Burning The Ground Exclusive
NEW 2025 TRANSFER
NEW Meticulous Audio Restoration
Original post date May 25, 2011
“Jimmy go down to Music Town… Buys a synthesizer… He can speak computer language now!”
SSQ brings the machines to life in this high-voltage synth-pop gem from 1983.
“Big Electronic Beat” was the second single released from SSQ’s debut album Playback, issued on Enigma Records in 1983. Following the underground success of “Synthicide,” this follow-up dialed deeper into electro-funk territory with pounding analog drums, a relentless sequencer groove, and Stacey Swain’s futuristic vocals.
The track also made its way onto the soundtrack of the raunchy 1984 teen comedy Hardbodies, further cementing its status as a time-capsule classic of the early synth-pop scene.
🔊 The Sound
The Extended Version featured on this 12″ runs 4:16, pushing the tempo and the tech to the forefront. From the moment the synth line kicks in, it’s clear this is dancefloor fuel—complete with machine-gun drum fills, synthetic claps, and catchy, robotic refrains of “Big electronic, big electronic, beat!”
The lyrics are peak ‘80s cyber-fantasy: a kid named Jimmy buys a synthesizer and suddenly becomes fluent in “computer language.” It’s part satire, part celebration, and entirely a product of the era’s growing fascination with personal tech and electronic expression.
🧠 SSQ: The Band Behind the Beat
SSQ was the brainchild of producer/guitarist Jon St. James, who assembled a team of synthesists including Karl Moet, Rich West, John Van Tongeren, and Skip Hahn—with rising frontwoman Stacey Swain delivering lead vocals.
Playback, their only album as SSQ, remains a cult favorite in synth-pop circles. While “Synthicide” got the most attention, “Big Electronic Beat” was arguably the group’s most club-ready offering. Despite not charting, its inclusion on Hardbodies gave it a second life among VHS-era fans and ‘80s soundtrack collectors.
SIDE A:
Big Electronic Beat (Extended) 4:16
SIDE B:
Big Electronic Beat (Sans Instruments) 1:03
Big Electronic Beat (Sans Vocal) 3:39
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: Enigma (4) – ENIGMA 8
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop
CREDITS:
- Art Direction – Henry Marquez
- Illustration – Douglas Bevins
- Producer – Jon St. James
- Vocals [Uncredited] – Stacey Swain
- Written-By – John Van Tongeren, Jon St. James
NOTES:
From the LP and Cassette “PLAYBACK”
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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I didn’t discover SSQ until much later, but it is now one of my most favorite 80s album! Thank you for these rare remixes!
I love SSQ and Jon St. James. Thank you.
You’re welcome 🙂
Jon St James also produced one of my favorite tracks, Bardeux – Bleeding Heart (House Mix), which despite its misleading name is a fabulous Miami/Freestyle classic for anyone who enjoys that type of electronic 80s flavor. That mix in particular is something special.
Thanks, Sundance! Agree—Jon St. James was behind some real gems, that Bardeux single is a good one.
Completely new to me, as so often on your site, Paul, this is a really fun thing to listen to. The sound of the bass drum instantly reminded me of depeche Mode´s song “Fools”, the b-side to “Love, in itself”. I love it when 12inches include an instrumental and an acapella version as I love creating my own versions.Thank you so much for this one, Paul. Great find. 🙂
Hi Song_and_Dance,
Another reason for me to be impressed by you! I love hearing of those that can do special mixes of records they like/love!! Not only are you a wonderful person, but you’re quite talented, too!! Thanks for being here on Paul’s site with your personality and enthusiasm!
Have a great day and week my friend!
Jeff
Thanks so much, Song and Dance! I love that you picked up on the similarity to Depeche Mode’s “Fools”—that’s such a great reference, and you’re right, the bass drum has that same punchy, programmed feel. I’m with you 100%—I live for 12-inches that include both instrumental and acapella (or close to it). It really opens up a whole other level of creativity for re-edits and blends.
So glad this one was a new discovery for you—makes it all worthwhile! 🙂
A complete unknown to me, but i dig ‘big electronic beats’ from time to time.
Thanks Paul, for ripping and sharing.this twelve.
peace,
dj
Thanks, Don Julian! Always glad to shine a light on these lesser-known gems—especially ones with big electronic beats in the title and the mix. 🙂 Appreciate you checking it out and glad it hit the spot.
Peace back at you,
Paul
NIce share. Thanks! And thanks Mikey-D for the tip on the the Soundtrack!
Thank you, Johnny42 🙂
This is a call for excitement, Paul! I love the SSQ outfit! They had a nice run with electronic singles, and this was before Stacey Q hit it big. I love how she eventually took the “Q” name as a nod to “Q” from the James Bond movies!! I’m so into the Electro Funk genre, as you know, Paul!! I also love that this was from the old Enigma label, too!! I would, back in the day, make purchases based on what label the song was on!! This certainly takes me back!!
Thank you!!
Jeff
Jeff!! I knew this one would light a fire with you! 🙂 SSQ really had that perfect blend of early Electro Funk and synth-pop attitude—raw, fun, and futuristic. And yes, the Enigma label was such a goldmine back in the day… I totally relate to buying records just based on the label alone!
Love that detail about Stacey Q and the James Bond reference—that “Q” added a whole layer of cool. Always love your enthusiasm, my friend. Thanks for riding the electro wave with me!
-Paul
What a fun surprise this morning! Looking forward to hearing this one. For a couple more SSQ treats I highly recommend The Return Of The Living Dead Soundtrack. It was years later that I realized this was the same Stacey Q.
https://www.discogs.com/master/19275-Various-The-Return-Of-The-Living-Dead-Original-Motion-Picture-Soundtrack
Thanks Paul!
I have always loved “Tonight (We’ll Make Love Until We Die).” I own the Japan 7″; I also included it in one of my Halloween compilations that I put together many years ago. Thanks for sharing the soundtrack link, Mikey. 🙂