Burning The Ground Exclusive
As October draws to a close and the nights grow longer, it feels like the perfect time to turn to one of the darker corners of early electronic music. Today’s Spooky Season Spin comes from one of synthpop’s most eccentric and influential pioneers — Fad Gadget — and his haunting single “For Whom the Bells Toll.”
Released in 1983 as the eighth single by Frank Tovey under his Fad Gadget moniker, the track appears on his third album Under The Flag (Mute Records). By this time, Tovey had refined his sound from the raw, experimental edges of his early singles into something more structured yet equally unsettling — a perfect fit for the eerie pulse of Halloween week.
The 12-inch single features “For Whom The Bells Toll (III)” on the A-side and “Love Parasite (II)” on the flip — both featuring backing vocals by Alison Moyet, who was also on the Mute label at the time as one half of Yazoo. Moyet’s soulful voice adds a surprisingly human element to Fad Gadget’s dystopian electronics, giving both tracks a unique emotional depth beneath the cold, metallic textures.
The A-side runs for approximately 8:19 before spiraling into a locked groove, creating a hypnotic, endless toll that feels almost ritualistic — as if the record itself refuses to stop ringing. On digital reissues, however, the versions differ slightly: “For Whom The Bells Toll III” cuts off abruptly at 8:03, while “Love Parasite II” fades out early at 6:32.
Adding to the mystique, it’s been reported that the original master tape for this 12-inch extended version (III) was lost by the record company, meaning that the vinyl copies circulating today may be the only remaining source of this haunting mix.
So as those Halloween bells toll, dim the lights, cue up the 12-inch, and let this one echo through your speakers — a haunting reminder that the ghosts of synthpop’s past are never too far away.
Of note:
I manually faded out the locked groove on Side A, extending the track to 9:21. The vinyl noise during the locked groove portion is intentional, as it preserves the record’s original atmosphere.
SIDE A:
For Whom The Bells Toll III 9:21
SIDE B:
Love Parasite II 6:53
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: Mute – 12 MUTE 026
Format: Vinyl, 12″, 45 RPM, Single, Special Cut
Country: UK
Released: Jan 1983
Genre: Electronic
Style: Synth-pop
CREDITS:
- Photography By – Anton Corbijn
- Typography – Jill Tipping
- Written-By – Gadget*
NOTES:
Distribution – Rough Trade and Spartan
Track A has a continuous locked groove at the end.
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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Lovely Version of Love Parasite, wow, thanks!
Thank you, Paul!!! MIND BLOWN!!! You’re absolutely right: this is completely different from the versions I had! I got into Fad Gadget after Depeche Mode cited them as their key influnece. And looks like Anton Corbijn was responsible for the original single artwork again.
Also, thank you so much for keeping some of the locked groove audio!
I know it doesn’t necessarily fit the genre of this blog, but the first time I appreciated the locked groove audio was on SLAYER’s Reign In Blood, where the album ends with “Raining Blood” and the songs ends in a locked groove of the sound of rain. Unfortunately, they were not cleaver like you to reproduce it for the CD and slowly fade it out.
That’s such a great example — I love that you mentioned Reign In Blood! The rain locked groove at the end of “Raining Blood” is legendary. I’ve always appreciated when artists use the format itself creatively like that. And thank you! I try to preserve those little vinyl quirks whenever possible — they’re part of what makes the experience so special.
you’re so right, Paul. I used to love buying shape discs (even the sound quality usually sucked), picture discs, and other rarities. I once bought a psychobilly 12″ just because it was pink and the groove ran from the inside to the outside … lol
You’re very welcome, Axel! Glad I could blow your mind with this one 😊. Fad Gadget’s influence on Depeche Mode can’t be overstated — you can really hear that connection. And yes, Anton Corbijn’s touch on the artwork adds even more to its charm. Always love when all those creative worlds intersect like that!
Discogs is the greatest and worst thing that ever happened to people like you and me. It’s astonishing to me how many records I bought and how many artists followed without knowing they were related — or sometimes even the same people!
Fad Gadget! Truly a novel contraption. Thanks for dipping into some darker raw synth as we approach Halloween. So funny how you can practically guess the year just from listening — this really feels like 1983! What an exploration of how different sounds combine into a cohesive track that oozes right from the speakers. The vocal chanting gives off such a ceremonial, almost sacrificial, vibe. Great use of different electronic beats while keeping everything off kilter with unexpected samples like barking dogs which seem out of place yet fit right in. Love a great locked groove! Thanks for leaving a… Read more »
Wow, JP — I absolutely loved reading your thoughts on this one! You captured the spirit of Fad Gadget perfectly — that mix of dark experimentation and off-kilter energy that makes his work so fascinating. I completely agree, the barking dogs and chanting create such an eerie, ritualistic vibe, and yes, 1983 written all over it! I’m glad you enjoyed the locked groove too — there’s just something so hypnotic about it spinning endlessly. And pairing it with Tubular Bells by Book of Love? Perfect spooky season follow-up! Thanks for such an insightful and thoughtful comment.
Thanks Paul. This is one of my rare “Favorite B-Side” records. I always played Love Parasite of this hard to find 12”. Great upload of a missing record in my collection.
You’re very welcome! I’m glad this one hit the spot for you. “Love Parasite” is such a killer track — I agree, one of Fad Gadget’s best. Happy to help fill a gap in your collection!
Sorry I’m so late responding. Today I was feeling not quite myself. Today’s post however is making me feel a bit better.
This is an exciting record for me, Paul. Although I’m not familiar with Fad Gadget, I do recognize his importance to electronic music. Razormaid, even did a medley of this album and I am intrigued! It’s perfect for Spooky Season!!
Many thanks to you, Paul!!
Jeff
Hey Jeff, no worries at all — I hope you’re feeling a bit more like yourself today. I’m really glad this post could lift your spirits a little! Fad Gadget is definitely one of those artists who helped shape the electronic sound we love, and that Razormaid medley is such a fun connection. You’re right — perfect timing for Spooky Season! Thanks as always for your kind words and support. 💀🎶
I’ve never heard of a record having a “locked groove” before. Fascinating! Thanks for this.
You’re very welcome! Yeah, the “locked groove” is a neat little vinyl trick — the needle loops endlessly at the end of the record instead of lifting off. Some artists used it creatively for sound effects or to leave a repeating tone. Glad you found it interesting!
Fascinating 12inch, Paul. I don´t think I´ve ever heard either of these great tracks. And then again, I don´t really know much by Frank Tovey. I have the “Collapsing New People” 12inch, of course, but that´s it. So thank you for broadening my horizon. Again. 😉
You’re very welcome! I’m glad I could help you discover a bit more of Frank Tovey’s work. He really had a unique vision — experimental but always engaging. “Collapsing New People” is a great one to have, and this 12″ shows just how much depth his catalog has. Thanks as always for listening and for your thoughtful comment!
24/96 is Propaganda from yesterday
It should be corrected now, but please ensure you download directly from the site, not through your subscriber email.
Thanks for the upload, Paul. I noticed the 24bit FLAC link forwards to the upload from yesterday.
Can confirm that
It should be corrected now, but please ensure you download directly from the site, not through your subscriber email.
Thanks!
Thank you. I appreciate the heads up about downloading from the site rather than the email, too.