Author: DjPaulT

Space Monkey – Come With Me (US 12″)

Burning The Ground Exclusive 1985

“Come With Me” is a 1985 single by British pop group Space Monkey, led by the singer–songwriter guitarist Paul Goodchild. The song was released as the second single from the LP “On the Beam”. Space Monkey was not a “group” per se; Goodchild was the only person to appear on every one of On the Beam’s tracks. Various session musicians were used, including Wham’s backup band and members of Bow Wow Wow. Also contributing was keyboard player Adrian Lee, who would later join Mike + the Mechanics.

SIDE A:
Come With Me (Extended Dance Mix) 7:24
Engineer – Gary Hellman
Remix, Edited By –John Luongo

Come With Me (LP Version) 4:16

SIDE B:
Come With Me (Dub Version) 6:25
Engineer – Gary Hellman
Remix, Edited By –John Luongo

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label:MCA Records – MCA-23592
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Sleeve Design] – Snap (11)
Photography By – David Leigh
Producer – Adrian LeeWritten-By –
Written-By – P. Goodchild*

NOTES:
From the MCA LP “On The Beam”

Find the 12″ at DISCOGS

VINYL TRANSFER and AUDIO RESTORATION:
-DjPaulT

burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Stars On 45 – “Stars On 45″ (US 12”)

Burning The Ground Exclusive 1981

“Stars on 45” is a medley issued in January 1981 by Dutch studio group Stars on 45. In some countries, including the UK, Ireland and New Zealand, the band was credited as ‘Starsound’ and only the medley itself was named “Stars on 45”.

Its official title in the US and Canada (as on the record and in Billboard and RPM) is “Medley: Intro ‘Venus’ / Sugar Sugar / No Reply / I’ll Be Back / Drive My Car / Do You Want to Know a Secret / We Can Work It Out / I Should Have Known Better / Nowhere Man / You’re Going to Lose That Girl / Stars on 45” and was credited to ‘Stars on 45’. It is (to date) the longest titled song to ever chart in Billboard and was conveniently shortened to “Stars on 45 Medley”, or “‘Medley’ by Stars on 45”. The length of the name surpassed the previous record set by Ray Stevens’ “Jeremiah Peabody’s Polyunsaturated Quick-Dissolving Fast-Acting Pleasant-Tasting Green and Purple Pills”; and (among songs that reached number one) “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song” by B. J. Thomas. The reason for the long title was copyright requirements for the use of The Beatles’ songs.

It reached number 1 in the Netherlands on February 21, 1981; number 2 in the UK on May 9, 1981; and number 1 on the Billboard Hot 100 on June 20, 1981. In the US, the single also peaked at number 18 on the dance chart. In the US, the song’s one-week stay at the top of the Hot 100 interrupted the Kim Carnes single “Bette Davis Eyes” run as the number 1 single at five weeks. The next week, Carnes’ song regained its number 1 status for an additional four weeks.

The origin of the single was the Netherlands where numerous bootleg disco singles were floating around. Willem van Kooten, the owner of one of the copyrights, decided to make a similar, legitimate record of a 12″ single titled “Let’s Do It in the 80s Great Hits” credited to a Canadian group called Passion (though the snippets of songs were taken from the original recordings). He found singers who sounded similar to John Lennon and Paul McCartney and decided to make the single focus on The Beatles. The Beatles medley was later extended to a full 16-minute album side. It appeared on the Stars on 45’s first full-length release, Long Play Album (US title: Stars on Long Play; UK title: Stars on 45 – The Album).

The album version of the song moved “Venus” and “Sugar Sugar” to Side Two into a different medley, and added several more Beatles songs as well as a 32-second instrumental extract from George Harrison’s “My Sweet Lord” and even a fleeting reference to new wave band Sparks’ “Beat the Clock”, for a total length of about 15 minutes. The album version was released as Long Play Album in the Netherlands, and retitled Stars on Long Play in the US and Stars on 45 — The Album in the UK.

The song also became a huge success in the UK where it kicked off a craze for medleys, with a large number of records in the Stars on 45 mould reaching the UK Top 40 in 1981. For example, The Hollies recorded “Holliedaze”, a medley of some of their previous hits, which reached 28 on the UK charts with Graham Nash and Eric Haydock briefly rejoining the group in September 1981 to promote the record. Likewise, in the US the song started a medley craze that lasted for about a year and introduced not only other medleys by Stars on 45, but medleys by the Beatles themselves, The Beach Boys, the Royal Philharmonic Orchestra, Larry Elgart and His Manhattan Swing Orchestra, as well as others.

SIDE A:
Stars On 45 (Vocal) 10:18

SIDE B:
Stars on 45 (Instrumental) 6:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1981 Stars On 45 U.S. Billboard Hot 100 #1
1981 Stars On 45 U.S. Billboard Adult Contemporary #11
1981 Stars On 45 U.S. Billboard Hot Dance Music/Club Play #18

RELEASE INFORMATION:
Label: Radio Records (5) – DM 4812
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1981
Genre: Electronic
Style: Disco

CREDITS:
Lacquer Cut By – GP*
Producer –  Jaap Eggermont

Find the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

The Cage Featuring Nona Hendryx – Do What Ya Wanna Do (US 12″)

Burning The Ground Exclusive 1982

“Do What Ya Wanna Do” is a 1977 song originally recorded by T-Connection. In 1982 the song was covered by The Cage Featuring American singer Nona Hendryx.

The Cage was a project built around Ms. Nona Hendryx and the studio band Visage as they existed in 1982, following the exits of Dave Formula as well as Midge Ure and Billy Currie following the lawsuit to extricate the band from Morrison/O’Donnell management [who were also representing Ultravox]. That meant Rusty Egan on drums with Steve Barnacle on guitars and synths with brother Gary on sax and synths. Production and remix via the great John Luongo.

The song was a cover of a T-Connection disco track from 1977 that was very much in the traditional mold of the day. This one was much tougher with the full complement of Visage’s sonic vocabulary that they’d already established on their two albums. Drum machines kept the time while Egan drummed around them on acoustic percussion. Providing lots of vibrant fills and percussive volleys. Steve Barnacle played mostly extreme funk bass here with brother Gary adding sax interjection.

The drum solo breakdowns on this one were bold and hard and lasted as long as they wanted even as hints of the Mororder sound gave it all a machine-led energy that the more traditional instruments used as a foundation. Of course, Ms. Hendryx was more than capable of matching the toughness of the musicians. – postpunkmonk Discogs

The song was also featured in the film and soundtrack “Summer Lovers”.

SIDE A:
Do What Ya Wanna Do (Long Version) 7:35
Remix – John Luongo
Written-By – T. Coakley*

SIDE B:
Do What Ya Wanna Do (Dub Version) 6:24
Remix –John Luongo
Written-By – T. Coakley*

The Slammer 5:26
Written-By – G. BarnacleR. EganS. Barnacle*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-29969, Metropolis (7) – 0-29969
Format:
Vinyl, 12″, 45 RPM
Country: US
Released: 1982
Genre: Electronic
Style: Funk / Soul

CREDITS:
Bass, Keyboards – Steve Barnacle
Drums, Drum Programming –  Rusty Egan
Featuring [Vocals] – Nona Hendryx
Producer [Produced By], Arranged By –  Rusty Egan
Saxophone, Saxophone [Electric], Keyboards –  Gary Barnacle

NOTES:
Taken from the forthcoming Soundtrack “Summer Lovers”
Remixed at The “Reduction Suite”

Find the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Duran Duran – Violence of Summer (Love’s Taking Over) (US 12″)

Burning The Ground Exclusive 1990

“Violence of Summer (Love’s Taking Over)” is a song by English new wave band Duran Duran, the first single from their sixth studio album, Liberty (1990). Having finished the 1980s with the Decade singles compilation, Duran Duran found the 1990s a new challenge, in which success would initially elude them. The lukewarm success of “Violence of Summer” would shadow the band for the next few years until 1993’s “Ordinary World” returned them to chart success. The single reached number two in Italy but fared poorly in other countries, reaching number 20 in the United Kingdom and number 64 in the United States.

The B-side, “Throb”, is an ambient instrumental remix of Liberty album track “My Antarctica”. The use of a remixed album track would be repeated with the inclusion of “Water Babies”, a remix of “All Along the Water” on the “Serious” single.

SIDE A:
Violence Of Summer (Love’s Taking Over) (The Power Mix) 4:51
Remix – Brown-Eyes*

Violence Of Summer (Love’s Taking Over) (Dub Mix) 4:48

SIDE B:
Violence Of Summer (Love’s Taking Over) (Rock Mix) 4:24
Violence Of Summer (Love’s Taking Over) (The Story Mix) 3:13
Remix –Brown-Eyes*

Throb (Instrumental) 4:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Violence Of Summer (Love’s Taking Over) U.S. Billboard Hot 100 #64
1990 Violence Of Summer (Love’s Taking Over) U.S. Billboard Alternative Airplay #13
1990 Violence Of Summer (Love’s Taking Over) U.S. Billboard Hot Dance Music/Club Play #36

RELEASE INFORMATION:
Label: Capitol Records – V-15612
Format: Vinyl, 12″, Maxi-Single
Country: US
Released: 1990
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Calligraphy – Ruth Rowland
Composed By –TaylorRhodesLe BonCampbellCuccurullo
Design – Icon London

Photography By – Ellen Von Unwerth
Producer – Chris Kimsey
Producer [Associate] – Duran Duran

NOTES:
Produced for Chris Kimsey Productions Ltd.
Remixed for Brown-Eyes Music Corporation.
Mastered at Capitol.
Recorded in England.

Find the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.