Tag: 1985

Atlantic Starr – Freak-A-Ristic (US 12″) (1985)

Burning The Ground Exclusive

By the mid-1980s, Atlantic Starr had already established themselves as a versatile force in R&B, known for their smooth ballads and energetic funk grooves. In 1985, the band entered a new chapter with the release of As the Band Turns, their sixth studio album. The lead single, “Freak-A-Ristic,” marked a turning point for the group—both musically and in terms of lineup.

Following the departure of longtime lead singer Sharon Bryant, Atlantic Starr underwent major changes. Four other members—drummer Porter Carroll, Jr., bassist Clifford Archer, trumpeter William Sudderth III, and saxophonist Koran Daniels—also exited, leaving the Lewis brothers (David, Jonathan, and Wayne) to restructure the group. Stepping into the spotlight was Barbara Weathers, whose smooth, confident vocals gave Atlantic Starr a fresh sound and direction.

Released in 1985, “Freak-A-Ristic” delivered a tight blend of funk, soul, and dance grooves, perfectly fitting the era’s club scene. The track showcased the band’s ability to reinvent themselves while keeping their signature polished musicianship intact. Listeners responded strongly on R&B radio: the single climbed to #6 on the Billboard R&B chart, while also reaching #90 on the Billboard Hot 100. Internationally, it found success in New Zealand, where it peaked at #38.

Though not as widely remembered as their later crossover ballads like “Always” and “Secret Lovers,” “Freak-A-Ristic” was essential in bridging Atlantic Starr’s early funk-driven sound with the smoother, more pop-friendly style that would bring them major mainstream success later in the decade. It also introduced the world to Barbara Weathers, who would become a key voice on some of the group’s biggest hits.

With its funky basslines, slick horn arrangements, and dance-floor energy, “Freak-A-Ristic” remains a snapshot of Atlantic Starr’s resilience and adaptability during a period of major transition.

SIDE A:
Freak-A-Ristic (Special Dance Mix) 6:30

SIDE B:
Freak-A-Ristic (Dub Mix) 6:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Freak-A-Ristic U.S. Billboard Hot 100 #90
1985 Freak-A-Ristic U.S. Billboard R&B / Hip-Hop #6

RELEASE INFORMATION:
Label: A&M Records – SP-12126
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1985
Genre: Electronic, Funk / Soul
Style: Funk

CREDITS:

NOTES:
Taken from the A&M album “As The Band Turns”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Charlie Sexton – Impressed (Canada 12″) (1985)

Burning The Ground Exclusive

In 1985, 16-year-old Texas guitar prodigy Charlie Sexton released his debut album Pictures for Pleasure. Fresh out of the Austin music scene, Sexton had already built a reputation as a musician well beyond his years.

Following the success of his debut single “Beat’s So Lonely,” which reached #17 on the Billboard Hot 100 and became an MTV staple, MCA Records issued “Impressed” as the album’s second single. While the track carried the same glossy production and atmospheric charm, “Impressed” unfortunately failed to chart.

Produced by Keith Forsey (Billy Idol, The Breakfast Club soundtrack), “Impressed” leans heavily into the mid-80s new wave/post-punk hybrid sound. With moody guitars, layered synth textures, and Sexton’s deep, mature-sounding vocal delivery, the song seemed tailor-made for radio and MTV rotation. The 12″ single featured extended and dance-oriented versions that gave the track a club-ready edge, contrasting the darker rock tones of the LP.

**As a bonus track, I have also included the 7″ Remix, which I transferred from the US promo 7″ single.

SIDE A:
Impressed (Mixed Impressions) (Extended Dance Remix) 6:19
Engineer [Remix] – Dave Concors
Remix – Arthur Barrow

SIDE B:
Impressed (Wanna Bet Dub) 7:26
Engineer [Remix] – Steve Parker (2)
Remix – Charlie SextonSteve Lillywhite

BONUS TRACK:
Impressed (7″ Remix) 3:45
Remix – Charlie SextonMichael FrondelliSteve Lillywhite

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records – MCA-23622
Format: Vinyl, 12″, 45 RPM, Single
Country: Canada
Released: 1986
Genre: Electronic. Rock
Style: Pop Rock, Synth-pop

CREDITS:

NOTES:
Original version appears on the Charlie Sexton album “Pictures For Pleasure”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Mr. Mister – Kyrie (US 12″ Promo) (1985)

Burning The Ground Exclusive

Released around Christmas 1985, “Kyrie” became the second single from Mr. Mister’s second studio album, Welcome to the Real World. By March 1986, the soaring track had reached #1 on the Billboard Hot 100, where it stayed for two weeks, cementing the band’s place in mid-80s pop-rock history.

Following the chart-topping success of their previous single, “Broken Wings,” “Kyrie” further established Mr. Mister’s distinctive blend of thoughtful lyricism and anthemic, radio-ready production. The song is built on a driving synth-rock arrangement, with shimmering guitars and Richard Page’s earnest, urgent vocal delivery pushing the melody skyward.

The title, “Kyrie,” comes from the Greek phrase Kyrie eleison, which translates to “Lord, have mercy.” While the song isn’t overtly religious, its lyrics reflect a deeper, spiritual plea set against the backdrop of personal and universal searching. It’s a reflective anthem disguised as a massive pop hit.

Interestingly, lyricist John Lang (a frequent Mr. Mister collaborator and Richard Page’s friend since high school) wrote the words after surviving a near-fatal accident. That brush with mortality infused the song with its sense of reverence and vulnerability.

The music video, a staple on MTV, featured tour footage mixed with scenes of the band traveling across the American heartland, perfectly capturing the song’s sense of journey—both literal and spiritual.

“Kyrie” resonated with a wide audience, not just because of its polished 80s production, but also because of its universal message of hope, redemption, and perseverance. Even decades later, its soaring chorus—“Kyrie eleison, down the road that I must travel…”—still feels like an anthem for anyone navigating life’s uncertain paths.

*This 12″ promo was pressed on 100% virgin vinyl, dynamically enhanced for radio.

SIDE A:
Kyrie (Fade End) 4:33

SIDE B:
Kyrie (Acapella End) 4:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Kyrie U.S. Billboard Hot 100 #1
1985 Kyrie U.S. Billboard Adult Contemporary #11
1985 Kyrie U.S. Billboard Mainstream Rock #1

RELEASE INFORMATION:
Label: RCA – JD-14248
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1985
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
From the “Welcome To The Real World” album.

Made in U.S.A.

Not for sale.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Jody Watley – Girls Night Out (UK 12″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: May 4, 2018

Before Jody Watley became a chart-topping solo sensation in the late 1980s, she was already redefining herself beyond her Shalamar roots. In 1985, she took her first bold steps into solo artistry with a sleek, dance-forward single “Girls Night Out”—a track that quietly laid the groundwork for what was to come.

Only released in Europe on Mercury Records, “Girls Night Out” marked Jody’s second solo single after her departure from Shalamar, following 1984’s “Where the Boys Are.” While it didn’t make a commercial splash at the time, the record showcases a confident, club-ready Watley stepping into the spotlight with style and poise.

The single was co-produced by Gary Langan, a founding member of the Art of Noise, bringing a distinctly British edge and studio sophistication to the production. Langan’s signature blend of synth-heavy textures and abstract funk grooves pairs perfectly with Jody’s smooth vocal delivery, creating a track that’s both polished and underground. You can hear echoes of Art of Noise’s experimental rhythms layered beneath a crisp pop sheen—blurring the lines between electro, post-disco, and early house.

Released as Mercury MERX 196, the 12″ features an Extended Dance Version that gives the song plenty of room to breathe on the floor. Thumping basslines, stabbing synths, and a no-nonsense vocal performance make this a criminally underrated gem from her pre-solo-album years. It’s pure mid-’80s club magic.

This rare vinyl release is a true collector’s piece and a fascinating glimpse at an artist on the verge of superstardom. Just two years later, Watley would explode onto the U.S. charts with her debut album and the hit single “Looking for a New Love.” But with “Girls Night Out,” she was already signaling that the future of pop and dance belonged to her.

So grab your heels, call your crew, and turn it up—tonight’s for the girls.

🎶💃

BTG EXCLUSIVE BONUS

As a special treat, I’ve also included the rare 7″ Version of “Girls Night Out,” which does not appear on the 12″ single and is being featured here on Burning the Ground for the very first time. This shorter edit brings a tighter, radio-friendly structure to the track without losing any of its bold attitude or groove.

This is a must-hear for completists and a great introduction for anyone unfamiliar with this early, essential chapter in Jody’s solo career.

SIDE A:
Girls Night Out (Dance Mix) 5:53
ngineer – Gary Langan
Producer – Bruce Woolley , Gary Langan
Written-By – B. Woolley* , J. Watley*

SIDE B:
My House (4-free) 4:52
Engineer – Simon Sullivan
Producer – Bruce Woolley
Written-By – B. Woolley* , J. Watley*

BONUS TRACK:
Girls Night Out (7″ Version) 3:36
ngineer – Gary Langan
Producer – Bruce Woolley , Gary Langan
Written-By – B. Woolley* , J. Watley*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – Merx 196
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

Buy The 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.