Category: Tina Turner

USA For Africa – We Are The World (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985
A. Front

Happy Thanksgiving

Thanksgiving is a holiday that we celebrate on Thursday November 27 here in the US. It’s a time to reflect and give thanks for all of the abundant blessings and freedom that we have. We gather around the table with family and friends to share a festive meal. We also spare a thought for those not so lucky. It is a season of bountifulness and a reason to share the same ….true Thanksgiving is in actually doing that – Giving !!!”

I will be spending some time with family and friends over the next few days and will return on Tuesday December 2.

001“We Are the World” is a song and charity single originally recorded by the supergroup USA for Africa in 1985. It was written by Michael Jackson and Lionel Richie, and produced by Quincy Jones and Michael Omartian for the album We Are the World. With sales in excess of 20 million copies, it is one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide.

Following Band Aid’s “Do They Know It’s Christmas?” project in the UK, an idea for the creation of an American benefit single for African famine relief came from activist Harry Belafonte, who, along with fundraiser Ken Kragen, was instrumental in bringing the vision to reality. Several musicians were contacted by the pair, before Jackson and Richie were assigned the task of writing the song. The duo completed the writing of “We Are the World” seven weeks after the release of “Do They Know Its Christmas”, and one night before the song’s first recording session, on January 21, 1985. (The last recording session for the song was held on January 28, 1985.) The historic event brought together some of the most famous artists in the music industry at the time.

The song was released on March 7, 1985, as the only single from the album. A worldwide commercial success, it topped music charts throughout the world and became the fastest-selling American pop single in history. The first ever single to be certified multi-platinum, “We Are the World” received a Quadruple Platinum certification by the Recording Industry Association of America. However, the song garnered mixed reviews from journalists, music critics, and the public. Fans enjoyed hearing racially and musically diverse recording artists singing together on one track, and felt satisfied in buying “We Are the World”, knowing that the money was going to charity. Other individuals, including many commentators in the rock press, were disappointed that the song did not challenge listeners as to why famines occur in the first place, and felt that the lyrics were self-aggrandizing.

Awarded numerous honors—including three Grammy Awards, one American Music Award, and a People’s Choice Award—the song was promoted with a critically received music video, a home video, a special edition magazine, a simulcast, and several books, posters, and shirts. The promotion and merchandise aided the success of “We Are the World” and raised over $63 million for humanitarian aid in Africa and the US.

Following the devastation caused by the magnitude 7.0 Mw earthquake in Haiti on January 12, 2010, a remake of the song by another all-star cast of singers was recorded on February 1, 2010. Entitled “We Are the World 25 for Haiti”, it was released as a single on February 12, 2010, and proceeds from the record aided survivors in the impoverished country.

SIDE A:
We Are The World 7:19

SIDE B:
We Are The World 7:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 We Are The World U.S. Billboard Hot Country Singles Chart #76
1985 We Are The World U.S. Billboard Hot 100 #1
1985 We Are The World U.S. Billboard Hot Adult Contemporary Tracks #1
1985 We Are The World U.S. Billboard Hot Dance Music/Maxi-Singles Sales #1
1985 We Are The World U.S. Billboard Hot Mainstream Rock Tracks #27
1985 We Are The World U.S. Billboard Hot R&B Singles #1

 

RELEASE INFORMATION:
Label: Columbia ‎– US2-05179
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: March 7, 1985
Genre: Rock
Style: Pop Rock

CREDITS:
Conductor – Quincy Jones
Engineer – Humberto Gatica, John Guess
Producer – Quincy Jones
Producer [Associate] – Tom Bahler
Written-By – Lionel Richie, Michael Jackson

NOTES:
Promo. Same versions on both sides.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Tina Turner – Better Be Good To Me (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

R E Q U E S T

“Better Be Good to Me” is a hit single from Tina Turner’s solo album, Private Dancer. The song had originally been released in 1981 by Spider, a band from New York City with co-writer Holly Knight as a member. The Turner version was successful in the United States on the Hot 100 and the US R&B/Hip-Hop chart. It peaked at number five on the Billboard Hot 100 and number six on the US R&B/Hip-hop chart. At the 27th Grammy Awards in 1985, this song won Best Rock Vocal Performance, Female, one of four Grammys won by Turner in that ceremony.

