Burning The Ground Exclusive
At the height of early ’90s pop, when teen idols were crossing over from television screens to radio playlists, Joey Lawrence made his musical debut with the infectious single Nothin’ My Love Can’t Fix. Released on February 15, 1993, via MCA Records subsidiary Impact Records, the track introduced a 16-year-old Lawrence to the pop music landscape with a polished, radio-ready sound that perfectly captured the era.
Built around a bright, new jack swing–influenced groove and an undeniably catchy hook, “Nothin’ My Love Can’t Fix” leans into the optimistic, feel-good energy that dominated early ’90s Top 40. It’s the kind of track that feels tailor-made for repeat spins—light, melodic, and effortlessly charming, much like Lawrence’s on-screen persona at the time.
The single made a respectable entrance on the Billboard Hot 100, debuting at #68 on March 6, 1993. From there, it steadily climbed over a 20-week chart run, eventually peaking at #19 on May 8, 1993—no small feat for a debut single from a teen actor making the leap into music. Across the Atlantic, the song performed even better, reaching #13 on the UK Singles Chart, further cementing its international appeal.
Lifted from his self-titled debut album Joey Lawrence, the single remains the standout hit from his brief recording career. While many actor-turned-singers struggled to find credibility, Lawrence managed to carve out a genuine pop moment, thanks in part to strong production and a sound that fit seamlessly alongside contemporaries of the time.
Looking back, “Nothin’ My Love Can’t Fix” is a perfect snapshot of 1993—an era when pop was playful, hooks were king, and teen idols could still dominate both TV and the charts. For those who lived through it, the track delivers a warm dose of nostalgia; for new listeners, it’s a reminder of a time when pop music didn’t take itself too seriously—and didn’t need to.
Whether you remember it from heavy radio rotation or are discovering it for the first time, this one still hits with that unmistakable early ’90s charm.
SIDE A:
Nothin’ My Love Can’t Fix (Album Version) 4:05
Nothin’ My Love Can’t Fix (D. Abraham Slam Mix) 4:01
SIDE B:
Nothin’ My Love Can’t Fix (D. Abraham Alternate Extended Mix) 5:15
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Hot 100 | #19 | 1993 |
| US Billboard Top 40 / Mainstream | #10 | 1993 |
| US Billboard Top 40 / Rhythm Crossover | #34 | 1993 |
| Canada (RPM) | #50 | 1993 |
| UK Singles Chart | #13 | 1993 |
| Australia (ARIA) | #68 | 1993 |
| Ireland (RMA) | #22 | 1993 |
RELEASE INFORMATION:
Label:mpact Records (3) – IPT12-54584, Impact Records (3) – IPT12 54584
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1993
Genre: Electronic, Funk / Soul, Pop
Style: New Jack Swing, Synth-pop
CREDITS:
- Executive-Producer – Randy Nicklaus
- Executive-Producer, Producer – Steve Barri
- Keyboards – Andy Marvell*
- Producer – Tony Peluso
- Producer [Additional Production], Remix – Daniel Abraham (tracks: A2, B)
- Producer, Written-By – Alexandra Forbes, Eric Beall
- Written-By – Joey Lawrence
NOTES:
Original version appears on the self-titled Joey Lawrence album
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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Most teen stars have pop songs written for them. I’m impressed Joey wrote this alone without 8 other co-writers like so many of today’s songs seem to require. Also I don’t believe Cher could have as many wardrobe changes in a 4-minute video as Joey managed!
I have a Joey Lawrence trading card tucked inside the back of my OMD Liberator CD case. I have no idea who gave it to me nor why it’s in that particular CD case nor did I (but vaguely) understand who he was before this post, really. I asked the person who I thought gave it to me but they have no recollection of it. I mean I knew he was an actor who got to make an album, that’s it. But I keep that card there because it’s a bizarre time capsule.
Two thoughts: (1) This is a very good record (writing, arrangement, production, etc), but I could have never admitted that at the time. (2) I didn’t fancy him at all then … but I do now! Buzzcut? Over-40? Yes, please. ☺️
Hi Richard, This made me laugh—because I think you just summed up the evolution of a lot of us in two perfectly delivered points 😊 You’re absolutely right though—when you strip away the image and the teen idol packaging, this really is a solid record. The songwriting, production, and arrangement all hold up much better than people probably gave it credit for back in the day. Funny how time lets us hear things more objectively. And your second point… yeah, tastes definitely evolve! The buzzcut era had its moment, but the “over-40 and confident” version hits very differently now. I… Read more »
Hello everyone, I’m back again. I’m feeling better after my tendon fracture and surgery. Hopefully, I’ll continue to be here supporting this great site and my friend Paul.
Welcome back, Ruben. I am happy to hear you are feeling better 😊
Hi Rubén!
I’m so happy hearing that you’re recovering and feeling much better. I miss you here commenting on Paul’s site. You bring a wonderful vibe here with your thoughts and opinions.
Please, always take care!
Jeff
Thanks Jeff. Always so thoughtful and kind to me.
You’re a great person,
Rubén!
Have a great day and weekend!
Jeff
Mix Analysis The LP Version: Produced by Steve Barri and Tony Peluso, this is the pure essence of early ’90s Pop/Soul. It has a very strong rhythmic foundation, influenced by New Jack Swing, but with a clear melodic sensibility that highlights Lawrence’s vocals. The 12″ Mix: This version typically expands the song’s structure, allowing the groove to breathe more. It’s ideal for appreciating the bassline and synthesizer arrangements that defined the commercial sound of that year. Collector’s Value This 12-inch is a piece of pure nostalgia, but also a testament to the high production quality of the Impact Records era.… Read more »
Hi Rubén, Wow—this is a fantastic breakdown. You really nailed the essence of what makes this record tick. I especially like how you pointed out the balance between that New Jack Swing–influenced rhythm and the strong pop melody. That’s exactly what gives the LP version its accessibility—it’s got enough groove to feel current for ’93, but still leans into that polished, radio-friendly sheen that makes it stick. Your take on the 12″ mix is spot on too. Those extended versions really do let the track breathe in a way the LP cut can’t—suddenly the bassline, the swing of the drums,… Read more »
Dj Paul you are just knocking them out of the park! I remember when the music video for this track premiered during an episode of Blossom (which he starred on…. “Whoa!”). The 90’s were such a moment in time for boy bands and boy pop. The spiritual twin to this song totally has to be Jeremy Jordan’s The Right Kind of Love (ok, maybe even his Wannagirl too). I don’t normally comment before I have a chance to listen but I couldn’t resist. I still have the original version that pops up in my playlists, but I’m pretty sure I’ve… Read more »
You had me at Jeremy Jordan! I loved “The Right Kind of Love.” I’m still on the hunt for that 12″, especially the UK version with the picture sleeve—here in the US, we only got a generic one. It’s a tough find, particularly in near mint condition, but I know I’ll track one down eventually.
The Right Kind of Love is my absolute favorite from this genre / era. Such an amazing track, hope you find that UK 12″ some day!! There’s always something to hunt for… the hunt never ends 🙂 This Joey Lawrence transfer sounds fantastic!! The remixes are pretty mild, which is not surprising considering the type of song. They aren’t bad but have that intermittent whooping sound effect running in the background that popped up in a lot of tracks in the 90s and it just feels out of place here to me. Think I will stick with the original version,… Read more »
You’re welcome, JP. I like the album version too. You can hear his rap a bit more clearly in that mix, while in the others it seems pushed further back. Thanks for your comment; I always appreciate them..
This is quite contagious, Paul, and lots of fun! I’m at an age now where I don’t mind admitting that I love this enthusiastic and spirited pop music from the 1990s! I kind of missed out on this Joey Lawrence thing because my musical tastes were quite different at the time. I didn’t watch Blossom, so I wasn’t caught up with the hype! The guy has talent and charisma and muscular good looks so I can see how he made an impression. Hearing/seeing it now brings with it a context of understanding the appeal! I like it so much! A… Read more »
Hi Jeff, I love this comment—because I think a lot of us are right there with you now. Time really does have a way of softening our “cool filters,” doesn’t it? What might have felt a little too bubblegum back then just hits differently today—pure fun, no apologies needed. I get what you mean about missing the whole Blossom wave. Back in ’93, that connection definitely helped fuel the song’s popularity, but hearing it now outside of that context really lets the track stand on its own. It’s just a really well-crafted, upbeat pop tune with a ton of charm.… Read more »