bowl Shuffle U.S. Billboard Hot 100 #41

 

RELEASE INFORMATION:
Label: Red Label (2) – V-70060
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Hip Hop
Style: Pop Rap, Electro
Credits: Co-producer – F. Breitberg* , R. Milasky*
Executive Producer – R. Meyer
Producer – B. Daniels* , R. Tufo*
Written By – B. Daniels/L. Barry/R. Meyer/M. Owens

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Power Station – Murderess (US 12″ Promo Ltd. Edition)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

Side 1

“Murderess” is a promotional-only 12″ vinyl single by The Power Station, released in the USA by Capitol Records during 1985. The song was slated to be released as the fourth single from The Power Stations debut album but instead only made it to the promotional stage. The 12″ includes the rare “Edit” and is housed in a custom picture sleeve.

The Power Station was made up of singer Robert Palmer, former Chic drummer Tony Thompson, and Duran Duran members John Taylor (bass) and Andy Taylor (guitar).

SIDE A:
Murderess 4:20

SIDE B:
Murderess (Edit Version) 3:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Capitol Records ‎– SPRO-9408/9409
Format: Vinyl, 12″, Promo, 33 ⅓ RPM, Limited Edition
Country: US
Released: 1985
Genre: Rock, Pop
Style: Pop Rock
Credits: Engineer – Jason Corsaro
Mixed By – Jason Corsaro
Producer – Bernard Edwards
Written-By – A. Taylor*, J. Taylor*, R. Palmer*

NOTES:
From the LP “THE POWER STATION”
Special Limited Edition 12″ Single
Not For Sale

Find The 12″ On DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Paul Hardcastle – 19 (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

Today we honor every service member who has ever worn one of our nation’s uniforms. Happy Veterans Day (US).

“19” is a song by British musician Paul Hardcastle released as the first single from his self-titled third studio album Paul Hardcastle (1985).

The song has a strong anti-war message, focusing on America’s involvement in the Vietnam War and the effect it had on the soldiers who served. The track was notable for early use of sampled and processed speech, in particular a stutter effect used on the words “n-n-n-n-nineteen” and “d-d-d-d-destruction”. It also includes various non-speech samples such as crowd noise and a military bugle call.

“19” features sampled narration (by Peter Thomas), interview dialogue (“I wasn’t really sure what was going on”) and news reports from Vietnam Requiem, an ABC television documentary about the post-traumatic stress disorder suffered by veterans. In 2009, the song placed at 73 on VH1’s 100 Greatest One-Hit Wonders of the 80s.

“19” topped the charts in the UK for 5 weeks, and reached the top 20 in the US, where it also topped the dance chart. For a while, it was the top selling single in 13 countries (helped by the fact that versions of the song were recorded in French, Spanish, German and Japanese), and it received the Ivor Novello award for Best-selling single of 1985. The song’s English language release came in 3 different 12″ versions (“Extended Version”, “Destruction Mix” and “The Final Story”), each with an alternative cover design.

SIDE A:
19 (Extended Version) 5:11

SIDE B:
19 (Destruction Mix) 6:55
The Asylum (It’z Weird) 3:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 19 U.S. Billboard Hot 100 #15
1985 19 U.S. Billboard Hot Dance/Club Play #1
1985 19 U.S. Billboard Hot Dance Music/Maxi-Singles Sales #1
1985 19 U.S. Billboard Hot R&B/Hip-Hop Singles #8

 

RELEASE INFORMATION:
Label: Chrysalis ‎– 4V9 42875
Format:Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1985
Genre: Electronic
Style: Electro
Credits: Artwork [Cover Art], Design – Janet Perr
Management – Simon Fuller (2)
Producer – Paul Hardcastle
Written-By –J. McCord* (tracks: A, B1), P. Hardcastle*, W. Coutourie* (tracks: A, B1)

NOTES:
In World War Two The Average Age Of The Combat Soldier Was 26. In Vietnam He Was 19

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

New Order – Sub-Culture (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

Side One

REQUEST

“Sub-Culture” released in November 1985, is the tenth single by New Order.

It was the second and final single that also appeared on the group’s album release of the same year, Low-Life. A seven inch edit of the Robie remix taken from the Benelux version of the “Sub-culture” single appears on the group’s 1987 compilation, Substance.

The song has stirred some controversy with attempts to understand the lyrics being unsubstantiated by the group itself, particularly the use of the word shaft with its possible sexual connotations; i.e. “You’ll realize you can’t shaft without someone else”.

John Robie’s 12″ and 7″ single mixes provides a significant departure from the album version, using prominent vocals which feature Ish Ledesma of Foxy and Oxo with female backing singers. The version of the song Bernard sings in the remix has an altered line (whether it was intentional or not is unclear), changing the second verse’s line “A view without a room” into “A room without a view”. The remix was not very well received and garnered more attention for Robie’s extensive rework, that managed to be less-club friendly than the original album version despite his attempts to input greater melodic range. In spite of the poor reaction and sales, New Order and Robie collaborated for the band’s next two singles “Shellshock” and “State of the Nation” B-side “Shame of the Nation”.

On the UK Indepebdant singles chart the song reached #1 while on the UK Singles Chart it peaked at #63. In the US “Sub-Culture” reached #35 on the Billboard Dance chart and #18 for dance single sales.

SIDE A:
Sub-Culture (Remix) 7:25
Remix – John Robie

SIDE B:
Subvulture 7:55
Remix – John Robie

Sub-Culture 4:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (generic)

U.S. CHART HISTORY:

Year Single Chart Position
1985 Sub-Culture U.S. Billboard Hot Dance Music/Club Play #35
1985 Sub-Culture U.S. Billboard Hot Maxi-Singles Sales #18

 

RELEASE INFORMATION:
Label: Qwest Records ‎– 0-20390
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop
Credits: Mastered By – Herbie Jr.*
Producer, Written-By – New Order

NOTES:
A (Re)production of John Robie.
45 rotations per minute.
Original version on the Qwest album “LOW-LIFE”

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi