Tag: 1985

November 4, 2025

Wang Chung – To Live And Die In L.A. (UK 12″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Originally posted on April 5, 2018, this 12″ single has been given a meticulous 2025 audio restoration, enhancing clarity, dynamics, and depth while preserving the warmth of the original vinyl pressing.

Released in September 1985, “To Live and Die in L.A.” stands as one of the most evocative singles of the decade — a moody, cinematic piece that perfectly captures the neon-lit tension of the era. Written and performed by Wang Chung — the British duo of Jack Hues and Nick Feldman — the song was composed specifically for director William Friedkin’s 1985 crime thriller of the same name.

Following the success of their 1984 album Points on the Curve and the hit single “Dance Hall Days,” Wang Chung were approached directly by Friedkin, who was impressed by the atmospheric quality of their music. He commissioned them to create the entire soundtrack for his upcoming film. Unlike most directors, Friedkin gave the band complete creative freedom, telling them, “I don’t want songs that comment on the action. I want music that becomes the action.”

The result was a strikingly original soundtrack that fused synth-pop, ambient textures, and instrumental experimentation — a soundscape as stylish and dangerous as the film’s Los Angeles setting. The title track serves as both the emotional and thematic centerpiece, with Hues’ cool, detached vocals floating over pulsating synths and slow, haunting percussion. The lyrics speak of honor, love, and freedom — echoing the film’s fatalistic tone and moral ambiguity.

While “To Live and Die in L.A.” peaked at #41 on the Billboard Hot 100, its influence has endured far beyond its chart position. It’s a track that rewards rediscovery — a haunting anthem for dreamers and drifters, shimmering with the melancholic beauty that defined much of mid-’80s electronic pop.

The Extended Version was released exclusively on the UK 12” single (Geffen Records, stretching the song to nearly six minutes with an expanded intro and instrumental sections that heighten its hypnotic mood. No instrumental mix was ever issued, making the extended 12” version the definitive way to experience the track in its fullest form.

After the To Live and Die in L.A. project, Wang Chung returned to mainstream pop success with Mosaic (1986) and the massive hit “Everybody Have Fun Tonight.” Yet this song — and the album it anchors — remains their most artistically ambitious work, a timeless fusion of pop and noir that captures the sound of Los Angeles in all its beauty and decay.

Nearly forty years later, “To Live and Die in L.A.” still glows with the same dangerous allure — a haunting reminder that Wang Chung were more than just party anthems and pop hooks. They could also craft music that felt like cinema.

SIDE A:
To Live And Die In L.A. (Extended Version) 5:57
Producer – Steve Jolley & Tony Swain

SIDE B:
Dance Hall Days (Remix) 8:13
Producer – Chris Hughes, Ross Cullum

Black-Blue-White 2:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Wang Chung: *To Live And Die In L.A.* (1985)
Chart	Peak Position	Date
US Billboard Hot 100	#41	1985
US Billboard Mainstream Rock Tracks	#21	1985

RELEASE INFORMATION:
Label: Geffen Records ‎– TA 6756
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

Written-By – Wang Chung

NOTES:
Tracks A1-B2 from the Music From The Motion Picture “To Live And Die In L.A.

Track B2 Recorded in Motion-Rama by Dave Motion

Track B1 from the LP “Points On A Curve”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 7, 2025

3 Speed / Maria Vidal – Once Bitten / Just One Kiss (US 7″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

I originally posted this single back in October 2014, but for Spooky Season Spins 2025 I’m proud to share a brand-new, meticulously restored transfer — crisp, clean, and better than ever.

Spooky Season Spins Begins! 🎃💀🕸️

October is here, and that means it’s time to dust off the cobwebs, dim the lights, and turn up the volume — Spooky Season Spins officially begins today on Burning The Ground!

To kick things off, I’m featuring a rare and fascinating 7″ single pairing two tracks that perfectly capture that eerie ‘80s edge: 3 Speed – “Once Bitten” backed with Maria Vidal – “Just One Kiss.”

Released in 1985, this promo single was tied to the cult horror-comedy Once Bitten, starring a young Jim Carrey and Lauren Hutton. The A-side, “Once Bitten” by 3 Speed, brings that quintessential mid-80s movie soundtrack energy — upbeat, synthy, and a little bit dangerous. Flip it over, and Maria Vidal (best known for her hit “Body Rock”) delivers “Just One Kiss,” a sultry, atmospheric cut that’s dripping with vampiric allure.

3 Speed, a synth-rock band formed in Boston, enjoyed considerable success following the release of the Once Bitten soundtrack. At one point, they were even opening for Pat Benatar. Despite this momentum, MCA Records never petitioned the band to record a full-length LP, commissioning them instead to write songs for other soundtracks — including Rad and Savage Streets.

Both tracks on this single — “Once Bitten” and “Just One Kiss” — were written by legendary songwriting duo Billy Steinberg and Tom Kelly, who went on to craft some of the biggest hits of the 1980s and 1990s, including “Like A Virgin,” “True Colors,” “So Emotional,” and “Eternal Flame.”

“Just One Kiss” had actually been recorded earlier, in 1982, by Rick Springfield for his album Success Hasn’t Spoiled Me Yet — making the Once Bitten versions a fascinating bridge between early ‘80s pop-rock and mid-decade soundtrack synth-pop.

This record is one of those under-the-radar soundtrack gems that never got a wide release, making it a real treat for collectors and spooky-season DJs alike.

So cue the fog machine, light a few candles, and let’s sink our teeth into this one — the first Spooky Season Spin of 2025.

🩸 Stay tuned all month long for more hauntingly good 12″ and 7″ treats from the darker corners of the 1980s dancefloor.

SIDE A:
Once Bitten 3:39
Performed By – 3-Speed*

SIDE B:
Just One Kiss 4:00
Performed By – Maria Vidal

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Curb Records – MCA-52717, MCA Records – MCA-52717
Format: Vinyl, 7″, 45 RPM
Country: US
Released: 1985
Genre: Electronic, Rock
Style: New Wave, Pop Rock

CREDITS:

Engineer – Brian Reeves
Producer – Richie Zito
Written-By – B. Steinberg*, T. Kelly*

NOTES:
From the MCA/CURB LP, MCA-6154, “Music From The Motion Picture Soundtrack “Once Bitten.”

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

September 17, 2025

Kaja – Shouldn’t Do That (Disciplined) (UK 12″) (1985)

Burning The Ground Exclusive

If you’ve followed the quirky trajectory of Kajagoogoo, you know their journey from the breakout synth-pop of White Feathers to the more experimental corners of their later work was anything but predictable. By 1985, the band, now simply billed as Kaja, released their third album, Crazy Peoples Right to Speak, and with it came a single that encapsulated both their pop sensibilities and their willingness to push boundaries: “Shouldn’t Do That.”

Released by Parlophone/EMI America, “Shouldn’t Do That” didn’t storm the charts like their early hits, peaking at #63 in the UK, but it remains a fascinating slice of mid-80s new wave. Its layered synths, driving rhythm, and unmistakable melodic flair demonstrate that even as the band evolved, they retained the catchy hooks that made them a staple of early-80s British pop.

Interestingly, the single also found a home beyond the record charts. It was included in the soundtrack of 1985’s Santa Claus: The Movie, adding an unexpected pop edge to the festive film. For many fans, this placement cemented the track’s quirky charm—playful enough for a family movie, yet still very much a product of Kaja’s distinctive new wave style.

“Shouldn’t Do That” may not be the band’s most famous track, but it’s a perfect snapshot of a group experimenting with identity, sound, and expression in the mid-80s. For collectors, 80s enthusiasts, and anyone curious about the paths Kajagoogoo/Kaja explored after their initial fame, it’s an essential listen.

SIDE A:
Shouldn’t Do That (Disciplined) 6:58
Mixed By – Ken Scott

SIDE B:
Charm Of A Gun 4:27
Backing Vocals – Lezlee Cowling
Guitar [Solo] – Michael Thompson
Mixed By – Nick Beggs, Paul Ryan (2), Steve Askew (2), Stuart Croxford Neale

Shouldn’t Do That (Undisciplined) 5:59
Mixed By – Nick Beggs, Paul Ryan (2), Steve Askew (2), Stuart Croxford Neale

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12R 6106
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:

Design – The Square Red Studio
Drums – Dave Mattocks*
Guitar – Steve Askew (2)
Lacquer Cut By – Nickz*
Lead Vocals, Bass – Nick Beggs
Photography By – Peter Ashworth
Producer – Ken Scott
Vocals, Keyboards – Stuart Croxford Neale
Written-By – N. Beggs*, S. Askew*, S. Neale*

NOTES:
Made in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

September 2, 2025

Atlantic Starr – Freak-A-Ristic (US 12″) (1985)

Burning The Ground Exclusive

By the mid-1980s, Atlantic Starr had already established themselves as a versatile force in R&B, known for their smooth ballads and energetic funk grooves. In 1985, the band entered a new chapter with the release of As the Band Turns, their sixth studio album. The lead single, “Freak-A-Ristic,” marked a turning point for the group—both musically and in terms of lineup.

Following the departure of longtime lead singer Sharon Bryant, Atlantic Starr underwent major changes. Four other members—drummer Porter Carroll, Jr., bassist Clifford Archer, trumpeter William Sudderth III, and saxophonist Koran Daniels—also exited, leaving the Lewis brothers (David, Jonathan, and Wayne) to restructure the group. Stepping into the spotlight was Barbara Weathers, whose smooth, confident vocals gave Atlantic Starr a fresh sound and direction.

Released in 1985, “Freak-A-Ristic” delivered a tight blend of funk, soul, and dance grooves, perfectly fitting the era’s club scene. The track showcased the band’s ability to reinvent themselves while keeping their signature polished musicianship intact. Listeners responded strongly on R&B radio: the single climbed to #6 on the Billboard R&B chart, while also reaching #90 on the Billboard Hot 100. Internationally, it found success in New Zealand, where it peaked at #38.

Though not as widely remembered as their later crossover ballads like “Always” and “Secret Lovers,” “Freak-A-Ristic” was essential in bridging Atlantic Starr’s early funk-driven sound with the smoother, more pop-friendly style that would bring them major mainstream success later in the decade. It also introduced the world to Barbara Weathers, who would become a key voice on some of the group’s biggest hits.

With its funky basslines, slick horn arrangements, and dance-floor energy, “Freak-A-Ristic” remains a snapshot of Atlantic Starr’s resilience and adaptability during a period of major transition.

SIDE A:
Freak-A-Ristic (Special Dance Mix) 6:30

SIDE B:
Freak-A-Ristic (Dub Mix) 6:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1985	Freak-A-Ristic	U.S. Billboard Hot 100	#90
1985	Freak-A-Ristic	U.S. Billboard R&B / Hip-Hop	#6

RELEASE INFORMATION:
Label: A&M Records – SP-12126
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1985
Genre: Electronic, Funk / Soul
Style: Funk

CREDITS:

Art Direction – Chuck Beeson
Design, Painting – Larry Vigon
Engineer – Fred Law
Engineer [Remix] – Bill Bottrell
Mixed By [Mixologist] – David Lewis, John McClain, Jonathan Lewis, Wayne Lewis (2)
Producer – David Lewis, Wayne Lewis (2)
Producer [Associate] – Jonathan Lewis
Written-By – David E. Lewis*

NOTES:
Taken from the A&M album “As The Band Turns”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.