Author: DjPaulT

Eurythmics – Thorn In My Side (UK 12″) (1986)

Burning The Ground Exclusive

Today’s feature takes us back to 1986 with one of Eurythmics’ most defiant and infectious singles—”Thorn In My Side.” Pulled from their sixth studio album Revenge, this track showcases the duo’s pivot from icy synths toward a more guitar-driven, rock-infused sound, without losing an ounce of their signature edge.

Released in August 1986, “Thorn In My Side” was a UK smash, reaching #5 on the Singles Chart. While it didn’t make as big of a splash stateside (peaking at #68 on the Billboard Hot 100), it became a staple of Eurythmics’ live setlists and remains a fan favorite for its blistering lyrics and triumphant tone. This isn’t a heartbreak song—it’s a take-your-power-back anthem.

Annie Lennox delivers a vocal performance that walks the line between controlled disdain and cool detachment, spitting lines like:
“You gave me such a bad time / Tried to hurt me, but now I know…”
Backed by Dave Stewart’s guitar and slick production, it’s pure Eurythmics: sharp, stylish, and unafraid.

The Extended Mix on this UK 12″ vinyl release opens things up with an expanded intro and instrumental passages, giving the track more groove and weight—perfect for the dancefloor or just a dramatic solo strut across your apartment.

On the B-side, we get the live recording of “In This Town”. It’s a muscular, politically tinged performance that captures the raw, charged energy of the band at their mid-’80s peak.

Thorn In My Side” endures not just as a great single, but as a statement of resilience. A glittering middle finger to heartbreak, dressed up in hooks and eyeliner.

Now—a quick collector’s note for the completists out there:
Yes, I am aware of the sought-after “Houston Mix” of “Thorn In My Side.” It’s an ultra-rare pressing that’s reportedly identical to this standard UK 12″ mix, with one crucial difference: the run-out groove etching reads DAT 8 A1 rather than the common DAT 8 A3 —and that’s the only known distinguishing mark. I’ve never personally come across a copy, and believe me, I’ve looked. If I ever do get my hands on one, you better believe I’ll post it here.

SIDE A:
Thorn In My Side (Extended Mix) 6:57
Engineer – Gary Moon
Keyboards – Patrick Seymour
Keyboards, Drum Programming, Backing Vocals – David A. Stewart
Lead Vocals – Annie Lennox

SIDE B:
Thorn In My Side (Album Version) 4:15
Backing Vocals – Bernita Turner
Bass Guitar – John McKenzie
Drums – Clem Burke
Guitar – David A. Stewart
Keyboards – Patrick Seymour
Lead Vocals – Annie Lennox
Saxophone, Harmonica – Jimmy Z

In This Town 3:45
Backing Vocals – Bernita TurnerJoniece Jamison
Drums – Clem Burke
Keyboards – Patrick Seymour
Lead Vocals – Annie Lennox
Saxophone – Jimmy Z

Vocals, Guitar – David A. Stewart

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Thorn In My Side U.S. Billboard Hot 100 #68

RELEASE INFORMATION:
Label: RCA – DAT 8
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Sep 6, 1986
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
Recorded at Conny’s Studio Cologne & Studio Grand Armée Paris.
Track A remixed at Studio Grand Armee Paris.
Track B2 recorded at Manu’s Party.

Manufactured in the U.K.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Vicious Pink – Take Me Now (UK 12″)

Burning The Ground Exclusive

Released in January 1986, “Take Me Now” marked the final single from the provocative Leeds-based synth-pop duo Vicious Pink. Comprised of Josephine Warden and Brian Moss, the pair had built a cult following throughout the early ’80s with their bold, sensual lyrics and pulsing electronic beats. “Take Me Now” carried forward their signature style but with a more polished, mainstream-friendly sound, reflecting the shifting landscape of mid-’80s synth-pop.

The track was written by John David, a songwriter best known for his work with artists like Status Quo and Cliff Richard. It was produced by Gary Moberley, an Australian keyboardist and producer whose sleek, radio-ready touch gave the song a glossy sheen, contrasting with the rawer edge of the duo’s earlier tracks like “Cccan’t You See” or “Fetish.”

“Take Me Now” layers icy synth textures with Warden’s sultry vocals, conveying urgency and desire with the kind of restraint that made Vicious Pink so intriguing. The song didn’t chart significantly, but it remains a hidden gem of the era—an elegant swan song that closed the Vicious Pink chapter on a sophisticated note.

The 12″ single, released on Parlophone, featured an extended version along with two additional tracks: the hidden gem “I Confess” and “Always Hoping”, both of which showcase the production’s crystalline quality and dancefloor potential. Despite its under-the-radar status, “Take Me Now” has aged remarkably well, offering a glimpse into a band that was always a little ahead of its time—darkly stylish, fiercely independent, and unapologetically provocative.

SIDE A:
Take Me Now (Extended Version) 6:21
Producer – Gary Moberley
Written-By –John David

SIDE B:
I Confess 3:57
Engineer –  Martin Webster
Producer – Tony Mansfield
Remix – Gary Moberley
Written-By – Moss
Warden*

Always Hoping 3:55
Producer – Tony Mansfield
Written-By – MossWarden

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12PINK 3Parlophone – 12 PINK 3
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Jan 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Manufactured in the UK

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Tears For Fears – Pale Shelter (You Don’t Give Me Love) (UK 12″) (1985 Re-Issue)

Burning The Ground Exclusive

One of the most hauntingly beautiful early singles from Tears for Fears, “Pale Shelter” perfectly captures the icy, emotional edge that defined much of the duo’s early sound. Originally released in 1982 and then re-recorded and re-released in 1983, the track marked a major turning point for Roland Orzabal and Curt Smith—climbing to #5 on the UK Singles Chart and solidifying their place in the new wave scene.

The title “Pale Shelter” comes from a line in a Henry Moore drawing (Pale Shelter Scene), and like many early Tears for Fears songs, it draws on the theories of Arthur Janov’s primal therapy—focusing on themes of emotional neglect and childhood wounds. Lines like “You don’t give me love / You give me cold hands” speak to a deep sense of disconnection that resonated with a generation of listeners.

In 1985, riding high on the global success of Songs from the Big Chair, Mercury Records reissued “Pale Shelter” with a brand-new cream-colored picture sleeve. This version features the original 1982 extended mix produced by Mike Howlett, not the more widely known 1983 Chris Hughes re-recording.

What makes this reissue special for collectors: both B-side tracks run longer than their original 1982 12″ counterparts. “Pale Shelter” is about 30 seconds longer, while “The Prisoner” adds another 8 seconds of atmospheric synth work.

SIDE A:
Pale Shelter (Extended Version) 6:31
Producer – Mike Howlett

SIDE B:
Pale Shelter 4:31
Producer – Mike Howlett

The Prisoner 2:51
Producer – Tears For Fears

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mercury – idea 212
Format: Vinyl, 12″, 45 RPM, Reissue
Country: UK
Released: Sep 2, 1985
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
M&M Music

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Lucy Show – New Message (US 12″) (1987)

Burning The Ground Exclusive

Following the brooding and atmospheric textures of their critically acclaimed 1985 debut …undone, British band The Lucy Show took a bold sonic turn with their second—and final—album, Mania, released in 1986. With this album, the band shifted toward a more polished, upbeat, and commercially accessible sound, embracing jangly guitars, brighter melodies, and a cleaner production style. The lead single from this release was the energetic and hook-laden “New Message.”

“New Message” immediately signaled a departure from the band’s earlier gothic-tinged introspection. Clocking in with punchy guitars, melodic bass lines, and a propulsive rhythm, the song channels a style more in line with contemporaries like The Psychedelic Furs, The Church, or even early R.E.M., while still retaining The Lucy Show’s lyrical depth and emotional intensity.

Lyrically, the song touches on themes of miscommunication, modern detachment, and longing—topics that resonate even more strongly in today’s digital age. Mark Bandola’s vocals are more assertive here, riding atop a dense but shimmering wave of guitar-driven production.

Despite positive reviews and a growing cult following, Mania and its singles, including “New Message,” didn’t break through to mainstream success—partly due to label troubles with Big Time Records, which went under shortly after the album’s release. Sadly, this led to the band’s premature disbandment.

Over time, however, Mania has earned a well-deserved reputation as a lost classic of the ’80s alternative scene, with “New Message” standing out as a highlight—a vibrant track that captures the tension between artistic evolution and commercial appeal.

SIDE A:
New Message (Solo Trumpet Mix) 4:56

SIDE B:
New Message (Instrumental) 3:29
New Message (New Version) 3:29
Invitation 2:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Big Time – 6043-1-BD
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic, Rock
Style: Synth-pop, Indie Rock

CREDITS:

NOTES:
Recorded at Red Bus Studios, London 2/87

Original version from the Big Time LP “MANIA”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Ject Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.