Author: DjPaulT

Olivia Newton-John – Gimme Some Lovin’ (Disconet Edit) (US 12″)

Burning The Ground Exclusive 1979

Today marks the one-year anniversary of the passing of superstar, and icon Olivia Newton-John. Most of you that have been following me know that I am a massive ONJ fan so I wanted to do something special today.

In July of 1979, Disconet Remix Service released issue Volume 2 Number 11 which included a remix edit of one of the buried treasures from Olivia’s 1978 LP “Totally Hot” a cover version of Spencer Davis Group’s biggest U.S. hit, “Gimme Some Lovin’. Olivia did not release the song as a single however this would mark the first time Olivia appeared on any remix service. This edit along with many other early Disconet edits has been lost until now.  The song was included as part of Olivia’s 1980 TV Special Hollywood Nights watch the video here.

The track was remixed and edited by American DJ and remixer Bobby “DJ” Guttadaro. A former professional pharmacist, “The man who’s got ears” – as he was called in the music industry – started DJing at Fire Island’s “The Ice Palace” in 1971 and, later, at Manhattan’s “Le Jardin” and “Infinity”, soon becoming one of the most renowned names in the ’70s disco scene.

Bobby DJ is unanimously regarded as an out-and-out pioneer in beat-mixing and disco remixing: No wonder he was a member of the original team of remixers of legendary subscription label Disconet Program Service, along with such other famed DJs as Savarese and Kevin Guilmet.

He was the first DJ to be presented with a Gold Disc – for his work on Love Unlimited Orchestra’s “Love’s Theme” – and, in 1976, he was also awarded – with Tom Savarese – the Billboard Magazine’s “National Disco DJ of the Year” prize.

Unfortunately, Bobby DJ passed away in New York in 1989 (reportedly of AIDS-related illness).

Please keep in mind that this edit was done with vinyl recordings and then re-recorded and transferred to vinyl for the Disconet release. I have done my best to meticulously clean and restore this track. I also made a custom front cover sleeve for this release. I hope you enjoy it.

SIDE A:
Gimme Some Lovin’ (Disconet Edit) 4:22

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label:Disconet Program Service – MWDN 211
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: Jul 1979
Genre: Electronic
Style: Disco

CREDITS:
DJ Mix – Dolly DJ Guttadaro*
Producer –John Farrar

NOTES:
Taken from Disconet Volume 2 Number 11

Includes Disconet Dj News Letter describing each side of the two record set.

Dolly DJ Guttadaro is an intentional “joke” misspelling for Bobby DJ Guttadaro, The newsletter jokingly reports “Dolly” to be Bobby’s lost twin sister.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Toni Basil – Mickey (US 12″)

Burning The Ground Exclusive 1982

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

AN 80s AUDITORY ICON

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted November 15, 2011

“Mickey” (originally titled as “Kitty”) is a song recorded by American singer and choreographer Toni Basil for her debut studio album, Word of Mouth (1981). It was first recorded by the pop group Racey. Mike Chapman and Nicky Chinn wrote the song, while production was helmed by Greg Mathieson and Trevor Veitch. Basil’s version is new wave, featuring guitar, synthesizers and cheerleading chants. It garnered a mixed response from music critics, with some critics praising the radio-friendly nature of the song, while others described some of the lyrics as obscene.

The song was originally performed by British pop group Racey, with the title “Kitty”, and was included on their debut studio album Smash and Grab in 1979. The original Racey song did not include the “Oh Mickey, you’re so fine” chant, which Basil added.

For years, it was rumored that the name was changed to Mickey because Basil developed a crush on the Monkees’ drummer and lead vocalist Micky Dolenz, after meeting him on the set of their movie, Head, for which she was the choreographer. However, that claim has been denied by Basil, who has said that she “didn’t really know Micky at all”. In January 2020, Basil released a re-recording of the song as “Hey Mickey” to digital and streaming platforms.

On August 31, 2017, Basil filed a multi-claim lawsuit against Razor & Tie Direct, Forever 21, Disney, Viacom, VH1, and South Park. Basil alleged that the defendants had commercially used the song “Mickey” without a license and damaged her right of publicity, claiming excess of $25,000 in damages. Basil also filed a lawsuit against AMC on May 12, 2020, for the unauthorized use of “Mickey” in a trailer for Preacher. On August 27, 2020, a California state of appeals court affirmed dismissal of Basil’s case.

The music video was directed, produced and choreographed by Basil herself. The cheerleaders featured in the video were members of a championship squad from Carson High School in Carson, California. The cheerleading uniform Basil wore in the music video was the one she actually wore in high school. According to Basil, “They didn’t put anything in the budget, I did everything myself. And this is the actual cheer sweater from Las Vegas High.”

“Mickey” was Basil’s only U.S. Billboard Top 40 single.

SIDE A:
Mickey (Special Club Mix) 5:57

SIDE B:
Mickey (Spanish Version) 5:13

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Excellent

U.S. CHART HISTORY:

Year Single Chart Position
1982 Mickey U.S. Billboard Hot 100 #1
1982 Mickey U.S. Billboard Hot Dance/Club Play #3

RELEASE INFORMATION:
Label: Chrysalis – CDS-2666
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1982
Genre: Rock
Style: New Wave, Pop Rock

CREDITS:

NOTES:
Special version from the LP “WORD OF MOUTH”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Cyndi Lauper – Girls Just Want To Have Fun (Japan 12″)

Burning The Ground Exclusive 1984

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

AN 80S AUDITORY ICON

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted May 20, 2015

“Girls Just Want to Have Fun” is a song made famous by Cyndi Lauper four years after it was written by Robert Hazard. It was the first major single released by Lauper as a solo artist and the lead single from her debut studio album, She’s So Unusual (1983). Lauper’s version gained recognition as a feminist anthem and was promoted by a Grammy-winning music video. It has been covered, either as a studio recording or in a live performance, by over 30 other artists.

The single was Lauper’s breakthrough hit, reaching No. 2 on the US Billboard Hot 100 chart and becoming a worldwide hit throughout late 1983 and early 1984. It is considered one of Lauper’s signature songs and was a widely popular song during the 1980s. The lists “Rolling Stone and MTV: ‘100 Greatest Pop Songs’: 1–50”, “Rolling Stone: The 100 Top Music Videos” and “VH1: 100 Greatest Videos” ranked the song at No. 22, No. 39 and No. 45, respectively. The song received Grammy Award nominations for Record of the Year and Best Female Pop Vocal Performance.

The song was written by Robert Hazard, who recorded a demo of it in 1979. Hazard wrote the song from a male point of view. Lauper’s version appeared on her 1983 debut solo record She’s So Unusual. Lauper changed some of the lyrics at the suggestion of her producer and she also had her own suggestions about how her version should sound. The track is a synthesizer-backed anthem, from a feminist perspective, conveying the point that all women really want is to have the same experiences that men can have.[9] Gillian G. Gaar, author of She’s a Rebel: The History of Women in Rock & Roll (2002), described the single and corresponding video as a “strong feminist statement”, an “anthem of female solidarity” and a “playful romp celebrating female camaraderie.”

Cash Box said that “Robert Hazard’s original male point of view is transformed into a cheerleader-like sing-along for party girls, and the Toni Basil–like beat is augmented by a hooky, ringing guitar.”

The song was released in late 1983 but much of its success on the charts came during the first half of 1984. The single reached the Top 10 in over 25 countries and reached No. 1 in ten of those countries including Australia, Brazil, Canada, Ireland, Japan, New Zealand, and Norway. It also reached No. 2 in both the United Kingdom and the United States.

In the United States, the song entered the Billboard Hot 100 at No. 80 on December 17, 1983. It ultimately peaked at No. 2 on March 10, 1984, where it stayed for two weeks, behind Van Halen’s “Jump”. In the United Kingdom, the song entered the chart at No. 50 on January 14, 1984, and peaked at No. 2 on February 4, 1984, where it stayed for one week. In Ireland, the song entered the chart on January 29, 1984. It peaked at No. 1 for two weeks and was on the chart for a total of seven weeks. In Australia, the song debuted on the Kent Music Report Top 100 on February 27, 1984. It entered the Top 10 in only its third week on the chart and reached No. 1 on March 26, 1984. It topped the chart for two weeks and then remained at No. 2 for four weeks behind Nena’s “99 Luftballons”. It stayed on the chart for 21 weeks and was the 9th biggest-selling single of the year. In Belgium, the song debut at No. 38 on February 18, 1984, and peaked at No. 4 on April 7, 1984. In the Netherlands, the song entered the chart at No. 38 on February 25, 1984, and peaked at No. 4 on March 31, 1984.

In Sweden, the song entered at No. 13 on March 6, 1984, and peaked at No. 5 on April 3, 1984, charting for six weeks. In Switzerland, the song entered the chart at No. 15 on April 1, 1984, and peaked at No. 6 on April 29, 1984. In New Zealand, the song debuted at No. 21 on April 1, 1984, and peaked at No. 1 on May 6, 1984, where it stayed for three weeks. In Austria, the single entered at No. 3 on May 1, 1984, which was its peak position. In Netherland and New Zealand “Girls Just Want To Have Fun” made the year end charts for the Top 100 of 1984. On the ARC (American Radio Chart), “Girls Just Want To Have Fun” reached #1 and made the Top 40 songs of the year for 1984.

SIDE A:
Girls Just Want To Have Fun (Extended Version) 6:05

SIDE B:
Fun With V. Knutsn (Instrumental) 7:09
Xtra Fun 5:07

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Girls Just Want To Have Fun U.S. Billboard Hot 100 #2
1984 Girls Just Want To Have Fun U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: Portrait – 12・3P-509
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Special version from the LP “SHE’S SO UNUSUAL”
Manufactured in Japan.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Madonna – Hanky Panky (US 12″)

Burning The Ground Exclusive 1990

BTG BARBIE Rewind: Bubblegum Pop Inspired by BARBIE!

“Hanky Panky” is a song by American singer Madonna from her soundtrack album I’m Breathless. It was released on June 12, 1990, by Sire Records as the album’s second and final single. Written and produced by Madonna and Patrick Leonard, the song was developed from a line in the parent film, Dick Tracy, talking about a woman who enjoys being spanked by her partner. Performed in a playful, “tongue-in-cheek” style, “Hanky Panky” is a jazz and swing song, keeping with the film’s general theme of the 1920s and 1930s, with a changing bassline and minor to major key-shift in the chorus. It caused some controversy in Ireland because of its innuendo and racy lyrics, with women’s groups deeming them as harmful; Madonna later clarified that the lyrics were intended as a joke.

The song garnered positive response from music critics, many of them highlighting its lyrical content. It was a commercial success, becoming a top-ten hit in many countries including Australia, Ireland, Italy, the United Kingdom and the United States while topping the chart in Finland. Madonna has performed the song on two of her concert tours: Blond Ambition (1990) and Re-Invention (2004). The song has been covered by several tribute acts and was also performed on the television series Ally McBeal (1997).

In 1990, Madonna starred in the film Dick Tracy as Breathless Mahoney—a new role introduced for her—with Warren Beatty, her boyfriend at the time, playing the titular character. After the shooting for Dick Tracy was over, Madonna started working on the soundtrack. She had begun recording three songs written by Stephen Sondheim for the film—”Sooner or Later”, “More” and “What Can You Lose”—which would be part of the album, but also had to write and develop new songs comparable in style to her previous releases. She produced the entire album, including the Sondheim songs. “I want people to think of me as a musical comedy actress. That’s what this album is about for me. It’s a stretch. Not just pop music, but songs that have a different feel to them, a theatrical feel”, she said at the time.

Madonna recruited producer Patrick Leonard and engineer Bill Bottrell to help her with the project. She and Leonard toiled to create music that would fit the style and production of the film, set in the days of the Untouchables law enforcement. “Hanky Panky” was written and produced by Madonna and Leonard and was released as the second and final single from I’m Breathless on June 12, 1990. The cassette and the 7-inch versions had “More”, another song from the album as its B-side, while the 12-inch releases had two remixes of the song by Kevin Gilbert. Cover photograph for the single was done by Patrick Demarchelier with Jeri Heiden designing the sleeves.

As a BONUS TRACK, I have included the Razormaid Remix Service …Maid! How Slow Can You Go? #2 Digital Mix of “Now I’m Following You” a song that was also part of the I’m Breathless Soundtrack album. The song was not released as a single but an acetate promo 12″ single does exist.

SIDE A:
Hanky Panky (Bare Bottom 12″ Mix) 6:27

SIDE B:
Hanky Panky (Bare Bones Single Mix) 3:50

More (Album Version) 4:57
Producer – Bill Bottrell, Madonna
Written-By – Stephen Sondheim

BONUS TRACK:
Now I’m Following You (Digital Mix) 6:58
Remix –Joseph Watt

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Hanky Panky U.S. Billboard Hot 100 #10

RELEASE INFORMATION:
Label: Sire – 9 21577-0, Warner Bros. Records – 0-21577
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1990
Genre: Electronic, Jazz, Pop
Style: Swing, Big Band, Jazzdance

CREDITS:

NOTES:
Original versions available on the Sire/Warner Bros. album I’M BREATHLESS.
“More” from the film Dick Tracy

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.