The song was featured in the tenth episode of Miami Vice and was included on the first volume of the Miami Vice soundtrack.

SIDE A:
Better Be Good To Me (Extended Version) 7:42
Producer – Rupert Hine

SIDE B:
When I Was Young 3:10
Producer – John Carter

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1984 Better Be Good To Me U.S. Billboard Hot 100 #5
1984 Better Be Good To Me U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks #6
1984 Better Be Good To Me U.S. Billboard Hot Dance/Club Play #16

 

RELEASE INFORMATION:
Label: Capitol Records ‎– V-8609
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1984
Genre: Electronic
Style: Pop Rock

NOTES:
Recorded In England
From the LP “PRIVATE DANCER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Tina Turner – Afterglow (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

REQUEST

“Afterglow” is the name of a song recorded by Tina Turner, written and produced by Terry Britten and Graham Lyle. It appeared on her 1986 album Break Every Rule, and featured Steve Winwood on keyboards. The song was the eighth and final song from the album to be released as a single, if only in the United States. It failed to crack the US Hot 100, but it reached #2 on the US dance charts and #20 on the Adult Contemporary chart. A promo video for the track was filmed as part of the Break Every Rule TV special in 1986, in which it was the opening number. It shows Turner performing the song in her dressing room at the club Le Zero in Paris as she is preparing to go on stage.

SIDE A:
Afterglow (12″ Vocal Dance Mix) 7:13
Afterglow (7″ Mix) 4:15

SIDE B:
Afterglow (Glowing Dub) 6:16
Afterglow (Tina’s House Mix) 6:38
Afterglow (Tinapella) 4:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Mint (Generic)

CHARTS:

Year Single Chart Position
1986 Afterglow U.S. Billboard Hot Dance/Club Play #5

 

RELEASE INFORMATION:
Label: Capitol Records – V-15349
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1986
Genre: Electronic
Style: Pop Rock, Deep House, Garage House
Credits: Edited By – Tuta Aquino
Engineer – Hugo Dwyer
Producer – Terry Britten
Programmed By – Eric Kupper
Remix – Justin StraussMurray Elias

NOTES:
Original version appears on the LP “BREAK EVERY RULE”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Tina Turner – Break Every Rule (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

REQUEST

“Break Every Rule” is a single recorded by Grammy Award winning pop/rock singer Tina Turner. It was the title track to both Turner’s 1986 album of the same name and the name of her 1986/1987 world tour. It was released as a single in early 1987 to support the album and the tour. The song found limited success on the US and UK singles charts. The music video shows Turner performing on stage as well as behind-the-scenes footage of Turner and her band from the tour. The country-flavored song was written by British composer and singer Rupert Hine and his then girlfriend Jeanette Obstoj, who had previously composed “I Might Have Been Queen” which was featured on the Private Dancer album.

SIDE A:
Break Every Rule (Dance Mix) 8:42
Producer – Rupert Hine
Remix – Rupert Hine

Break Every Rule (Single Mix) 3:47
Producer – Rupert Hine
Remix – Rupert Hine

SIDE B:
Break Every Rule (Extended Mix) 7:28
Producer – Rupert Hine
Remix – Rupert Hine

Take Me To The River (Previously Unreleased) 4:26
Producer – Martyn Ware

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1987 Break Every Rule U.S. Billboard Hot 100 #74
1987 Break Every Rule U.S. Billboard Hot Black Singles #3

 

RELEASE INFORMATION:
Label: Capitol Records – V-15296
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1987
Genre: Electronic, Pop, Rock
Style: Pop Rock

NOTES:
Another version appears on the album “BREAK EVERY RULE” PJ-12530
Management: Roger Davies Management

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi