Author: DjPaulT

Magda Layna – When Will I See You Again (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

DISCO FRIDAY!

“When Will I See You Again” is a song written by Kenny Gamble and Leon Huff and originally recorded by American Soul group The Three Degrees in 1974. The song was one of the most successful recordings of the “Philly Soul” era. Following the terrorist attacks on September 11, 2001, the song was placed on the list of post-9/11 inappropriate titles distributed by Clear Channel.

In 1983 Megatone Records recording artist Magda Layna released a Hi-NRG/Disco version of the song which received heavy rotation in dance clubs. Megatone Records was founded in San Francisco by legendary dance music composer and recording artist Patrick Cowley.

SIDE A:
When Will I See You Again (Vocal Version) 6:10

SIDE B:
When Will I See You Again (Instrumental) 6:10
When Will I See You Again (Elevator Mix) 2:08

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Megatone Records ‎– MT-111
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Funk / Soul
Style: Soul, Disco
Credits: Design – Tony Chiumento
Engineer – David Coe, Don Mack
Photography – Mick Hicks
Producer – Bill Motley
Written-By – Gamble and Huff*

NOTES:
Dedicated to:
Edwin D. Strickland & Lawrence E. Edwards
“When Will I See You Again”

1983 Bill Motley ProductionFind The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris Kimsey, Glimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

New Order – Run 2 (UK 12″)

BURNING THE GROUND EXCLUSIVE 1989

A. Front

“Run 2” was New Order’s third and final single from their 1989 album Technique. The album version was listed as simply “Run”.

“Run 2” was remixed by Scott Litt from the version on Technique, hence the appendage of “2” to the title. The main difference is that the song has been made more radio-friendly by editing down most of the long instrumental run-out and appending it with a final repeat of the chorus. Litt’s mix strips back much of the echo and layers of synthesizers, and in place centres the mix on Sumner’s vocal and the bass guitar of Peter Hook. Despite the effort taken to produce a radio single, only 20,000 of the Factory 12″ release were ever pressed. 500 7-inch records were also pressed, for promotional use. The single was only released in the UK.

John Denver’s publishing company filed a lawsuit, alleging that the guitar break in “Run” too closely resembled Denver’s “Leaving on a Jet Plane”. The case was settled out of court. The song has since been credited to New Order and John Denver.

“Run 2” is backed with the B-side titled “MTO”. This song recycles the line “You’ve got love technique” from the group’s previous hit single “Fine Time” (this is the only lyric in the track). It is speculated that “MTO” is an acronym for “Mid Tempo One” or “Much Too Old”, though it is also quite possible that the initial-ism’s usual meaning, “Made to Order”, is implied as a self-deprecating joke by the group. An extended mix of “Run 2” with additional beats by Afrika Islam and an alternate ‘minus’ mix of “MTO” by Mike ‘Hitman’ Wilson appear as B-sides on the 12″ version of the single.

Peter Saville, the single’s cover designer, claimed to have been inspired by the design of laundry powder packaging. The tiny print on the back of the sleeve says, “Cover by Peter Saville Associates after Bold.”

SIDE A:
Run 2 3:37
Remix – Scott Litt

Run 2 (Extended Version) 5:22
Drum Programming [Additional Beats] – Afrika Islam
Remix – Scott Litt

SIDE B:
MTO 3:43
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

MTO (Minus Mix) 5:24
Engineer – Chris Andrews
Remix, Producer [Additional Production] – Mike ‘Hitman’ Wilson*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Factory ‎– Fac273
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: UK
Released: Aug 1989
Genre: Electronic, Rock
Style: Leftfield, Acid House, Indie Rock
Credits: Cover [After Bold] – Peter Saville Associates
Mastered By – MAX*
Recorded By – Michael Johnson
Written-By, Producer – New Order

NOTES:
Limited edition of 20,000 copies.
MTO Additional Production and Remix for Real House Productions.

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Hot Tracks Series 1 Issue 11 (US 12″)

BURNING THE GROUND EXCLUSIVE 1982

Side A

While no longer in busines Hot Tracks was the LONGEST-RUNNING DJ Remix Service in the World! Based here in my home town Tulsa, Oklahoma.

Hot Tracks for years and years was carried in THOUSANDS of DJ’s Crates, as the goto service for remix edits and creative ideas on the dancefloors. For a while HOT TRACKS was known for being one of the most creative, and interesting remix services available to DJ’s. Hot Tracks was an invaluable service and an important piece of HISTORY!

This issue was released for the Christmas Season 1982 hence the inclusion of “Have Yourself A Merry Little Christmas” by Steve Algozino who gives the traditiona carol contemporary space age madness. Probably the most sought after remix in this set is “Nasty Girl” retitled “Nasty Nasty Girl” by Vanity 6. This song inclines towards the highly suggestive and downright dirty lyrics. Hot Tracks didn’t help matters any by creating “Nasty Nasty Girls”, by rearranging the entire song to enhance the already enthusiastic synthesized strings, bass line and lyrics. The new mix runs almost 8 minutes and moves quickly with a 7 inch introduction.

This set also includes “It’s A Shame” by The Spinners a Motown classic taken from The Best Of The Spinners LP released in 1973. The track has been lenghtened with new percussion tracks and equalization so that it can be mixed easily with today’s down tempo material.

Hope that you enjoy this great set of remixes from Hot Tracks.

SIDE A:
Double Discovery  – Can He Find Another One? 8:19
Written-By – B. Midney*, J. Burgess*, K. Meyer*
130 BPM

Private Lives – Memory Of Your Name 7:49
Remix – Rob Kimbel
Written By –  Lane, Leiderman
Written-By – Adams*
136 BPM

SIDE B:
Vanity 6 – Nasty, Nasty Girls 7:51
Written-By – Vanity
121 BPM

Steve Algozino – Have Yourself A Merry Little Christmas 5:37
Written-By – H. Martin*, R. Blane*
124 BPM

Spinners, The* – It’s A Shame 4:25
Written-By – L. Garrett*, S. Wonder*, S. Wright*
106 BPM

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Hot Tracks ‎– SA 1-11
Format: Vinyl, 12″, Limited Edition, Promo, 33 ⅓ RPM, Compilation
Country: US
Released: 1982
Genre: Electronic, Funk / Soul, Pop
Style: Disco, Synth-pop, Soul

NOTES:
Released fro Christmas 1982
For DJ Use Only

Find The 12″ On DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi