BURNING THE GROUND EXCLUSIVE 1981

“Don’t You Want Me” is a single by British synthpop group The Human League, released on 27 November 1981 as the fourth single from their third studio album Dare (1981).

It is the band’s best known and most commercially successful recording and was the 1981 Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd most successful single in UK Singles Chart history. It later topped the Billboard Hot 100 in the US on 3 July 1982 where it stayed for three weeks. In 2015 the song was voted by the British public as the nation’s 7th favourite 1980s number one in a poll for ITV.

The lyrics were originally inspired after lead singer Philip Oakey read a photo-story in a teen-girl’s magazine. Originally conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band’s two teenage female vocalists. Susan Ann Sulley was then asked to take on the role. Up until then, she and the other female vocalist Joanne Catherall had only been assigned backing vocals; Sulley says she was chosen only through “luck of the draw”. Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics which was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey’s opinion, “poppy” sound. Oakey hated the new version and thought it the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on side two of the (then) vinyl album.

Before the release of Dare, three of its tracks—”The Sound of the Crowd”, “Love Action (I Believe in Love)”, and “Open Your Heart”—had already been released as successful singles. With a hit album and three hit singles in a row, Virgin’s chief executive Simon Draper decided to release one more single from the album before the end of 1981. His choice, “Don’t You Want Me”, instantly caused a row with Oakey who did not want another single to be released because he was convinced that “the public were now sick of hearing The Human League” and the choice of the “poor quality filler track” would almost certainly be a disaster, wrecking the group’s new-found popularity. Virgin were adamant that a fourth single would be released and Oakey finally agreed on the condition that a large colour poster accompany the 7″ single, because he felt fans would “feel ripped off” by the ‘substandard’ single alone.

The Human League often added cryptic references to their productions and the record sleeve of “Don’t You Want Me” featured the suffix of “100”. This was a reference to The 100 Club, a restaurant/bar in Sheffield.

Today, the song is widely considered a classic of its era. In a retrospective review, Stephen Thomas Erlewine, senior editor for AllMusic, described the song as “a devastating chronicle of a frayed romance wrapped in the greatest pop hooks and production of its year.” Oakey still describes it as over-rated, but acknowledges his initial dismissal was misguided and claims pride in the track. Oakey is also at pains to point out another misconception: that it is not a love song, but “a nasty song about sexual power politics”.

“Don’t You Want Me” was released in the UK on 27 November 1981. The B side was “Seconds” another track lifted straight from the Dare album. Like previous singles, a 12″ version was also issued featuring the original version of “Don’t You Want Me” and “Seconds” on the A side and an “extended dance mix” lasting seven and a half minutes on the B side. This mix is also features on the Love and Dancing album released under the name of The League Unlimited Orchestra in 1982.
To the amazement of the band (and especially Oakey), it entered the UK Singles Chart at No.9 and shot to number one the following week, remaining there over the Christmas period for a total of five weeks. It ultimately became the biggest selling single to be released in 1981, and the fifth biggest selling single of the entire decade. Its success was repeated six months later in the US, with “Don’t You Want Me” hitting No. 1 on the Billboard Hot 100 for three weeks. Billboard magazine ranked it as the sixth-biggest hit of 1982. The single was certified Gold by the RIAA the same year for sales of a million copies. It is notable as the first song featuring the revolutionary Linn LM-1 drum machine to hit No. 1 on the UK charts and also the first LM-1 track to top the Billboard Hot 100.

SIDE A:
Don’t You Want Me 3:57
Seconds 4:58

SIDE B:
Don’t You Want Me (Ext. Dance Mix) 7:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

RELEASE INFORMATION:
Label: Virgin ‎– VS 466-12, Virgin ‎– VS466-12
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 23 Nov 1981
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Martin Rushent, The Human League
Written-By – Callis*, Wright*, Oakey*

NOTES:
Thank you Gangsters restaurant, Sheffield.

Side A: Taken from the album “DARE”

Mastered at The Town House

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Sovtek 12AX7LPS Vacuum Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi