Tag: 1982

Josie Cotton – Johnny Are You Queer? (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Johnny Are You Queer?” is a 1980s pop song that was written by Bobby and Larson Paine. The song was first performed live by the Go-Go’s and was later performed by Josie Cotton, who released the song as a single in 1981 and 1982, and as part of her 1982 album Convertible Music. The song was also featured on the Valley Girl soundtrack.

The song was the subject of controversy upon its release. Cotton was accused by multiple conservative groups as promoting homosexuality and one network claimed that “there was no Josie Cotton and that she was actually a gay man who was trying to convert unsuspecting straight men into a homosexual lifestyle.” The Village Voice and The Advocate were both highly critical of “Johnny, Are You Queer?” and The Advocate demonized the work in an article entitled “Josie, Are You A Bitch?”

Years later AllMusic reviewed the song and noted that “In retrospect, the song sounds rather tame, and throughout, the joke is on the petulant girl, not Johnny: “he’s not interested in her that way, so clearly he must not like girls” is (deliberately) a laughably arrogant premise.”

Cotton has stated that since the song’s release she has been contacted by several people who thanked her for the song, as it helped them come to terms with their own homosexuality.

In 1982, the song reached #38 on the U.S. Billboard Club Play Singles chart.

SIDE A:
Johnny Are You Queer? 2:46

SIDE B:
(Let’s Do) The Blackout 2:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Johnny Are You Queer? U.S. Billboard Hot Dance Music/Club Play #38

 

RELEASE INFORMATION:
Label: Elektra ‎– AS-11538
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1981
Genre: Rock
Style: New Wave, Power Pop

CREDITS:
Bass, Guitar – Bobby Paine
Drums – Richard Adelman
Drums [Additional] – Don Heffington
Engineer – Geza X, Glenn Feit, Ray Blair
Piano – Jimmy Ehinger
Producer, Written-By – Bobby Paine, Larson Paine
Synthesizer – J.B. Frank*

NOTES:
“Johnny Are You Queer?” from the LP “Convertible Music”.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Endgames – First-Last-For Everything (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“First-Last-For Everything” is the second single released by Scottish pop band Endgames. Produced by Steve Levine (soon famed for the production work with Culture Club). It found success in clubs in Europe and North America, receiving significant airplay in Canada, especially on the “alternative” radio station CFNY-FM (Toronto), while in the US it was a club success. Eventually it charted in the Billboard magazine Hot Dance Music/Clup Play Chart, peaking at No. 31.

SIDE A:
First-Last-For Everything (Club Version) 4:38

SIDE B:
First-Last-For Everything (Dub Version) 5:00

VINYL GRADE:
Vinyl Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 First-Last-For Everything U.S. Billboard Hot Dance Music/Club Play #31

 

RELEASE INFORMATION:
Label: Virgin ‎– GAME 212
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:
Mastered By – Timtom*
Producer – Steve Levine
Written-By – Endgames

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

A Flock Of Seagulls – Space Age Love Song (US 7″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

REQUEST

“Space Age Love Song” is a 1982 single released by the British band, A Flock of Seagulls. It was their fourth single. Lead guitarist Paul Reynolds remarked on their 1984 video album “Through the Looking Glass” that he thought of the song’s title. He said that the band wrote and recorded it, but couldn’t come up with the title. He suggested “Space Age Love Song” because he thought it sounded like a space age love song. His idea stuck as the song’s permanent title.

“Space Age Love Song” peaked at No. 30 in the US Billboard Chart, No. 31 in New Zealand, No. 34 in the UK Singles Chart and No. 68 in Australia.

The 7″ Edit is about twenty seconds or so shorter than the album version. This version has a shorter intro and to my knowledge has not appeared on CD most compilations use the 3:47 album version.

SIDE A:
Space Age Love Song (7″ Edit) 3:22

SIDE B:
Windows 3:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Space Age Love Song U.S. Billboard Hot 100 #30
1982 Space Age Love Song U.S. Billboard Mainstream Rock Tracks #59

 

RELEASE INFORMATION:
Label: Jive ‎– VS 2003
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Design – Maude Gilman
Engineer – Mike Shipley
Mastered By – TC*
Photography By [Photo] – Elizabeth Baptiste
Producer – Mike Howlett
Written-By – A. Score*, F. Maudsley*, M. Score*, P. Reynolds*

NOTES:
Available for the first time in the U.S.

Printed in U.S.A.
Recorded at Battery Studios (London).

Find the 7″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Neil Young – Sample And Hold (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

a-front

“Sample And Hold” is a single by Canadian musician and singer-songwriter Neil Young, released in 1982 from the album Trans on Geffen Records. The release was a departure for Neil Young who was best known for recording Folk/Rock. “Sample And Hold” is a new wave/space rock track complete with a vocoder distorting Young’s vocals. Young’s direction was influenced by the electronic experiments of the German band Kraftwerk, but more importantly he felt that distorting his voice reflected his attempts to communicate with his young son Ben who was born with cerebral palsy. While the album Trans was a top twenty hit in the US “Sample And Hold” failed to chart.

SIDE A:
Sample And Hold (Dance Remix) 6:46

SIDE B:
Mr. Soul (Dance Remix) 5:50
Sample And Hold (Single Version) 3:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Geffen Records ‎– 0-20105
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1982
Genre: Electronic, Rock
Style: New Wave, Space Rock

CREDITS:
Edited By – John Ingham, Phil Brown, Steve Sukman
Producer – David Briggs, Neil Young, Tim Mulligan
Remix – David Briggs, Richard Kaplan

NOTES:
Original versions available on the Geffen album “TRANS”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi