Category: Peter Murphy

Peter Murphy – Final Solution (Remix) (UK 12″) (1985)

Burning The Ground Exclusive

“Final Solution” is one of those records that does not politely enter the room. It arrives like a warning signal, all nerves, shadows, and sharp edges.

Originally recorded by Cleveland art-punk band Pere Ubu in 1976, “Final Solution” was already a strange and unsettling piece of post-punk before Peter Murphy got anywhere near it. Pere Ubu’s version had that raw, almost damaged sound that made it feel as if it was broadcasting from some broken radio tower in the middle of a city no one wanted to admit existed.

Peter Murphy took that chaos and turned it into something theatrical, colder, and strangely danceable.

Released as a single in 1985, before appearing on his 1986 debut solo album Should The World Fail To Fall Apart, “Final Solution” found Murphy stepping out from the long shadow of Bauhaus while still keeping one polished black boot firmly planted in the dark. This was not the more romantic, mystical Peter Murphy that would later emerge on songs like “Cuts You Up” or “A Strange Kind Of Love.” This was Murphy in a more dangerous space, taking a song already loaded with unease and pushing it further into the club.

The 12-inch Club Mix stretches the track into a tense, mechanical workout. The guitars snarl, the rhythm pounds, and Murphy’s vocal performance is pure command. He does not simply sing the song; he stalks through it. Every phrase feels like it is being thrown against a wall just to see what breaks first.

What makes this version so compelling is the way it sits between worlds. It is post-punk, goth, industrial, and club music all at once, but never fully settles into any one of them. It has the grit of the original, but the 12-inch format gives it space to breathe, sweat, and menace the dancefloor.

The B-side, “The Answer Is Clear,” offers a fitting companion piece. Less immediate but just as moody, it captures Murphy during that early solo period when he was still experimenting with what his voice could become outside the Bauhaus frame.

“Final Solution” may not be one of Peter Murphy’s biggest hits, but it remains one of his most arresting early solo singles. It is tense, dramatic, and a little unhinged in all the right ways.

This is the sound of an artist stepping into the spotlight alone, not with comfort, but with intent.

SIDE A:
Final Solution (Third & Final Mix) 5:51
Lacquer Cut By – Timtom
Remix – Ivo
John Fryer
Written-By – Bell*Pere Ubu

SIDE B:
Final Solution (Club Mix) 5:30
Lacquer Cut By – TY
Mixed By – Stephane Gerbier
Remix – The Latin Rascals
Written-By – Bell
Pere Ubu

The Answer Is Clear (Version) 3:14
Lacquer Cut By – TY
Written-By – Hughes
Murphy*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Peter Murphy: Final Solution (1985)
Chart Peak Position Date
UK Singles Chart #92 1985

RELEASE INFORMATION:
Label: Beggars Banquet – BEG 143TP
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic, Rock
Style: Industrial, Goth Rock

CREDITS:

NOTES:
Recorded at Blackwing Studios in the summer of ’85.
B1. 12″ mix [Club mix] at Unique Studios, New York City
B2. Mixed at Blackwing Studios

Made in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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Dalis Car – The Judgement Is The Mirror (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

REQUEST

Dalis Car was a musical group formed in 1984 by Peter Murphy (vocalist), Mick Karn (bassist, keyboardist, guitarist, saxophonist) and Paul Vincent Lawford (rhythm construction). The band was formed soon after Murphy and Karn left their former bands (Bauhaus and Japan, respectively). They took their name from a Captain Beefheart song from his album, Trout Mask Replica. Initially, they recorded one album, The Waking Hour (UK No. 84), and released one single, “The Judgement is the Mirror” (UK No. 66).

The recording of the album took place in unusual circumstances, as neither Karn nor Murphy spent much time together in the recording studio, preferring to send tapes back and forth between each other, to work on alone.

SIDE A:
The Judgement Is The Mirror 4:32
Engineer – Steve Churchyard
Instruments [All Other] – Mick Karn
Mixed By – Mick Karn, Steve Churchyard
Percussion [Rhythms Constructed By] – Paul Vincent Lawford
Producer – Dalis Car, Steve Churchyard
Vocals, Lyrics By – Peter Murphy

SIDE B:
High Places 3:30
Engineer – Jonathan Miller
Instruments [All], Producer, Mixed By – Mick Karn
Lifelong Moment 4:08
Engineer – Jonathan Miller
Instruments [All], Producer, Mixed By – Mick Karn

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Poster: Mint

RELEASE INFORMATION:
Label: Paradox Records (2) ‎– DOX 1-12
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released:
Sep 1984
Genre: Electronic, Rock
Style: Leftfield, New Wave, Synth-pop, Experimental

CREDITS:
Design Concept – Mick Karn
Photography By [Cover] – Fin Costello
Written-By – Karn*, Murphy*

NOTES:
Includes 23″ by 23″ Poster.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi