Manhattan Skyline (US 12″ Promo)

Burning The Ground Exclusive 1978

NEW 2024 Transfer
NEW Meticulous Audio Restoration

Original post date: March 1, 2013

“Shadow Dancing” is a hit disco track by English singer Andy Gibb, which topped the Billboard Hot 100 for an impressive seven weeks in 1978. Produced and arranged by Albhy Galuten, with contributions from Barry Gibb, the song marked a peak in Andy’s chart success. In July of that year, Andy performed “Shadow Dancing” at Miami’s Jai-Alai Fronton Studios, where Barry, Robin, and Maurice Gibb unexpectedly joined him on stage. This was the first time all four Gibb brothers performed together live.

According to Billboard’s Book of Number One Hits, Andy Gibb became the first solo artist in U.S. pop history to see his first three singles reach the number-one spot. “Shadow Dancing” was not only the top single of 1978 on Billboard’s year-end chart but also peaked at number eleven on the soul chart, selling 2.5 million copies in the U.S. alone.

The song was a collaboration among Andy and his brothers—Barry, Maurice, and Robin Gibb—written in Los Angeles while the three elder brothers worked on the film Sgt. Pepper’s Lonely Hearts Club Band. Andy recalled, “One night, while we were relaxing, we started working on tracks for my album Shadow Dancing, which later reached #7 on the U.S. album chart. In just ten minutes, we had a group going with the chorus.” This track became Andy’s final U.S. chart-topper, though he would achieve three more Top 10 hits in America.

On March 5, 1988, Andy Gibb celebrated his 30th birthday in London, in the midst of working on a new album. Tragically, just five days later, on March 10, he passed away from myocarditis—an inflammation of the heart muscle brought on by a recent viral infection and worsened by his years of cocaine abuse.

The B-side of this 12″ release features “Manhattan Skyline,” an instrumental by American composer David Shire. This track, from the Saturday Night Fever soundtrack, reflects Shire’s expertise in film, television, and stage musicals.

Denotes vinyl-only

SIDE A:
Andy Gibb – Shadow Dancing (Special Disco Version)+ 6:06
Producer – Albhy Galuten, Barry Gibb, Karl Richardson
Written-By – Andy Gibb, Barry Gibb-Robin Gibb-Maurice Gibb*

SIDE B:
David Shire – Manhattan Skyline (Instrumental) 4:43
Producer – Bill Oakes, David Shire
Written-By – David Shire

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1978	Shadow Dancing	U.S. Billboard Hot 100	#1
1978	Shadow Dancing	U.S. Billboard Hot Adult Contemporary Tracks	#8
1978	Shadow Dancing	U.S. Billboard Hot Soul Singles	#11

RELEASE INFORMATION:
Label: RSO – RPO 1000
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Single
Country: US
Released: 1978
Genre: Funk / Soul, Pop
Style: Disco, Funk

NOTES:
12″ housed in a white jacket with front title/artist text. Gold stamped rear.

A:
Produced by arrangement with The Robert Stigwood Organisation.
Extended version from Andy Gibb’s forthcoming album “Shadow Dancing” RS-1-3034

B:
From the RSO Records Soundtrack Album “Saturday Night Fever” RS-2-4001

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 31, 2024

Whodini – The Haunted House Of Rock (US 12″)

Burning The Ground Exclusive 1983

Halloween is finally here! and it’s time for one last Spooky Season Spin one such standout song is Whodini’s 1983 hit, “The Haunted House of Rock.” Released as a Halloween single, this song not only showcases Whodini’s lyrical style and creativity but also helps bridge the gap between hip-hop and seasonal novelty music.

Formed in Brooklyn in the early 80s, Whodini was one of the pioneering groups in hip-hop, blending R&B, funk, and early hip-hop styles. The trio, originally consisting of Jalil Hutchins, Ecstasy (John Fletcher), and DJ Drew Carter (aka Grandmaster Dee), made a name for themselves with their catchy hooks and fresh beats, standing out in a rapidly growing hip-hop scene. With hits like “Friends,” “Freaks Come Out at Night,” and “Five Minutes of Funk,” Whodini quickly established themselves as a key player in 80s hip-hop. “The Haunted House of Rock” was one of their earliest hits and brought something unexpected—a hip-hop track made specifically for Halloween.

Released in 1983, “The Haunted House of Rock”* was produced by Larry Smith, who also worked with Run-D.M.C. and helped shape the sound of early hip-hop. The song opens with a haunting synth line that immediately sets the tone. Its eerie yet funky beat lays the groundwork for the perfect Halloween track, blending 80s electronic vibes with Whodini’s unique style of storytelling rap.

The lyrics take listeners on a tour of a fictional haunted house party, where classic monsters like Dracula, the Mummy, and the Invisible Man join forces with Whodini for a night of eerie revelry. Hutchins and Fletcher use the song to describe a spooky yet entertaining scene full of thrills and chills, making it as fun as it is fantastical.

The production on “The Haunted House of Rock” is quintessentially 80s, leaning heavily into synthesizers, drum machines, and that unmistakable hip-hop groove. The song uses creative sound effects and samples that add to its supernatural theme. From creaky door sounds to ghostly moans, the production choices enhance the atmosphere, transforming the song into a haunted audio experience that fits right in with Halloween playlists. Larry Smith’s work on this track is a testament to his ability to blend genres, and his influence can be felt in many of Whodini’s subsequent works.

Upon its release, “The Haunted House of Rock” garnered attention for its creativity and originality. At a time when hip-hop was still finding its identity, Whodini dared to bring a fun, seasonal twist to the genre. The song remains a unique piece of hip-hop history—a Halloween-themed rap that set the stage for future holiday hits. While it may not have reached the chart-topping heights of Whodini’s later songs, it remains a beloved part of their catalog and a go-to Halloween track for hip-hop enthusiasts.

The song was later included on Whodini’s debut album, “Whodini,” which featured other hits that would go on to define the group’s career. Despite being a novelty track, “The Haunted House of Rock” has endured over the decades as a Halloween staple, making it a perfect addition to any spooky-themed playlist.

In an era where Halloween music often leans heavily on horror movie soundtracks and pop hits, Whodini’s “The Haunted House of Rock” stands out as one of the rare early hip-hop songs specifically for the holiday. Its playful lyrics, spooky vibes, and retro sound capture Halloween’s essence while offering a classic hip-hop taste that still resonates with fans today.

Whether you’re a hip-hop head or just looking to add some 80s flavor to your Halloween festivities, “The Haunted House of Rock” is a must-listen.

All tracks are vinyl-only

SIDE A:
The Haunted House Of Rock (Extended Version) 6:35
The Haunted House Of Rock (Haunted Mix) 4:33

SIDE B:
The Haunted House Of Rock (Vocoder Version) 5:29
The Haunted House Of Rock (Acapella) 1:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Jive – JD1-9026, Arista – JD-1-9026
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Hip Hop, Pop
Style: Electro, Boom Bap, Pop Rap

CREDITS:

Engineer, Mixed By – Nigel Green
Lacquer Cut By – Herbie Jr*
Producer – The Willesden Dodgers*
Written-By – J. Hutchins*, N. Green*, P. Harris*

NOTES:
From the LP “Whodini”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 30, 2024

Fat Boys – Are You Ready For Freddy (US 12″)

Burning The Ground Exclusive 1988

“Are You Ready for Freddy” is a single by the Fat Boys, released in 1988 to coincide with the release of “A Nightmare on Elm Street 4: The Dream Master.” This unique collaboration merges hip-hop with horror, as the song features Robert Englund himself, in character as Freddy Krueger, delivering his iconic lines. The track features the Fat Boys’ trademark humor and beatboxing style, making it both catchy and eerie.

In the song, Freddy raps alongside the Fat Boys, warning listeners to be “Ready for Freddy” as he claims his next victims. It’s a playful take on the horror genre, mixing Freddy’s menacing persona with the Fat Boys’ fun and energetic delivery.

In the video, Prince Markie Dee’s “Uncle Frederick” has died, and his lawyer (Bert Remsen) meets the group outside the Nightmare on Elm Street house. The lawyer informs Markie that he must spend the night inside Uncle Frederick’s home to earn his inheritance, so the group enters. Not long after, Freddy Krueger appears and begins to chase the band throughout the house, slashing with his claw while stopping to rap.

This track remains a memorable example of how hip-hop crossed over with other genres and pop culture phenomena in the 80s, creating unexpected and memorable pairings.

The song was also included in the Fat Boy’s LP “Coming Back Hard Again”.

+ All tracks are vinyl-only

SIDE A:
Are You Ready For Freddy (12″ Version) 7:00
Are You Ready For Freddy (7″ Version) 3:34

SIDE B:
Are You Ready For Freddy (Dub Version) 6:17
Back And Forth (12″ Version) 5:14

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Tin Pan Apple – 887 894-1
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Hip Hop
Style: Pop Rap

CREDITS:

Edited By – Albert Cabrera, Tony Moran
Engineer [Mix] – Bob Rosa
Photography By – Nancy Brown (2)
Producer – Chris Richards, The Indiana Crew, Tony Bongiovi

NOTES:
Latin Rascals Productions Inc.
Special Thanks to Kevin Benson, Tony Bongiovi, Freddy Krueger, Bill Stettner, and Joe Zynczak.
Original Version on the Tin Pan Apple/Polydor LP “Coming Back Hard Again” (835809-1)
Samples “For The Love Of Money” by The O’Jays.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

October 29, 2024

Edgar Winter – Frankenstein 1984 (US 12″ Promo)

Burning The Ground Exclusive 1983

Edgar Winter’s “Frankenstein ’84” is a reimagined version of his classic instrumental hit, Frankenstein, originally released in 1972. The 1984 version takes the rock instrumental to a new level by incorporating the synthesizer-heavy sound that had grown popular in the 80s. This updated version brings an electronic twist to the original’s signature guitar and keyboard riffs, adding a bit of synth-pop flair to the song while maintaining its hard rock roots.

While the original Frankenstein is famous for its progressive rock elements and complex arrangement (including a memorable drum solo), Frankenstein ’84 leans into a mix of rock and 80s electronic elements, blending synthesizers with heavy guitar and electronic drums. This remake underscores Winter’s versatility and his ability to innovate across genres, showcasing his musical skills in guitar, saxophone, and synthesizer.

The Frankenstein ’84 remix didn’t achieve the same chart-topping success as the original Frankenstein, which had been a major hit in 1973, reaching No. 1 on the Billboard Hot 100 and becoming one of the most iconic rock instrumentals of its time. Despite its innovative remix production and appeal within 80s dance scenes, Frankenstein ’84 was more of a cult favorite than a chart hit.

While the remix breathed new life into the classic, introducing it to a younger, more dance-oriented audience, it didn’t chart significantly in the U.S. or internationally. However, Frankenstein ’84 maintained a presence on 12” singles and in clubs, where extended and remixed versions of popular songs were frequently played. This version became popular among fans of Edgar Winter and the synth-heavy remix styles of the era, securing a legacy as a unique 80s reinterpretation of a 70s rock classic.

The music video for Frankenstein ’84 embraced the energetic and experimental spirit of the 80s, mirroring the song’s transformation into a danceable, synth-driven rock piece. In the video, Edgar Winter plays a prominent role, performing his famous synthesizer riffs and saxophone solos with a futuristic edge. The visuals are full of 80s flair, with neon lighting, strobe effects, and a surreal, almost sci-fi aesthetic that complements the track’s title and its Frankenstein theme.

Set against a dramatic, dark backdrop with flashes of color, the video has a Frankenstein-esque lab atmosphere. Winter is often shown surrounded by synthesizers, drum machines, and flashing lights, emphasizing the remix’s electronic makeover. The production leans heavily on visual effects that feel both eerie and futuristic, capturing the transformation of the original rock classic into an electrifying 80s remix.

The video reflects Edgar Winter’s eccentric style and adds an element of theatricality to the song, aligning with the era’s tendency to produce visually experimental music videos. This visual style helped to promote the remix to a new generation and allowed Winter’s eclectic musical persona to shine.

For this release, I have created custom artwork.

SIDE A:
Frankenstein 1984 (Monster Version) 9:48

SIDE B:
Frankenstein 1984 (Human Version) 4:54
Frankenstein 1984 (Monster Rap) 9:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Body Rock – BR 5001
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1983
Genre: Electronic
Style: Electro

CREDITS:

Co-producer [Production Assistant], Engineer – Craig Harris
Custom Cover, Design – DjPaulT
Engineer – Frank Heller, Robin Halpin
Management – Blue Horizon Management, Inc.
Mastered By – Herb Powers Jr.
Musician [Synclavier], Musician [Rhythm Machine Programming] – Craig Harris
Musician [Voyetra], Musician [Synclavier], Musician [Arp 2600], Alto Saxophone – Edgar Winter
Photography By – Dennis Keeley (2)
Producer, Executive-Producer, Mixed By – Tom Silverman
Producer, Mixed By – Edgar Winter
Rap [Consultant] – MC G.L.O.B.E.
Scratches – Red Alert
Typography – Overnight Type & Graphics, Rebecca Keeley*
Written-By – E. Winter*

NOYES:
MASTERED BY FRANKFORD/WAYNE NEW YORK HERbiE JR :v) ANgiE M “MONSTER BREAKS” BR-5001-A ✩PRESSED AT SOUND MAKERS,✩N.J.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.