Tag: 1984

Evelyn Thomas – High-Energy (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“High-Energy” is the title of a 1984 song co-written and co-produced by Ian Levine and Fiachra Trench, and performed by American dance singer Evelyn Thomas. The song was very popular in dance clubs around the world, and it topped the American dance chart in September of that year. It also spent four weeks atop the singles chart in Germany, and peaked at #5 in the UK. It became one of the earliest successful songs within the genre of music that has come to be known as Hi-NRG.

SIDE A:
High-Energy (Original Version) 7:50

SIDE B:
High-Energy (Remix) 8:35
Engineer – David Storrs
Remix – Victor Flores

High-Energy (Remix Instrumental Dub) 5:18
Engineer – David Storrs
Remix – Victor Flores

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 High-Energy U.S. Billboard Hot 100 #85
1984 High-Energy U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: TSR Records ‎– TSR-833, TSR Records ‎– TSR833
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: Hi NRG, Disco

CREDITS:
Arranged By – Fiachra Trench
Design [Art Design] – Ron Wong
Producer [Credited On Labels] – Ian Levine and Fiachra Trench
Producer [Credited On Sleeve] – Ian Levine
Written-By – Ian Levine / Fiachra Trench*

NOTES:
Original & Special Remix Versions
Tempo: 124 BPM

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Pseudo Echo – New York Dance Mix (Australia 12″ EP)

BURNING THE GROUND EXCLUSIVE 1984

“Stranger in Me” is a song by Australian pop group Pseudo Echo. The song was released in November 1984 as the fourth and final single from their debut studio album, Autumnal Park (1984). The song peaked at number 58 on the Australian Kent Music Report in December 1984.

The 12″ is also known as “New York Dance Mix” which was released only in Australia and New Zealand featuring remixes by Steve Thompson.

SIDE A:
Stranger In Me 6:05
Listening 5:33

SIDE B:
Stranger In Me (Instrumental) 5:31
Destination Unknown 5:48

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI – ED-96
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Australia
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Engineer – Glen Phimister, Michael Barbiero
Producer – John Punter
Remix – Steve Thompson
Written-By – B. Canham*, F. Scalzo (tracks: B2), P. Pierre* (tracks: B2), T. Lugton* (tracks: A2)

NOTES:
Recorded at Studio 301, Sydney, Australia.
Re-Mixed and Engineered at Mediasound, New York City

Find the 12″ EP at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Smiths – How Soon Is Now? (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“How Soon Is Now?” is a song by the English rock band the Smiths, written by singer Morrissey and guitarist Johnny Marr. Originally a B-side of the 1984 single “William, It Was Really Nothing”, “How Soon Is Now?” was subsequently featured on the compilation album Hatful of Hollow and on US, Canadian, Australian, and Warner UK editions of Meat Is Murder. Belatedly released as a single in the UK in 1985, it reached No. 24 on the UK Singles Chart. When re-released in 1992, it reached No. 16.

In 2007, Marr said “How Soon Is Now?” is “possibly [the Smiths’] most enduring record. It’s most people’s favourite, I think.” Despite its prominent place in the Smiths’ repertoire, it is not generally considered to be representative of the band’s style. Although a club favourite, it did not chart as well as expected. Most commentators put this down to the fact that the song had been out on vinyl in a number of forms before being released as a single in its own right. The original track runs for nearly seven minutes; however, the 7″ single edit cut the length down to under four minutes. The complete version is generally used on compilations.

This U.S. 12″ contains an alternate U.S. edit which is different from the UK 7-inch mix.

SIDE A:
How Soon Is Now? (Long Version) 6:44

SIDE B:
Girl Afraid 2:48
How Soon Is Now? (U.S. Edit) 3:54

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire ‎– 0-20284, Sire ‎– 9 20284-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1984
Genre: Rock
Style: Alternative Rock, Indie Rock

CREDITS:
Bass Guitar – Andy Rourke
Drums – Mike Joyce
Guitar, Mandolin –Johnny Marr
Music By – Johnny Marr
Photography By – Paul Slattery
Producer – John Porter
Voice – Morrissey
Words By – Morrissey

NOTES:
Made in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Queen – I Want To Break Free (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“I Want to Break Free” is a song by the British rock band Queen, from their eleventh album The Works (1984). It was written by bass guitarist John Deacon and was released in three versions: album, single and extended. It came to be included in most live concerts by the group, in several videos and in The Freddie Mercury Tribute Concert where it was sung by Lisa Stansfield.

The song is largely known for its music video for which all the band members dressed in women’s clothes, a concept proposed by Roger Taylor, which parodied the long-running ITV soap opera Coronation Street. The second part of the video included a composition rehearsed and performed with the Royal Ballet and choreographed by Wayne Eagling. Whereas the parody was acclaimed in the United Kingdom, it was considered controversial in the United States and banned by MTV and other stations. After its release in 1984, the single of the song was well received all over Europe and South America, where it was listed within top ten and regarded as an anthem of the fight against oppression. The single reached only the 45th position in the US charts, but reached number 3 in the UK and was certified silver with 200,000+ copies sold.

The rear of the sleeve incorrectly lists the B side track as just “Machines (or ‘Back To Humans’)” which was the B side in many countries, but the label correctly lists “Machines (or ‘Back To Humans’) – Instrumental Version”.

SIDE A:
I Want To Break Free (Extended Mix) 7:12
Written-By – Deacon*

SIDE B:
Machines (Or “Back To Humans”) (Instrumental Version) 5:04
Written-By – May*, Taylor*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 I Want To Break Free U.S. Billboard Hot 100 #45

 

RELEASE INFORMATION:
Label: Capitol Records ‎– V-8590
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1984
Genre: Rock
Style: Pop Rock

CREDITS:
Engineer – Mack (2)
Producer – Mack (2), Queen

NOTES:
From the LP “THE WORKS”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi