Tag: Stevie Wonder

Stevie Wonder – Skeletons (US 12″) (1987)

Burning The Ground Exclusive

Happy Friday, everyone!

Yesterday, we brightened things up with the infectious synth-pop sounds of El DeBarge’s “Who’s Johnny.” But before we head into the weekend, I thought we might open a few closet doors and see what’s hiding inside! Today, we’re staying in the Motown family with Stevie Wonder’s funky 1987 hit “Skeletons.” It might not be your typical Halloween record, but with its dark electronic groove, mysterious atmosphere, and lyrics about secrets waiting to be exposed, I think it’s a perfect way to bring a little funk back into our Spooky Season Spins!

Released in September 1987 as the lead single from Stevie Wonder’s album Characters, “Skeletons” found the legendary singer, songwriter, and musician exploring a harder-edged electronic funk sound while delivering some pointed social commentary.

At first glance, the title might suggest something supernatural, but these aren’t the kind of skeletons that rattle their bones in a haunted house. Stevie is talking about the skeletons people keep hidden in their closets. Those embarrassing secrets, lies, and questionable activities that eventually come back to haunt them.

When the song appeared in 1987, the United States was dealing with a wave of political scandals, public controversies, and revelations about prominent figures. Stevie took that atmosphere of suspicion and deception and turned it into one of the funkiest records of the year. Beneath its irresistible groove was a serious message about dishonesty, hypocrisy, and the consequences of trying to keep the truth buried.

Musically, “Skeletons” is a real treat for fans of eighties electronic funk. The song is built around a thick, rubbery synthesizer bass line, crisp electronic percussion, and layers of keyboards that give it a slightly sinister edge. Stevie’s unmistakable vocals move effortlessly between playful, sarcastic, and downright confrontational. It’s a fascinating combination of social commentary and dance-floor energy that only an artist like Stevie Wonder could pull off.

The accompanying music video took the concept even further. Set in a seemingly ordinary suburban neighborhood, it featured Stevie sitting on his front porch while the hidden lives of his neighbors were gradually revealed. Behind those friendly smiles and picture-perfect appearances were secrets that nobody wanted exposed. The video’s message was simple. You never really know what someone might be hiding behind closed doors!

Despite its darker subject matter, “Skeletons” was a commercial success. The single reached #1 on Billboard’s Hot Black Singles chart, #19 on the Billboard Hot 100, and #20 on the Hot Dance Club Play chart. It also reached #59 on the UK Singles Chart, proving that Stevie still knew how to deliver a hit nearly three decades into his remarkable recording career.

Year Chart Peak
1987 U.S. Billboard Hot 100 #19
1987 U.S. Billboard Hot Black Singles #1
1987 U.S. Billboard Hot Dance/Club Play #20
1987 Australia Kent Music Report #38
1987 Belgium Ultratop 50 (Flanders) #36
1987 Canada RPM Top 100 Singles #43
1987 Netherlands Single Top 100 #72
1987 New Zealand Singles Chart #39
1987 UK Official Singles Chart #59

For today’s post, I’m featuring the original U.S. Motown 12″ single, catalog number 4593MG, released in 1987.

Side A contains the 6:43 extended version, which gives Stevie’s funky arrangement considerably more room to stretch out. The longer mix also incorporates spoken excerpts associated with the political controversies of the day, adding another layer to the song’s message. It’s an interesting reminder of just how closely the record reflected the headlines of 1987.

Side B features the equally lengthy instrumental version. This is where the production really gets a chance to shine. Without the lead vocals, you can fully appreciate the intricate synthesizer arrangements, electronic percussion, and relentless bass groove that drive the track. For anyone who loves the sound of eighties drum machines and synthesizers, the instrumental is worth the price of admission alone!

And while “Skeletons” might not have been written with Halloween in mind, I’ve always felt that songs about secrets, deception, and things lurking beneath the surface can be just as unsettling as those about ghosts and monsters. After all, isn’t the thought of someone’s darkest secrets suddenly coming to light a little frightening?

So, as we wrap up another week here at Burning The Ground, let’s turn up the funk and let Stevie Wonder remind us that sometimes the scariest things aren’t hiding under the bed. They’re hiding in the closet!

Enjoy this fresh vinyl transfer, and have a fantastic weekend, everyone!

SIDE A:
A1. Skeletons (Extended Version) 6:43

SIDE B:
B1. Skeletons (Instrumental) 6:43

RELEASE INFORMATION:
Label: Motown – 4593MG
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: Synth-funk, Contemporary R&B, Dance-Pop

CREDITS:

NOTES:
Edited version in Album, Cassette and Compact Disc, “Characters”
Recorded at Wonderland Studios, Los Angeles, California
Mastered at Precision Lacquer

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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Stevie Wonder – Part-Time Lover (12″ Version) (US 12″)

Burning The Ground Exclusive 1985

In The Name Of LOVE Week!
Celebrating BLACK HISTORY MONTH

“Part-Time Lover” is a song by American R&B singer and songwriter Stevie Wonder, released as the first single from his twentieth studio album, In Square Circle (1985). The song reached number one on the Billboard Hot 100, R&B, dance, and adult contemporary charts, becoming Wonder’s final number one hit to date. The song’s simultaneous chart successes made Wonder the first artist to score a number-one hit on four different Billboard charts. The song was also released as a special 12″ version. Lyrically, it tells the story of a man who is cheating on his wife with a mistress, only to find out in the end that his wife is cheating on him as well.

“Part-Time Lover” also reached number three on the UK Singles Chart thanks in large part to a performance by Wonder on Top of the Pops in late 1985.

The song featured R&B singer Luther Vandross singing the ad-libs and backing vocals, in addition to Syreeta Wright and Philip Bailey of Earth, Wind and Fire. Wonder earned a Grammy Award nomination for Best Male Pop Vocal Performance in 1986, for the song. Wonder is noted in the liner notes of the 4-CD set Hitsville USA: The Motown Singles Collection Volume 2 1972-1992 as describing the music for the song as an ode to “You Can’t Hurry Love” and “My World Is Empty Without You”, both by the Supremes, former Motown labelmates of Wonder.

SIDE A:
Part-Time Lover (12″ Version) 8:19

SIDE B:
Part-Time Lover (Instrumental) 8:16

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Part-Time Lover U.S. Billboard Hot 100 #1
1985 Part-Time Lover U.S. Billboard Hot Black Singles #1
1985 Part-Time Lover U.S. Billboard Hot Adult Contemporary #1
1985 Part-Time Lover U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: Tamla – 4548TG
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1985
Genre: Electronic, Funk / Soul, Pop
Style: Soul, Synthpop

CREDITS:
Engineer – Gary Olazabal

Engineer [Additional Overdubs By] – Brad Buxer
Engineer [Assistant] – Bob Harlan, Steve Van Arden
Mixed By – Gary Olazabal, James Allen
Producer [Associate Producer] – Gary Olazabal
Producer, Written-By, Arranged By – Stevie Wonder
Remix [Specially Remixed By] – Stevie Wonder
Words By, Music By – Stevie Wonder

NOTES:
Special 12″ Single

The Awesome New 8-Minute 20-Second Version of the Classic Hit

Album version in, “In Square Circle”

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Paul McCartney & Stevie Wonder – Ebony And Ivory (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted March 18, 2012

“Ebony and Ivory” is a 1982 number-one single by Paul McCartney and Stevie Wonder. It was released on March 29 of that year. The song is featured on McCartney’s album Tug of War. A self-empowerment hit that struggles issues of racial equality, the song reached number one on both the UK and the US charts. In 2013, Billboard ranked the song as the 69th biggest hit of all-time on the Billboard Hot 100 charts.

At the simplest level, the song is about the ebony (black) and ivory (white) keys on a piano, but also deals with integration and racial harmony on a deeper, human level. The title was inspired by McCartney hearing Spike Milligan say “black notes, white notes, and you need to play the two to make harmony, folks!”. The figure of speech is much older. It was popularized by James Aggrey in the 1920s, inspiring the title of the pan-African journal The Keys, but was in use from at least the 1840s.

The B-side of the single, the song “Rainclouds”, is written by Paul McCartney and Denny Laine, though on early pressings of the single the song was credited only to McCartney.

SIDE A:
Ebony And Ivory 3:43
Vocals [Additional] – Stevie Wonder

SIDE B:
Rainclouds 3:08

Ebony And Ivory (Solo Vocal) 3:43
Vocals [Solo] – Paul McCartney

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Ebony And Ivory U.S. Billboard Hot 100 #1
1982 Ebony And Ivory U.S. Billboard US Hot Adult Contemporary Chart #1
1982 Ebony And Ivory U.S. Billboard Hot Black Singles #8
1982 Ebony And Ivory U.S. Billboard Hot Mainstream rock Tracks #34

 

RELEASE INFORMATION:
Label: Parlophone – 12R 6054
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: Pop Rock

CREDITS:
Producer – George Martin
Written-By – McCartney*

NOTES:
A-Side: From The Album “Tug Of War”
Stevie Wonder courtesy of Motown Records Inc.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Eurythmics – There Must Be An Angel (Playing With My Heart) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

“There Must Be an Angel (Playing with My Heart)” is a 1985 song written and performed by the British musical duo Eurythmics. Released as the second single from their fifth album Be Yourself Tonight, the song features a harmonica solo by the American musician Stevie Wonder. The song became a worldwide success; most notably in Ireland, Norway and the United Kingdom, where it became the duo’s only chart-topping single to date.

In the United States, the single peaked at #22 on the Billboard Hot 100 singles chart.

SIDE A:
There Must Be An Angel (Playing With My Heart) (Special Dance Mix) 6:15
Backing Vocals – Angel Cross
Bass – Dean Garcia
Drums, Percussion – Olle Romö*
Engineer – Don Smith
Engineer [Additional] –Jon Bavin
Engineer [Assistant] – Jay Willis
Harmonica – Stevie Wonder
Keyboards – David A. Stewart
Remix – Dean Garcia, Jon Bavin
Strings – Michael Kamen
Vocals, Keyboards – Annie Lennox

SIDE B:
Grown Up Girls 4:13
Instruments [All Instruments] – Annie*, Dave*
Saxophone – Martin Dobson

VINYL GRADE:
Vinyl: Bear Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 There Must Be An Angel (Playing With My Heart) U.S. Billboard Hot 100 #22
1985 There Must Be An Angel (Playing With My Heart) U.S. Billboard Hot Dance Music/Club Play #31

 

RELEASE INFORMATION:
Label: RCA ‎– PT 40248(R), RCA ‎– PT 40248 R
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Jun 1985
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Artwork [Construction By] – Laurence*
Engineer – Adam Williams
Mastered By – JA*, SM*
Painting –Lindsey Loch
Producer – David A. Stewart
Written-By – Lennox*, Stewart*

NOTES:
Track A: From the album “Be Yourself Tonight”

Stevie Wonder appears courtesy of Motown Record Corporation.
Manufactured in England

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.