Burning The Ground Exclusive
NEW 2025 Transfer
NEW Meticulous Audio Restoration
Originally posted on April 5, 2018, this 12″ single has been given a meticulous 2025 audio restoration, enhancing clarity, dynamics, and depth while preserving the warmth of the original vinyl pressing.
Released in September 1985, “To Live and Die in L.A.” stands as one of the most evocative singles of the decade — a moody, cinematic piece that perfectly captures the neon-lit tension of the era. Written and performed by Wang Chung — the British duo of Jack Hues and Nick Feldman — the song was composed specifically for director William Friedkin’s 1985 crime thriller of the same name.
Following the success of their 1984 album Points on the Curve and the hit single “Dance Hall Days,” Wang Chung were approached directly by Friedkin, who was impressed by the atmospheric quality of their music. He commissioned them to create the entire soundtrack for his upcoming film. Unlike most directors, Friedkin gave the band complete creative freedom, telling them, “I don’t want songs that comment on the action. I want music that becomes the action.”
The result was a strikingly original soundtrack that fused synth-pop, ambient textures, and instrumental experimentation — a soundscape as stylish and dangerous as the film’s Los Angeles setting. The title track serves as both the emotional and thematic centerpiece, with Hues’ cool, detached vocals floating over pulsating synths and slow, haunting percussion. The lyrics speak of honor, love, and freedom — echoing the film’s fatalistic tone and moral ambiguity.
While “To Live and Die in L.A.” peaked at #41 on the Billboard Hot 100, its influence has endured far beyond its chart position. It’s a track that rewards rediscovery — a haunting anthem for dreamers and drifters, shimmering with the melancholic beauty that defined much of mid-’80s electronic pop.
The Extended Version was released exclusively on the UK 12” single (Geffen Records, stretching the song to nearly six minutes with an expanded intro and instrumental sections that heighten its hypnotic mood. No instrumental mix was ever issued, making the extended 12” version the definitive way to experience the track in its fullest form.
After the To Live and Die in L.A. project, Wang Chung returned to mainstream pop success with Mosaic (1986) and the massive hit “Everybody Have Fun Tonight.” Yet this song — and the album it anchors — remains their most artistically ambitious work, a timeless fusion of pop and noir that captures the sound of Los Angeles in all its beauty and decay.
Nearly forty years later, “To Live and Die in L.A.” still glows with the same dangerous allure — a haunting reminder that Wang Chung were more than just party anthems and pop hooks. They could also craft music that felt like cinema.
SIDE A:
To Live And Die In L.A. (Extended Version) 5:57
Producer – Steve Jolley & Tony Swain
SIDE B:
Dance Hall Days (Remix) 8:13
Producer – Chris Hughes, Ross Cullum
Black-Blue-White 2:29
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Hot 100 | #41 | 1985 |
| US Billboard Mainstream Rock Tracks | #21 | 1985 |
RELEASE INFORMATION:
Label: Geffen Records – TA 6756
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop
CREDITS:
- Written-By – Wang Chung
NOTES:
Tracks A1-B2 from the Music From The Motion Picture “To Live And Die In L.A.
Track B2 Recorded in Motion-Rama by Dave Motion
Track B1 from the LP “Points On A Curve”
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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