Sparks – All You Ever Think About Is Sex (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

“All You Ever Think About Is Sex” was the second single released from the album In Outer Space by American rock band Sparks. The single was remixed for it’s single release but failed to chart. The b-side is a remixed version of the album track; “Dance Godammit”.

SIDE A:
All You Ever Think About Is Sex (12″ Club Version) 5:06

SIDE B:
Dance Godammit (12″ Club Version) 4:05

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86990
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Art Direction – Larry Vigon
Engineer – Dan Lacksman
Management [Personal] – Joseph Fleury
Photography By – Jim Shea
Producer, Written-By – Ron Mael, Russell Mael
Remix – Brian Reeves

NOTES:
Produced for Giorgio Moroder Enterprises Ltd.
Mastered at Sterling Sound, New York.
Printed in U.S.A.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Ēbn-Ōzn – AEIOU Sometimes Y (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

“AEIOU Sometimes Y” is the debut single by New York based synth pop duo Ēbn-Ōzn. “AEIOU” became an international MTV and dance club hit, reaching # 20 on the Billboard Club Chart. The single also received significant black radio play and remains a modern rock radio and 1980s music staple. AllMusic writes that the song “combines intelligence, melody, and weirdness in just the right doses. Accompanied by a video that featured a stream-of-consciousness rap about ‘this incredible Swedish girl,’ and with a more serious subtext about communication, it became a bizarre but deserved hit.”

Recorded in 1981, “AEIOU” has the distinction of being the first commercial single ever recorded entirely on a computer (a Fairlight CMI) in the United States and the subsequent album, Feeling Cavalier, the first such album. Ēbn-Ōzn’s use of the Fairlight CMI’s “sampling” functions makes them true pioneers of sampling, a music recording process, which was then revolutionary and is now common practice in 21st century sound music recording.

SIDE A:
AEIOU Sometimes Y (Long Version – Vocal) 7:38

SIDE B:
AEIOU Sometimes Y (Dub Version – Instrumental) 7:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 AEIOU Sometimes Y U.S. Billboard Hot Dance Music/Club Play #20

 

RELEASE INFORMATION:
Label: Elektra ‎– 0-67915
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Art Direction, Cover [Concept By] – Lynn Dreese Breslin
Backing Vocals [The Techettes] – Jimmy Lowell, Joe Berger, Ēbn-Ōzn
Computer [Fairlight Cmi], Synthesizer [Various], Guitar, Vocals [Occasional] – Ēbn*
Cover [Concept By] – Ēbn-Ōzn
Cover [Concept By], Photography By – Virginia Liberatore
Engineer [Assistant] – Bruce Buchalter, Gregory J. Moss
Engineer [Remix] – Dave Wittman
Lead Vocals, Vocals [Characterizations], Synthesizer [Occasional] – Ōzn*
Management [Direction] –Steven E. Machat*
Mastered By – Greg Calbi
Other [Hair] – Romeo
Other [Make-up] – Yuseff Rodney
Other [Nuts And Bolts] – Kenn Fink
Other [Styling] – Kim Hastreiter
Producer [Associate] –Robert Rosen
Producer, Recorded By, Programmed By – Ned Liben
Remix – John Luongo, Ēbn-Ōzn
Written-By – Ēbn-Ōzn

NOTES:
Recorded and programmed at M.S.P. Music, NYC.
Mastered at Sterling Sound.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Pet Shop Boys and Dusty Springfield – What Have I Done To Deserve This? (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“What Have I Done to Deserve This?” is a song by English synthpop duo Pet Shop Boys, featuring singer Dusty Springfield.

When released as a single in late 1987, it peaked at number 2 in the UK and also at number 2 on the Billboard Hot 100, becoming the fourth top ten hit for Pet Shop Boys as well as the biggest hit of Springfield’s career in the US. It was kept from the top spot by “Seasons Change” by Expose and “Father Figure” by their fellow British singer George Michael on that chart. The single made it to number 1 on the Irish singles chart, where it was Pet Shop Boys’ second number 1 hit in the space of just six weeks.

The song’s success helped revive Springfield’s career and led to a resurgence of interest in her music. Pet Shop Boys and Dusty Springfield performed the song for the 1988 BRIT Awards. Following the duet the Pet Shop Boys wrote and produced the singles “Nothing Has Been Proved” and “In Private” for Springfield, both included on her 1990 album Reputation.

The music video was filmed in a music hall, featuring a female chorus line and male members of the pit orchestra. It made significant use of the theater drapes and stage curtains for dramatic effect. Like all of the singles taken from the Actually album, the song also appears on the film It Couldn’t Happen Here, where it is briefly played in instrumental form, without vocals.

