Month: January 2018

Cabaret Voltaire – Sensoria (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Sensoria” was the first single taken from the sixth full-length studio album by British electronic band Cabaret Voltaire. Released in October 1984 the single peaked at #96 on the U.K. singles chart.

The video for “Sensoria” was directed by Peter Care and attracted airplay on MTV. It was voted Best Video of the Year by the Los Angeles Times in 1985 and was later procured by the New York Museum of Modern Art.

SIDE A:
Sensoria 7:55
Engineer, Producer – John ‘Tokes’ Potoker*

SIDE B:
Cut The Damn Camera 3:51
Drums – Roger Quail
Producer – Flood

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– CVS 312, Some Bizzare ‎– CVS 312
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1984
Genre: Electronic
Style: Electro, Experimental, Industrial

CREDITS:
Backing Vocals – Shikisha
Percussion – Mark Tattersall
Producer – Cabaret Voltaire
Sleeve [Sleeve By] – Ian Wright (4)
Tabla – Eric Random
Written-By – Richard H. Kirk, Stephen Mallinder

NOTES:
Sleeve based on the work of Matta.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Eurythmics – Sexcrime (Nineteen Eighty-Four) (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1984

Originally posted May 30th, 2012

“I’ll pull the bricks down
One by one
Leave a big hole in the wall”

“Sexcrime (Nineteen Eighty-Four)” is a song written and performed by the British duo Eurythmics. It was released as the first single from their album 1984 (For the Love of Big Brother), which served as the soundtrack to the film Nineteen Eighty-Four, an adaptation of the novel of the same name by George Orwell. The song was produced by Dave Stewart.

“Sexcrime” is a song which features a heavy sampling of Lennox’s voice, utilizing snippets of her vocal performance to produce a stuttering effect. Also prominently featured is the voice of Stewart, with the aid of a vocoder, uttering the phrase “nineteen eighty-four”. It was the first of two singles released from the soundtrack album. The term “sexcrime” is one of several Newspeak words found in the novel.

The song was originally intended to appear in the film 1984 but was dropped prior to the film’s release. However, it was used as background music for the film’s trailer, and the song’s promotional video was included on home video releases of the film.

In addition to the standard 7″ and 12″ formats, the song was also released as a limited edition 12″ picture disc.

The single peaked at number 4 on the UK Singles Chart becoming Eurythmics’ sixth consecutive Top 10 hit. It was one of the duo’s biggest selling singles in the UK, being certified Silver by the BPI for sales in excess of 250,000 copies. It was also a big hit throughout Europe, a top 10 hit in New Zealand, a top 20 hit in Canada, and one of the duo’s biggest selling singles in Australia.

“Sexcrime” met with strong resistance on United States radio and on video outlets such as MTV — the song’s title was particularly controversial to those who were not aware of the meaning of the word in Orwell’s novel. The music video (featuring a straightforward performance of the song by Lennox and Stewart) had limited rotation on MTV. “Sexcrime” peaked at a lowly number 81 on the Billboard Hot 100, but was much more successful on the US Hot Dance Club Play chart, where it reached number 2.

The b-side “I Did It Just The Same” is derived from Orwell’s text and is taken from a passage in the book where the protagonist, Winston Smith, relates how he committed “sexcrime” with a prostitute—initially deceived by her makeup, when he got close to her, he realised she was “about fifty – but I did it just the same”.

SIDE A:
Sexcrime (Nineteen Eighty-Four) (Extended Mix) 7:57

SIDE B:
Sexcrime (Nineteen Eighty-Four) (Single Version) 3:58
I Did It Just The Same 3:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Sexcrime (Nineteen Eighty-Four) U.S. Billboard Hot 100 #81
1984 Sexcrime (Nineteen Eighty-Four) U.S. Billboard Dance Club Plays #2

 

RELEASE INFORMATION:
Label: RCA ‎– JW-13957
Format: Vinyl, 12″, Promo, 33 RPM
Country: US
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Composed By – Lennox*, Stewart*
Mixed By – David A. Stewart, Eric Thorngren
Producer – David A. Stewart

NOTES:
Taken from the Motion Picture Sound Track Album: “1984”

Printed in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Xymox – Obsession (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Obsession” is the first single taken from the third full-length album Twist of Shadows by Dutch band Clan of Xymox, also known as simply Xymox.

Released in March 1989 “Obsession” shot up to #16 on Billboard’s Alternative Songs chart. By June 1989 it had also reached #12 on Billboard’s Hot Dance Club Songs chart.

SIDE A:
Obsession (Club Mix) 6:37
Obsession (Edit) 4:15

SIDE B:
Hitchikers‘ Dance Guide 4:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Obsession U.S. Billboard Hot Dance Music/Club Play #12
1989 Obsession U.S. Billboard Alternative Rock Tracks #16

 

RELEASE INFORMATION:
Label: Wing Records ‎– 871 707-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1989
Genre: Electronic
Style: Synth-pop

CREDITS:
Management – Raymond Coffer Management*
Photography By – Richard McMillan
Producer, Engineer, Mixed By – Peter Walsh
Sleeve – Vaughan Oliver, v23
Written-By – A. Wolbert*, R. Moorings*

NOTES:
Mastered at Sterling.
Published by VOF XYMOX, Inc.
Printed in the U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Human League – Sound Of The Crowd (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“The Sound of the Crowd” is a song by the British synthpop group The Human League. It became the band’s commercial breakthrough, reaching #12 on the UK Singles Chart in May 1981.

Written jointly by lead singer Philip Oakey and keyboard player Ian Burden, the song was recorded at Genetic Sound Studios, Reading, in March 1981. Originally released as a stand-alone single in April 1981, it was subsequently re-recorded and incorporated into the studio album Dare, later in the year.

“The Sound Of The Crowd” was the first Human League song to feature female vocals, from new band members Susan Ann Sulley and Joanne Catherall, interacting with Philip Oakey’s baritone lead.

Apart from the catchy imperatives such as “Get in line now!” and “Get around town!”, the song contains some more obscure lyrics such as “Make a shroud pulling combs through a backwash frame” and “Stroke a pocket with a print of a laughing sound”. Discussing the song in a 2009 interview Ian Burden said:

On The Sound of the Crowd I scribbled down some stream-of-consciousness words so that I could demonstrate the vocal parts to him (Oakey) without having to do the naff la-la-la-hum-hum-hum type of explanation. He went off and wrote a new chorus vocal, but surprisingly kept my verse lyrics!

The single was the first to feature a distinctive, though short-lived, marketing tactic, where Human League singles were labeled ‘Red’ or ‘Blue’ to help buyers differentiate between the band’s musical styles. ‘Red’ was for dance tracks, ‘Blue’ for pop songs. “The Sound Of The Crowd” was designated ‘Red’. When asked to explain the system, vocalist Sulley explained that “Red is for posers, for Spandy (Spandau Ballet) types.” Oakey added: “Blue is for ABBA fans.”

The group first appeared on Top of the Pops to perform the song on 30 April 1981 when it was at no. 53 in the UK Singles Chart. The single entered the UK Top 40 a week later at no. 34 and after three weeks it reached its peak position of no. 12. A second Top of the Pops performance took place on 21 May 1981 when the single was at no. 15.

The original 7″ B side “The Sound of the Crowd (Add Your Voice)” is an instrumental remix of the A-side, an edit of which was later used as the closing track of the remix album Love and Dancing, issued in 1982 under the name of The League Unlimited Orchestra. A longer instrumental version of “The Sound of the Crowd” was featured on the B side to the 12″ release.

SIDE A:
The Sound Of The Crowd (Complete) 6:28

SIDE B:
The Sound Of The Crowd (Instrumental) 4:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Virgin ‎– VS 416-12
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 20 Apr 1981
Genre: Electronic, Pop
Style:Synth-pop

CREDITS:
Mastered By [Disc Cut At Tape 1 By] – Denis Blackham
Photography By [Photographs By] – Adrian Wright*
Producer – Martin Rushent, The Human League
Written-By – Burden*, Oakey*

NOTES:
RED

“Still vocals and synthesizers only.”

Etched in A-side runout groove: A BILBO ELECTRONIC BOPPA!

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi