Author: DjPaulT

Kaja – Shouldn’t Do That (Disciplined) (UK 12″) (1985)

Burning The Ground Exclusive

If you’ve followed the quirky trajectory of Kajagoogoo, you know their journey from the breakout synth-pop of White Feathers to the more experimental corners of their later work was anything but predictable. By 1985, the band, now simply billed as Kaja, released their third album, Crazy Peoples Right to Speak, and with it came a single that encapsulated both their pop sensibilities and their willingness to push boundaries: “Shouldn’t Do That.”

Released by Parlophone/EMI America, “Shouldn’t Do That” didn’t storm the charts like their early hits, peaking at #63 in the UK, but it remains a fascinating slice of mid-80s new wave. Its layered synths, driving rhythm, and unmistakable melodic flair demonstrate that even as the band evolved, they retained the catchy hooks that made them a staple of early-80s British pop.

Interestingly, the single also found a home beyond the record charts. It was included in the soundtrack of 1985’s Santa Claus: The Movie, adding an unexpected pop edge to the festive film. For many fans, this placement cemented the track’s quirky charm—playful enough for a family movie, yet still very much a product of Kaja’s distinctive new wave style.

“Shouldn’t Do That” may not be the band’s most famous track, but it’s a perfect snapshot of a group experimenting with identity, sound, and expression in the mid-80s. For collectors, 80s enthusiasts, and anyone curious about the paths Kajagoogoo/Kaja explored after their initial fame, it’s an essential listen.

SIDE A:
Shouldn’t Do That (Disciplined) 6:58
Mixed By – Ken Scott

SIDE B:
Charm Of A Gun 4:27
Backing Vocals – Lezlee Cowling
Guitar [Solo] – Michael Thompson
Mixed By – Nick Beggs, Paul Ryan (2), Steve Askew (2), Stuart Croxford Neale

Shouldn’t Do That (Undisciplined) 5:59
Mixed By – Nick Beggs, Paul Ryan (2), Steve Askew (2), Stuart Croxford Neale

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12R 6106
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1985
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:

NOTES:
Made in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


State Of The Art – Love Will Keep Us Together (Germany 12″) (1988)

Burning The Ground Exclusive

Founded in Cologne in 1986 by Frank Schmitz (guitar, vocals) and Stephan Koch (keyboards, vocals, production), German synth-pop outfit State Of The Art came together with a clear vision: to shape their years of school band and local music experiences into a polished, professional project. In 1987, Stephan’s brother Georg Koch joined on drums, completing the trio.

The band’s first recordings took place at the V.A.M.P. Studio in Cologne, where early demo tapes were put together. These demos quickly caught the attention of A&R managers in Hamburg, and the group’s songwriting quality earned them a deal with Phonogram (Mercury/Polygram Records).

Their second single, “Love Will Keep Us Together,” was released in 1988 across Germany, France, Austria, and Switzerland. Produced by pop producer Ulrich “James” Herter (best known for his work with Two of Us) alongside publisher Karin Wirthmann, the track showcased a glossy, melodic synth-pop sound that felt perfectly in step with the era.

With bright keyboards, crisp programming, and a heartfelt vocal performance, the single had all the makings of a hit. It even found success in the media: State Of The Art performed the song on several German television shows, including appearances on the iconic Formel Eins, and a promotional video was produced for the music program.

“Love Will Keep Us Together” resonated strongly on German radio, climbing into the WDR Schlagerrallye, where it ultimately landed at #15 on the annual chart. The band also earned recognition in the Goldene Europa competition, taking second place just behind fellow German pop group Pur.

While it didn’t break internationally, “Love Will Keep Us Together” stands today as a quintessential Closet 80s single: a polished, heartfelt slice of European synth-pop that deserved far more recognition than it received at the time. For collectors and lovers of hidden gems, it remains a rewarding discovery.

SIDE A:
Love Will Keep Us Together (Extended Version) 5:32
Written-By – Georg Koch, Stephan Koch, Timothy Touchton

On Deaf Ears 3:24
Written-By – Ken Taylor, Matthew Peevers, Stephan Koch

Love Will Keep Us Together (Single Version) 3:41
Written-By – Georg Koch, Stephan Koch, Timothy Touchton

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – 870 177-1
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1988
Genre: Electronic, Rock, Pop
Style: Synth-pop, Pop Rock

CREDITS:

  • Artwork By [Cover] – Spot WA, Köln
  • Producer – Ulrich Herter

NOTES:
Made in West Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


State Of The Art – Love Remains A Rebel (Germany 12″) (1987)

Burning The Ground Exclusive

Here’s another gem pulled from the Closet 80s — the 1987 debut single “Love Remains A Rebel” by German synth-pop group State Of The Art.

Released on both 7-inch and 12-inch formats, “Love Remains A Rebel” arrived at a time when electronic pop was branching in many directions. The song carries that unmistakable late–’80s European sound: polished synth layers, dramatic vocals, and a driving programmed beat that made it an instant candidate for club play. Fans of Alphaville, Camouflage, and Cetu Javu will feel right at home here, though State Of The Art bring their own mix of cool detachment and melodic urgency.

The extended 12-inch version really lets the track breathe — the sequencers pulse, the synth lines shimmer, and the chorus grows more insistent with each repeat. While the single didn’t make much commercial noise on release, it has since become a sought-after find for collectors of obscure synth and minimal wave. Like so many Closet 80s tracks, it’s one of those songs that might have slipped past you back in the day, only to hit hard once rediscovered decades later.

What makes “Love Remains A Rebel” stand out is its balance of mood and movement — it’s brooding enough for the headphones but still danceable for the floor. A perfect example of the kind of overlooked 12″ that fueled the underground clubs of the era.

Do you remember this one from its original release, or is it a fresh discovery from the Closet?

SIDE A:
Love Remains A Rebel (Extended Mix) 5:04

SIDE B:
Fighting For Spaces 3:46
Love Remains A Rebel (7″ Version) 4:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Polygram – 888 490-1
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
Made In West Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Remembering Stephen Luscombe of Blancmange

It is with great sadness that we share the news of the passing of Stephen Luscombe, co-founder of Blancmange, after a long-term illness. Today, we pause to honor not only the man but also the sound, spirit, and imagination he gave the world of music.

Blancmange formed in 1979 when Stephen Luscombe and Neil Arthur met at Harrow School of Art. What they created together was something rare — a unique voice in synthpop that was both otherworldly and deeply human. In the early days, their equipment was modest, sometimes improvised, yet what they conjured had depth, mystery, and, above all, character.

Stephen’s role in Blancmange was pivotal. He was the architect of the sweeping synth textures and rhythms that gave the band its signature sound. Tracks like “Living On The Ceiling,” “Blind Vision,” and “Don’t Tell Me” simply would not carry the same magic without the sonic landscapes Stephen built beneath them. His work gave Neil Arthur’s vocals the perfect canvas to hover, soar, and whisper across.

Though Stephen had to step away from touring due to health issues, his influence never faded. Even as Neil continued Blancmange in later years, the echoes of Stephen’s contributions remained a vital part of the music. Releases such as the retrospective Everything Is Connected remind us of just how much of Blancmange’s enduring character was shaped by his vision.

Beyond the music, Stephen embodied resilience and creativity. Even as illness limited his ability to perform, his presence was always felt. He inspired Neil, collaborators, and countless fans who recognized that Blancmange was never just about hits, but about nuance, experimentation, and emotion.

Today, we mourn the loss of Stephen Luscombe. But we also celebrate him. His legacy is one you can feel in every note of the songs he helped bring to life — the magic, the textures, the strange beauty that remain timeless.

Stephen may have left the stage, but the sound he created will continue to resonate.

Rest in peace, Stephen. Your music lives on.

-DjPaulT