Tag: 12″

Helen Reddy – Surrender (The Remix) (US 12”) (1998)

Burning The Ground Exclusive

Helen Reddy, best known for her empowering anthem “I Am Woman,” surprised fans in 1998 with a stunning rendition of “Surrender.” Originally from Andrew Lloyd Webber’s musical Sunset Boulevard, Reddy’s take on the song was featured on her final studio album Center Stage (1998), which showcased her deep appreciation for theatrical compositions.

Released as a single on September 15, 1998, “Surrender” came with a remix that transformed the dramatic ballad into a dancefloor-ready track. This high-energy remix infused a pulsating beat with Reddy’s powerful vocals, creating an electrifying experience that resonated with both longtime fans and club-goers alike. Many have drawn comparisons between this remix and classic disco hits, noting its ability to captivate audiences with its infectious rhythm.

The remix single, titled Surrender (The Remix), was released under the Varèse Sarabande label, further cementing Reddy’s versatility as an artist. While she was primarily known for her soft rock and pop ballads, this remix demonstrated her ability to embrace new sounds and appeal to a fresh generation of listeners.

Helen Reddy’s performance in “Surrender” is a testament to her enduring talent, seamlessly blending theatrical elegance with contemporary energy. Whether you prefer the original theatrical version or the dance remix, this track remains a fascinating part of her musical legacy.

SIDE A1:
Surrender (The Remix) 5:01
Producer – Andy Zulla
Producer – Andy Zulla

SIDE A2:
Surrender (Album Version) 3:43
Arranged By – Ron Abel
Orchestrated By – Steven Orich
Producer – Bruce Kimmel

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Varèse Sarabande – VS12-5818
Format: Vinyl, 12″, 33 ⅓ RPM, Single Sided
Country: US
Released: Sept 15, 1998
Genre: Electronic, Pop
Style: Downtempo, Synth-pop

CREDITS:

NOTES:
Single-sided 12″ single

Track 1 for SAZ Productions Inc., New York City

“Surrender” is from The Broadway Musical “Sunset Blvd.”
Album Version taken from the Helen Reddy 1998 Album “Center Stage”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Gwen Guthrie – Ain’t Nothin’ Goin’ On But The Rent (US 12″ Promo) (1986)

Burning The Ground Exclusive

Ain’t Nothin’ Goin’ On but the Rent is a song by American singer-songwriter Gwen Guthrie, released in 1986 as the lead single from her fourth studio album, Good to Go Lover. Written and produced by Guthrie herself, the song became the biggest hit of her career, delivering a bold message of financial independence and self-worth wrapped in an irresistibly funky groove.

Blending smooth R&B, dancefloor-ready beats, and assertive lyrics, Ain’t Nothin’ Goin’ On but the Rent set clear expectations for financial responsibility in relationships. With its unforgettable hook—“You got to have a J-O-B if you wanna be with me”—the track quickly became an anthem of empowerment, particularly resonating with women in the workforce during the mid-’80s.

Chart Performance

Chart-wise, the song had a moderate impact on the U.S. pop chart, peaking at #42 on the Billboard Hot 100, but it dominated the R&B and dance scenes, spending one week at #1 on the Billboard R&B chart and two weeks at #1 on the Billboard Hot Dance Club Play chart. Internationally, the track reached #1 in New Zealand and Zimbabwe and performed well across Europe, peaking at #5 on the UK Singles Chart. A 1993 remix of the song also saw success, reaching #8 on the UK Dance Singles Chart.

Gwen Guthrie’s Legacy

Known for her powerhouse vocals and songwriting talents (she penned hits for Sister Sledge, Ben E. King, and Roberta Flack), left us too soon in 1999, but her music lives on. Ain’t Nothin’ Goin’ On But The Rent remains a staple of ‘80s dance and R&B culture—a track that demands respect and keeps dancefloors moving to this day.

SIDE A:
Ain’t Nothin’ Goin’ On But The Rent (12″ Club Mix) 7:16
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

Ain’t Nothin’ Goin’ On But The Rent (Dub Mix) 7:43
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

SIDE B:
Ain’t Nothin’ Goin’ On But The Rent (Larry Levan 12″ Club Mix) 5:59
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

Ain’t Nothin’ Goin’ On But The Rent (Larry Levan Dub Mix) 7:04
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot 100 #42
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Dance Club Songs #1
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot Dance Singles Sales #3
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot R&B / Hip-Hop Songs #1

RELEASE INFORMATION:
Label: Polydor – 885 106-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo, Stereo
Country: US
Released: 1986
Genre: Electronic, Funk, Soul
Style: Soul, Funk, Garage House

CREDITS:

NOTES:

From the Polydor LP “Good To Go”

“Promotional Copy Not for Sale” is printed on the labels above catalog number.

Additional information:
The title “Passion Eyes” which is given on the back cover, is actually not present.

Some promo copies were pressed on translucent vinyl which appears gray or brown when held in front of a strong light.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Nick John – All I Want Is You (US 12″) (1987)

Burning The Ground Exclusive

Hi-NRG DISCO FRIDAY

Nick John, born Nickolas Johnathan Kovaleski, emerged as a notable figure in the mid-1980s Hi-NRG music scene. His striking blonde appearance and multifaceted talents as a singer, songwriter, and producer quickly garnered attention, making him a prominent poster boy for the genre during that era.

In 1986, at the age of 22, Nick John released his debut single, “Planet Nine,” under the renowned Megatone Records label. This track showcased his ability to blend energetic rhythms with catchy melodies, characteristic of the Hi-NRG style.

Following the success of his debut, he continued to make waves with subsequent releases, including “All I Want Is You” in 1987. This 12″ single further cemented his status in the dance music community, offering club-goers an infectious beat and memorable hooks.

Despite his early promise and contributions to the Hi-NRG genre, detailed information about Nick John’s career progression and life after his initial musical endeavors remains scarce. His work, however, continues to be celebrated by enthusiasts of 1980s dance music, ensuring his legacy within the genre endures.

SIDE A:
All I Want Is You (Club Mix) 7:39

SIDE B:
All I Want Is You (Razormaid Mix) 7:07
Engineer – Joseph Watt
Remix – Joseph Watt

All I Want Is You (Rhythm Radio Mix) 4:04

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Megatone Records – MT-151
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic
Style: Disco, Hi NRG

CREDITS:

NOTES:
A1, B2 Mixed at Starlight Studio, Richmond, CA
Razormaid Mixed at: Alpha Omega Studio San Francisco, CA
Photography Mark Guerra Austin, Texas
Booking agent Jeff Lepie, 213-392, 1467

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Spear Of Destiny – Never Take Me Alive (UK 12″) (1987)

Burning The Ground Exclusive

“Never Take Me Alive” is a 1987 single by the English rock band Spear of Destiny, led by vocalist and songwriter Kirk Brandon. The song was featured on their fourth studio album, Outland, and became their biggest chart success, reaching #14 on the UK Singles Chart.

With its dramatic, almost cinematic lyrics, “Never Take Me Alive” tells the story of a fugitive on the run, willing to fight to the end rather than be captured. The song’s rebellious spirit and Brandon’s passionate, commanding vocal performance made it a standout track of the era. Musically, it blends post-punk, new wave, and alternative rock, with an anthemic chorus and driving instrumentation that set it apart from the more polished pop of the mid-’80s.

Spear of Destiny had built a cult following in the UK, and “Never Take Me Alive” remains one of their signature tracks. The song’s themes of defiance and resilience continue to resonate, making it a favorite among fans of ’80s alternative rock.

In the UK 10 Records released a limited edition double 12″ vinyl of their single “Never Take Me Alive,” featuring special edits by renowned producer and remixer Omar Santana. This version offered an extended take on the original track, showcasing Santana’s distinctive production style. The double pack also included an Omar Santana version of “Land of Shame,” another track from the band’s repertoire.

SIDE A:
Never Take Me Alive (Omar Santana Version) 8:33
Edited By [Super Edits By] – Omar Santana
Producer – Zeus B. Held

SIDE B:
The Man That Never Was 3:09
Producer – BrandonBarnacle

SIDE C:
Land Of Shame (Omar Santana Version) 5:11
Edited By [Super Edits By] – Omar Santana
Producer – Zeus B. Held

SIDE D:
Jack Straw 4:25
Producer – BrandonBarnacle

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: 10 Records – TENZ 162
Format: 2 x Vinyl, 12″, Limited Edition, 45 RPM, Single
Country: UK
Released: 1987
Genre: Electronic, Rock
Style: Breakbeat, Goth Rock, Synth-pop

CREDITS:

NOTES:
Super Edits on A and C by Omar Santana for The Hit Squad.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.