In North America the 12″ single included alternate Shep Pettibone remixes with “Rent” and “I Want A Dog” as the b-side tracks.

SIDE A:
What Have I Done To Deserve This? (The Shep Pettibone Remix) 8:30
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix] – Bob Rosa
Producer – Stephen Hague
Remix, Producer [Additional Production] – Stephen Hague
Written-By – Allee Willis, Chris Lowe, Neil Tennant*

What Have I Done To Deserve This? (Dub Mix) 6:50
Edited By – Junior Vasquez, Shep Pettibone
Engineer [Remix] – Bob Rosa
Producer – Stephen Hague
Remix, Producer [Additional Production] – Stephen Hague
Written-By – Allee Willis, Chris Lowe, Neil Tennant*

SIDE B:
Rent (The François Kevorkian Remix) 7:02
Keyboards [Fairlight] – Andy Richards
Producer, Engineer – Julian Mendelsohn
Remix – François Kevorkian, Michael Hutchinson
Written-By – Neil Tennant and Chris Lowe*

I Want A Dog 4:57
Engineer – David Jacob, Mike Nielson*
Producer – Pet Shop Boys
ysWritten-By – Neil Tennant Chris Lowe*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 What Have I Done To Deserve This? U.S. Billboard Hot 100 #2
1988 What Have I Done To Deserve This? U.S. Billboard Adult Contemporary #14
1988 What Have I Done To Deserve This? U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: EMI-Manhattan Records ‎– V-56080
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Composed By – Willis* (tracks: A1, A2), Tennant/Lowe*
Design [Sleeve] – Mark Farrow At (3)*, Pet Shop Boys
Photography By – Eric Watson (3)
Photography By [Dusty Springfield] – Val Wilmer*

NOTES:
Printed in the U.S.A

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Culture Club – It’s A Miracle/Miss Me Blind (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Miss Me Blind” is a song by English new wave band Culture Club. In the U.S. it was the third single released from Colour by Numbers, peaking at #5 on the Billboard Hot 100 chart in the spring of 1984. This gave the band its sixth consecutive Top 10 hit.

The single was also released in Canada (where it also reached number 5), Brazil, Australia and Japan. It was also the band’s biggest R&B hit, reaching #5 on Billboard’s ‘Soul’ chart.

The song includes a reference to the title of Culture Club’s previous album. Lead singer Boy George states in the song “But you know, I’m never really sure, If you’re just kissing to be clever”, the name of Culture Club’s debut album.

“It’s a Miracle”, was released on it’s own as the fifth and final single from Colour by Numbers. The song became the group’s sixth top-five hit on the UK Singles Chart, peaking at number four. It reached number thirteen on the Billboard Hot 100 and hit the top five in Canada. It was the band’s first US release to miss the Top 10; however, the song still received considerable airplay there during the summer of 1984.

A very popular 12″ was issued, gaining big success in American clubs and elsewhere. The popular extended 12″ version contained extracts of the other Culture Club hit of the spring, “It’s a Miracle”. In the US, the “Miss Me Blind” / “It’s a Miracle” 12″ single reached #10 on the Billboard Hot Dance Club Play chart in May 1984.

Backing vocals on “Miss Me Blind” were performed by R&B singer Jermaine Stewart.

The B-side is a live rendition of “Love Twist”, a track from their first album. It was recorded in December 1983. An additional live track, “Melting Pot” (a cover of the song by the group Blue Mink), from the same show was available only on the 12-inch single.

SIDE A:
It’s A Miracle / Miss Me Blind (US Remix) 9:09
Composed By – Culture Club, O’Dowd*, Moss*, Craig*, Pickett*, Hay*
Producer, Remix – Steve Levine

SIDE B:
Love Twist (Live) 4:24
Composed By – Culture Club
Engineer – Paul Hulme, Peter Wandless*
Mixed By – Steve Levine
Producer, Mixed By – Jon Moss

Melting Pot (Live) 4:30
Composed By – Culture Club
Engineer – Paul Hulme, Peter Wandless*
Mixed By – Steve Levine
Producer, Mixed By – Jon Moss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 It’s A Miracle/Miss Me Blind U.S. Billboard Hot Dance Music/Club Play #10

 

RELEASE INFORMATION:
Label: Virgin ‎– VIP-5916, Virgin ‎– VIRG-5196
Format: Vinyl, 12″, 45 RPM, Limited Edition
Country: Japan
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Engineer – Gordon Milne
Mastered By – Tim Young (tracks: TY & timtom)
Photography By – David Levine (11)
Sleeve – Assorted Images
Vocals [Female] – Helen Terry

NOTES:
Multimix
Made In Japan
Also available the LP “COLOUR BY NUMBERS”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi