Burning The Ground Exclusive
Happy Friday, everyone!
Yesterday, we brightened things up with the infectious synth-pop sounds of El DeBarge’s “Who’s Johnny.” But before we head into the weekend, I thought we might open a few closet doors and see what’s hiding inside! Today, we’re staying in the Motown family with Stevie Wonder’s funky 1987 hit “Skeletons.” It might not be your typical Halloween record, but with its dark electronic groove, mysterious atmosphere, and lyrics about secrets waiting to be exposed, I think it’s a perfect way to bring a little funk back into our Spooky Season Spins!
Released in September 1987 as the lead single from Stevie Wonder’s album Characters, “Skeletons” found the legendary singer, songwriter, and musician exploring a harder-edged electronic funk sound while delivering some pointed social commentary.
At first glance, the title might suggest something supernatural, but these aren’t the kind of skeletons that rattle their bones in a haunted house. Stevie is talking about the skeletons people keep hidden in their closets. Those embarrassing secrets, lies, and questionable activities that eventually come back to haunt them.
When the song appeared in 1987, the United States was dealing with a wave of political scandals, public controversies, and revelations about prominent figures. Stevie took that atmosphere of suspicion and deception and turned it into one of the funkiest records of the year. Beneath its irresistible groove was a serious message about dishonesty, hypocrisy, and the consequences of trying to keep the truth buried.
Musically, “Skeletons” is a real treat for fans of eighties electronic funk. The song is built around a thick, rubbery synthesizer bass line, crisp electronic percussion, and layers of keyboards that give it a slightly sinister edge. Stevie’s unmistakable vocals move effortlessly between playful, sarcastic, and downright confrontational. It’s a fascinating combination of social commentary and dance-floor energy that only an artist like Stevie Wonder could pull off.
The accompanying music video took the concept even further. Set in a seemingly ordinary suburban neighborhood, it featured Stevie sitting on his front porch while the hidden lives of his neighbors were gradually revealed. Behind those friendly smiles and picture-perfect appearances were secrets that nobody wanted exposed. The video’s message was simple. You never really know what someone might be hiding behind closed doors!
Despite its darker subject matter, “Skeletons” was a commercial success. The single reached #1 on Billboard’s Hot Black Singles chart, #19 on the Billboard Hot 100, and #20 on the Hot Dance Club Play chart. It also reached #59 on the UK Singles Chart, proving that Stevie still knew how to deliver a hit nearly three decades into his remarkable recording career.
| Year | Chart | Peak |
|---|---|---|
| 1987 | U.S. Billboard Hot 100 | #19 |
| 1987 | U.S. Billboard Hot Black Singles | #1 |
| 1987 | U.S. Billboard Hot Dance/Club Play | #20 |
| 1987 | Australia Kent Music Report | #38 |
| 1987 | Belgium Ultratop 50 (Flanders) | #36 |
| 1987 | Canada RPM Top 100 Singles | #43 |
| 1987 | Netherlands Single Top 100 | #72 |
| 1987 | New Zealand Singles Chart | #39 |
| 1987 | UK Official Singles Chart | #59 |
For today’s post, I’m featuring the original U.S. Motown 12″ single, catalog number 4593MG, released in 1987.
Side A contains the 6:43 extended version, which gives Stevie’s funky arrangement considerably more room to stretch out. The longer mix also incorporates spoken excerpts associated with the political controversies of the day, adding another layer to the song’s message. It’s an interesting reminder of just how closely the record reflected the headlines of 1987.
Side B features the equally lengthy instrumental version. This is where the production really gets a chance to shine. Without the lead vocals, you can fully appreciate the intricate synthesizer arrangements, electronic percussion, and relentless bass groove that drive the track. For anyone who loves the sound of eighties drum machines and synthesizers, the instrumental is worth the price of admission alone!
And while “Skeletons” might not have been written with Halloween in mind, I’ve always felt that songs about secrets, deception, and things lurking beneath the surface can be just as unsettling as those about ghosts and monsters. After all, isn’t the thought of someone’s darkest secrets suddenly coming to light a little frightening?
So, as we wrap up another week here at Burning The Ground, let’s turn up the funk and let Stevie Wonder remind us that sometimes the scariest things aren’t hiding under the bed. They’re hiding in the closet!
Enjoy this fresh vinyl transfer, and have a fantastic weekend, everyone!
SIDE A:
A1. Skeletons (Extended Version) 6:43
SIDE B:
B1. Skeletons (Instrumental) 6:43
RELEASE INFORMATION:
Label: Motown – 4593MG
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: Synth-funk, Contemporary R&B, Dance-Pop
CREDITS:
- Backing Vocals – Alexis England, Darryl Phinnessee, Dorian Holley, Keith John, Kevin Dorsey, Lynne Fiddmont, Melody McCully, Shirley Brewer
- Co-producer, Engineer, Mixed By – Gary Olazabal
- Engineer [Additional], Other [Mastering Coordinator] – R.R. Harlan
- Guitar [Sample] – Gary Myrick
- Mastered By – Stephen Marcussen
- Programmed By [Computer, Synthesizer] – Robert Arbittier
NOTES:
Edited version in Album, Cassette and Compact Disc, “Characters”
Recorded at Wonderland Studios, Los Angeles, California
Mastered at Precision Lacquer
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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I still playlist your rip transfer of Stevie’s ‘Go Home’ 12″ single you posted several years ago.
This will definitely be on regular rotation too.
Thanks Paul.
Thanks very much for sharing this Stevie Wonder twelver, Paul.
peace,
dj
You’re welcome, Don.
As much as I enjoyed the insightful writeup… forget all that 😉 Here is the truth! The skeletons in the closet are physical, not metaphorical! We have all been misled this whole time!! I hadn’t really made a spooky connection to this track before. Listening to it in October really made me hear it in a different light, it actually does have some twinges that lean toward a Halloween vibe. The funk here is off the charts, which is actually pretty interesting to me considering the release year. Stevie Wonder really did his own thing, innovated and brought such great… Read more »
JP, you’ve cracked the case! All these years we’ve been analyzing Stevie’s social commentary, and the answer was right there in front of us. Actual skeletons in the closet! How could we have missed it? LOL! I love that listening to this record during October has given you a whole new perspective on it. That’s exactly what I hoped would happen! Sometimes the setting changes how we hear a familiar song. And you’re absolutely right about the funk. For 1987, Stevie was doing his own thing, and that bass line and electronic production still sound fantastic today. Your comparison to… Read more »
Hi Paul! Long time visitor, first time poster! One thing that I especially love about this blog is not just the music itself, but also the high quality cover scans! However I must ask if you have changed the way you process the scans lately? Both this cover as well as the cover of the recent post Eight Wonder – Cross My Heart appears to have been more heavily processed, maybe even using generative AI? They look a bit too clean to my eye. As much as i love this blog, and as much as I love a clean cover… Read more »
Hi HPA! First of all, welcome to the comments! It’s always wonderful to hear from someone who has been visiting Burning The Ground for years. Thank you for your kind words and for taking the time to share your thoughts. You have a very good eye! Yes, I have recently been experimenting with Photoshop’s AI-assisted editing tools to help restore some of the sleeve artwork. I still scan the original vinyl sleeves myself at 600 dpi, just as I always have. The difference is that I’ve been trying some newer restoration methods to remove scratches, ring wear, discoloration, and other… Read more »
Less is more when it comes to image editing! I had not looked at the recent scans at full screen – the AI processing is unfortunately pretty obvious, the Eighth Wonder cover does not look good to me 🙁 I really don’t like the smoothed out look AI “enhancement” gives to images. I know some don’t mind or think it looks better. It can help in the cases where you have a very low quality image to start (but even then I’d probably overlay a light grain field over the AI processed image to hide the “AI look”). But since… Read more »
This is so fantastic Paul! I’ve actually been hoping you would post this for a while. Stevie Wonder at his most funky. These have to be some of the funkiest beats he ever put down, with a funky message to beat. His one-two punch of In Square Circle and then Characters was a knock out in funk, pop and R&B. This is perfect for Halloween… Big thank you Paul, I’m looking forward to your meticulous transfer! Have a great weekend everyone! Btw, did you post the 12 inch Get It years ago or is that a skeleton of my imagination,… Read more »
Thank you so much, Retro Hound! I’m thrilled that this is one you’ve been hoping to see on BTG! Stevie was certainly bringing the funk in the late eighties, and “Skeletons” is a perfect example. That bass line alone is enough to get me moving! And beneath all that incredible production is a message that still rings true today. I completely agree about In Square Circle and Characters. What a fantastic period in Stevie’s career! He was experimenting with the latest electronic sounds while keeping that unmistakable Stevie Wonder magic firmly in place. I’m especially happy that I could finally… Read more »
To use the Halloween metaphors, if you decide to resuscitate the Get It 12 inch with a brand new revival, that would truly be electrifying! Enjoy your weekend!
One of my favorite artists!! Love to see this pop up! Thank you Paul and have a great weekend.
You’re very welcome, Grant! Stevie Wonder is one of my favorites, too! What an incredible talent and what a musical legacy he’s given us. I especially love this funkier side of Stevie, and “Skeletons” seemed like the perfect choice to bring a little Motown magic to our Halloween festivities. I’m so glad this one made you happy! Thank you for stopping by, and have a fantastic weekend, my friend!
I remember when this video / single dropped. It was the first time in awhile where I thought he was living up to his iconic musical genius/trailblazer reputation.
The song, to me, could be his best track of the entire decade. It’s intense, it’s not trying to be a pop hit, it’s just a creative milestone.
I remember people hating on it at the time and I was so confused.
Thanks for this awesome post, I will have to dig out the whole album and see how it feels in 2026!
Thank you, ING! I love your take on this record, and I think you’ve hit on something important. “Skeletons” really does feel like Stevie Wonder reminding everyone why he earned that legendary reputation in the first place. He wasn’t afraid to take chances, experiment with new sounds, or tackle subjects that other artists might have avoided. I can understand why some listeners might have been caught off guard in 1987. This wasn’t the sweet, romantic Stevie of “I Just Called to Say I Love You.” This was Stevie with something to say, and he delivered that message with one seriously… Read more »
Hey Paul, Nice selection here. It was you who first introduced this song to me in the first place and I’ve been a fan ever since! Everyone of us, I think, may have a few skeletons in their closet. Heck, there’s some who have complete graveyards in there I imagine, LOL 😆 This is a great record with great social commentary! Stevie Wonder is a worldwide treasure and I love when he shows up here with a fantastic record! Paul, have a wonderful weekend! Thanks for all these cool records over the past week. You can surely pick some outstanding… Read more »
Jeff, my dear friend, thank you so much! It makes me incredibly happy to know that I was the one who introduced you to “Skeletons” and that you’ve loved it ever since. That’s one of the greatest rewards of doing Burning The Ground. Sharing a record with someone who might have missed it the first time around and having it become part of their musical world is a wonderful feeling! And you’re absolutely right about those skeletons! I think most of us have a few tucked away somewhere, but some people probably need an entire cemetery instead of a closet!… Read more »
Thank you, Paul. This is top-notch electro funk. I love that monotonous bassline and all the swirling synth sounds-the track fits the Halloween series perfectly. You’ve wrapped up the week in great style. Wishing you all a fantastic weekend, and you’d better keep your closet doors shut…
You’re very welcome, Toxicaudio! I had a feeling you would appreciate this one! That relentless synth bassline is absolutely hypnotic, isn’t it? And all those swirling electronic textures give the record such a wonderfully dark atmosphere. I especially love how much more you can hear in the instrumental version. Stevie really created something special with this production! I thought “Skeletons” would be a fun way to close out the week and bring a little funk into our Halloween festivities. I’m so glad you enjoyed it! And don’t worry, my friend, I’ll be keeping those closet doors firmly shut this weekend!… Read more »
I’m first, again!? OMG, this is so exciting!
Paul, do i stand on a podium and have my picture taken?
Can I wear a tiara?
My comments are being recorded?
WH-WH-WHAT!?!?
Ok. I’m calm now.
Thank you Paul, for this Stevie Wonder social commentary treat at Hallowe’en.
LOL! Muff Diver, you are absolutely cracking me up! Yes, the podium is ready, the cameras are flashing, and you may certainly wear a tiara! In fact, I insist! I think we may need to start handing out awards for being the first to comment on BTG! And don’t worry, your acceptance speech will go down in Burning The Ground history! I’m so glad you’re enjoying Stevie Wonder’s “Skeletons.” Who knew that a song about secrets, lies, and dirty laundry could be so funky? Stevie certainly knew how to make a serious statement while keeping everyone on the dance floor!… Read more »
Hey Muff Diver!! I think it’s so great that you commented first! I always believe that when you add your opinion here on BTG it’s going to be special! I got a good laugh over what you said. I can picture this big buff muscular guy on a podium looking quite handsome and proud wearing a tiara for all to see and not giving a damn! This is what makes you special my friend! You’re powerful and full of good humor and so much fun! I hope you have a terrific weekend! You’re a colossal cunnilguist and an awesome person!!… Read more »