Burning The Ground Exclusive 1984
BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!
AN 80S AUDITORY ICON
NEW 2023 Transfer!
NEW Meticulous Audio Restoration!
Originally posted May 20, 2015
“Girls Just Want to Have Fun” is a song made famous by Cyndi Lauper four years after it was written by Robert Hazard. It was the first major single released by Lauper as a solo artist and the lead single from her debut studio album, She’s So Unusual (1983). Lauper’s version gained recognition as a feminist anthem and was promoted by a Grammy-winning music video. It has been covered, either as a studio recording or in a live performance, by over 30 other artists.
The single was Lauper’s breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Lauper’s signature songs and was a widely popular song during the 1980s. The lists “Rolling Stone and MTV: ‘100 Greatest Pop Songs’: 1–50”, “Rolling Stone: The 100 Top Music Videos” and “VH1: 100 Greatest Videos” ranked the song at No. 22, No. 39 and No. 45, respectively. The song received Grammy Award nominations for Record of the Year and Best Female Pop Vocal Performance.
The song was written by Robert Hazard, who recorded a demo of it in 1979. Hazard wrote the song from a male point of view. Lauper’s version appeared on her 1983 debut solo record She’s So Unusual. Lauper changed some of the lyrics at the suggestion of her producer and she also had her own suggestions about how her version should sound. The track is a synthesizer-backed anthem, from a feminist perspective, conveying the point that all women really want is to have the same experiences that men can have.[9] Gillian G. Gaar, author of She’s a Rebel: The History of Women in Rock & Roll (2002), described the single and corresponding video as a “strong feminist statement”, an “anthem of female solidarity” and a “playful romp celebrating female camaraderie.”
Cash Box said that “Robert Hazard’s original male point of view is transformed into a cheerleader-like sing-along for party girls, and the Toni Basil–like beat is augmented by a hooky, ringing guitar.”
The song was released in late 1983 but much of its success on the charts came during the first half of 1984. The single reached the Top 10 in over 25 countries and reached No. 1 in ten of those countries including Australia, Brazil, Canada, Ireland, Japan, New Zealand, and Norway. It also reached No. 2 in both the United Kingdom and the United States.
In the United States, the song entered the Billboard Hot 100 at No. 80 on December 17, 1983. It ultimately peaked at No. 2 on March 10, 1984, where it stayed for two weeks, behind Van Halen’s “Jump”. In the United Kingdom, the song entered the chart at No. 50 on January 14, 1984, and peaked at No. 2 on February 4, 1984, where it stayed for one week. In Ireland, the song entered the chart on January 29, 1984. It peaked at No. 1 for two weeks and was on the chart for a total of seven weeks. In Australia, the song debuted on the Kent Music Report Top 100 on February 27, 1984. It entered the Top 10 in only its third week on the chart and reached No. 1 on March 26, 1984. It topped the chart for two weeks and then remained at No. 2 for four weeks behind Nena’s “99 Luftballons”. It stayed on the chart for 21 weeks and was the 9th biggest-selling single of the year. In Belgium, the song debut at No. 38 on February 18, 1984, and peaked at No. 4 on April 7, 1984. In the Netherlands, the song entered the chart at No. 38 on February 25, 1984, and peaked at No. 4 on March 31, 1984.
In Sweden, the song entered at No. 13 on March 6, 1984, and peaked at No. 5 on April 3, 1984, charting for six weeks. In Switzerland, the song entered the chart at No. 15 on April 1, 1984, and peaked at No. 6 on April 29, 1984. In New Zealand, the song debuted at No. 21 on April 1, 1984, and peaked at No. 1 on May 6, 1984, where it stayed for three weeks. In Austria, the single entered at No. 3 on May 1, 1984, which was its peak position. In Netherland and New Zealand “Girls Just Want To Have Fun” made the year end charts for the Top 100 of 1984. On the ARC (American Radio Chart), “Girls Just Want To Have Fun” reached #1 and made the Top 40 songs of the year for 1984.
SIDE A:
Girls Just Want To Have Fun (Extended Version) 6:05
SIDE B:
Fun With V. Knutsn (Instrumental) 7:09
Xtra Fun 5:07
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
U.S. CHART HISTORY:
| Year |
Single |
Chart |
Position |
| 1984 |
Girls Just Want To Have Fun |
U.S. Billboard Hot 100 |
#2 |
| 1984 |
Girls Just Want To Have Fun |
U.S. Billboard Hot Dance Music/Club Play |
#1 |
RELEASE INFORMATION:
Label: Portrait – 12・3P-509
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1984
Genre: Electronic
Style: Synth-pop
CREDITS:
NOTES:
Special version from the LP “SHE’S SO UNUSUAL”
Manufactured in Japan.
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
You can help show your support for this blog by making a donation using PayPal. Thank you for your help.
“Tokyo Rose” is the debut single by Canadian Rock Band Idle Eyes. The song peaked at #16 on RPM’s Canadian singles chart in June 1985. “Tokyo Rose” won an award that year from SOCAN (Society of Composers, Authors and Music Publishers of Canada) as one of the top ten most-played songs on Canadian radio that year.
