Month: January 2023

Animotion – Obsession (Dance Mix) (Germany 12″)

Burning The Ground Exclusive 1984

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted May 15, 2015

“Obsession” is a 1983 song covered in 1984 by the group Animotion. The song hit number six in the United States, and number five in the United Kingdom in early 1985, helped by a distinctive video that received heavy rotation on MTV.

“Obsession” was originally written and recorded as a duet by songwriter Holly Knight and musician Michael Des Barres in 1983. This version was played in the 1983 film A Night in Heaven, during a scene in which Christopher Atkins bumps and grinds in Lesley Ann Warren’s face in sync with the rhythm of the song. The song was featured on the film’s soundtrack, but did not receive enough attention to warrant much radio play or a place on any Billboard charts. That version was also featured in the theatrical trailer to the 1986 film 9½ Weeks, starring Mickey Rourke and Kim Basinger.

The Los Angeles-based synth-pop band Animotion recorded a version of the tune for their self-titled debut album, released in 1984. This version became a massive success, and it remains Animotion’s biggest hit.

SIDE A:
Obsession (Dance Mix) 6:00

SIDE B:
Obsession (Special Dub Mix) 5:31
Mixed By – Mark Berry

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Obsession U.S. Billboard Hot 100 #6
1985 Obsession U.S. Billboard Hot Dance Music/Club Play #35
1985 Obsession U.S. Billboard Hot Dance Music/Maxi-Singles Sales #3

RELEASE INFORMATION:
Label: Mercury ‎– 880 266-1 Q
Format: Vinyl, 12″, 45 RPM
Country: Germany
Released: 1984
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Producer – John Ryan
Written-By – H. Knight*, M. Des Barres*

NOTES:
Special versions from the LP “ANIMOTION”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Pseudo Echo – Listening (Australia 7″)

Burning The Ground Exclusive 1983

In TIn my opinion “Listening” is one of the best New Wave songs to come out of the 80s a shame this band is so overlooked. The b-side “In Their Time” is an epic New Wave non-lp track.

“Listening” is the debut single from Australian pop group Pseudo Echo. The song was released in November 1983 as the lead single from their debut studio album, Autumnal Park (1984). The song peaked at number 4 on the Australian Kent Music Report. Following the international success of “Funky Town”, a remixed version of “Listening” was released in America in 1987 for the movie “North Shore” starring Nia Peeples.

Pseudo Echo was formed in Melbourne in 1982 and performed around Melbourne when music journalist Molly Meldrum attended one of their shows at Melbourne’s ‘Jump Club’. Meldrum was impressed, spoke highly of the group, and convinced them to perform on the music TV show Countdown where they performed a demo version of “Listening” on 28 June 1983. While it wasn’t unusual for Meldrum to speak in glowing terms about an up-and-coming artist, Pseudo Echo was the first unsigned artist to perform live on the show.

Meldrum’s introduction was: “We’re about to present a group, a local group, who have got no record contract. We saw them at a gig. I think they have loads of potential, so all you record companies out there, have a look at them, and the public, you judge for yourselves. We think they’re pretty good. A young group, they go under the name of Pseudo Echo. Here they are with “Listening”. Go boys!”

Shortly after, Pseudo Echo were signed by with EMI Music and producer Peter Dawkins (who had worked with Australian Crawl, Dragon) was at the helm at the studio to re-record “Listening”. The single made an immediate impact upon its release in November 1983.

SIDE A:
Listening 2:57

SIDE B:
In Their Time 5:42

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI – EMI.1158, EMI – EMI-1158
Format: Vinyl, 7″, 45 RPM, Single
Country: Australia
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Engineer – Dave Marett
Lacquer Cut By –DB*
Photography By – Cathy Hayton
Producer – Peter Dawkins
Written-By – B. CanhamT. Lugton

NOTES:
Recorded at Studios 301, Sydney, Australia.
An Australian Composition and Recording
Manufactured and distributed by EMI Music Group of Companies, Sydney, Australia and Lower Hutt, New Zealand.

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Visage – Mind Of A Toy (UK 12″)

Burning The Ground Exclusive 1981

“Mind of a Toy” is the third single by the British pop group Visage, released on Polydor Records in March 1981. It was taken from the band’s eponymous debut album, following up their international hit “Fade to Grey”. The song reached #13 on the UK singles chart.

The music video for the single was directed by former 10cc members Godley & Creme, who had branched out into video production by that time. The theme of the video was Steve Strange’s idea, who decided on a Little Lord Fauntleroy look. In his autobiography, Blitzed!, Strange claimed that the video was banned by the BBC’s Top of the Pops as it was considered to be “frightening for children”, however it was actually screened on the show on 19 March 1981.

SIDE A:
Mind Of A Toy (Dance Mix) 5:15

SIDE B:
We Move (Dance Mix) 6:30
Frequency 7 (Dance Mix) 5:05

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Polydor – POSPX 236
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Mar 2, 1981
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Design –  Alwyn ClaydenVisage
Musician –  Billy CurrieDave FormulaJohn McGeochMidge UreRusty EganSteve Strange
Photography By –  Peter Ashworth
Photography By [Retouching] –  Alwyn Clayden
Producer – Midge UreVisage

NOTES:
Thanks to Vivien
A Morrison-O’Donnell Production

A: Remixed from the Polydor LP “Visage”

Made in England

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Culture Club – I’ll Tumble 4 Ya! (Special Extended Version Remix) (US 12″)

Burning The Ground Exclusive 1983

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted July 7, 2014

“I’ll Tumble 4 Ya!” was a hit single from Culture Club’s Platinum-plus debut album Kissing to Be Clever.

The single was released only in North America, peaking at #9 in both the U.S. and #5 in Canada. In Australia, it was released in September 1983 as a Double A-side single with Karma Chameleon, peaking at #1 and receiving substantial airplay. With this single, in America, Culture Club was the first band to have three Top 10 singles from a debut album since The Beatles. Much like the group’s two prior American hits, this song was aided by a hugely popular MTV music video.

++ Of note this remix of “I’ll Tumble 4 Ya!” was omitted from the recent Japan Deluxe Re-issue of “Kissing To Be Clever”.

SIDE A:
I’ll Tumble 4 Ya! (Special Extended Version Remix) 4:40

SIDE B:
Man Shake 2:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Very Good +

U.S. CHART HISTORY:

Year Single Chart Position
1983 I’ll Tumble 4 Ya U.S. Billboard Hot 100 #9
1983 I’ll Tumble 4 Ya U.S. Billboard Hot Adult Contemporary Tracks #33
1983 I’ll Tumble 4 Ya U.S. Billboard Hot Dance Music/Club Play #14
1983 I’ll Tumble 4 Ya U.S. Billboard Hot Black Singles #70

RELEASE INFORMATION:
Label: Epic ‎– 49-03913
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Backing Vocals – Helen Terry
Design [Cover] – Nick Egan
Mixed By – Jon Moss, Steve Levine
Photography By – Mark Lebon
Producer, Engineer – Steve Levine

NOTES:
From the LP “KISSING TO BE CLEVER”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.