Burning The Ground Exclusive
By the fall of 1988, Taylor Dayne was on a roll. Her powerhouse debut album Tell It to My Heart had already produced three U.S. Top 10 singles, including the title track, and she was quickly becoming one of the defining vocalists of the late ‘80s. Riding that momentum, Arista Records issued “Don’t Rush Me” as the fourth single from the album, and it turned out to be one of Dayne’s biggest hits.
Written by Alexandra Forbes and Jeff Franzel and produced by Ric Wake, the song stands out for its lyrical theme. Unlike the bold passion of “Tell It to My Heart” or the dance-floor fire of “Prove Your Love,” “Don’t Rush Me” carries a message about taking things slow—essentially, a plea for abstinence. Delivered with Dayne’s unmistakable vocal strength, it struck a balance between vulnerability and determination.
Chart Success
“Don’t Rush Me” first saw release in the UK in September 1988 before arriving in the U.S. on October 24. The single quickly climbed the charts, peaking at No. 2 on the Billboard Hot 100 in January 1989, only held back from the top by Phil Collins’ “Two Hearts.” It became Dayne’s highest-charting single in the States at the time and spent an impressive 20 weeks on the Hot 100.
On other U.S. charts, it reached No. 3 on Adult Contemporary, No. 6 on the Dance Club Songs chart, and even topped Cashbox for a week in late January. Internationally, however, “Don’t Rush Me” didn’t achieve the same level of success, charting modestly in Europe, with Germany being one of the few countries where it cracked the Top 40.
The Music Video
The single’s visuals have a curious backstory. The first video, directed by Alek Keshishian (who would later work with Madonna), was shot in Los Angeles and featured Dayne alongside a “real sexy guy” in various scenes. For reasons never fully explained, that version was scrapped and replaced with a second video directed by David Hogan. The final cut, filmed in New York at the Capitol Theatre, was more of a straightforward performance piece showcasing Dayne’s presence on stage. This version debuted on VH-1 on December 10, 1988, before rolling out to MTV, BET, and Night Tracks later that month.
Legacy
“Don’t Rush Me” proved that Taylor Dayne was more than just a one-hit wonder riding the wave of late-’80s dance-pop. It showed her versatility as both a pop and adult contemporary artist, paving the way for her ballads like “Love Will Lead You Back,” which would eventually take her all the way to No. 1.
Even though its chart performance outside the U.S. was limited, the single remains one of Taylor Dayne’s signature hits—a track that captured her vocal power while delivering a message that was somewhat unusual for its time.
SIDE A:
Don’t Rush Me (Extended Version) 7:16
Remix – Richie Jones
Don’t Rush Me (Bonus Beats) 3:39
Remix – Richie Jones
SIDE B:
Don’t Rush Me (Single Version) 3:48
Don’t Rush Me (Dub Version) 6:08
Remix – Richie Jones
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Dance Club Songs | #6 | 1988 |
| US Billboard Hot 100 | #2 | 1988 |
| US Billboard RAdult Contemporary | #3 | 1988 |
| U.K. Singles | #76 | 1988 |
| Canada Top Singles (RPM) | #4 | 1988 |
RELEASE INFORMATION:
Label: Arista – AD1-9723
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Pop
Style: Synth-pop
CREDITS:
- Design – Susan Mendola
- Keyboards – Steve Skinner
- Management – Champion Entertainment Organization, Inc.
- Mixed By, Recorded By, Guitar – Bob Cadway
- Photography By – Jennifer Baumann
- Producer – Ric Wake
- Written-By – Alexandra Forbes, Jeff Franzel
- Recorded At – Cove City Sound Studios
- Mixed At – Cove City Sound Studios
- Mixed At – Blue Jay Studios
NOTES:
From the album “Tell It To My Heart”
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
Password: burningtheground
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Thanks Paul, remember Taylor Dayne fondly from my early clubbing days 🙂 getting serious Papa Don’t Preach vibes from this, lol. Much love and squeezes.
You’re welcome, David. I hear Papa Don’t Preach in that bass line for sure. Squeezes back at ya 😊
Thank you for another meticulous transfer, Paul! I think it was smart for the record label to save this release as the fourth single to keep the momentum going. I think I’m going to rip my Deluxe CD for the car and use your transfer to replace the remixes on CD2!
Thank you so much, Axel. That means a lot ❤️
I’m glad you’re showcasing more of Taylor Dayne singles. I was a fan of her early 90’s singles too, Can’t Get Enough Of Your Love” & “I’ll Wait” which had some great remixes from Clivilles & Cole, Steve Hurley & E-Smoove.
Thanks Paul 🙂
Thanks, Mark! I’m really glad you’re enjoying the Taylor Dayne features. Her early ’90s singles definitely had some fantastic remixes—those Clivilles & Cole, Steve Hurley, and E-Smoove mixes really brought her sound into the club in such a powerful way. I’ll definitely keep those in mind for future posts. Appreciate your support!
—Paul
So excellent Paul!! What a great follow-up to yesterday. Such a signature sound of the late 80s. Like I mentioned yesterday, Taylor Dayne had a lot of competition but her catchy hits (especially this one) and powerhouse delivery made her stand out. I’m so happy you’re featuring a double take on this hit single. It has a great message too. Thank you Paul!!
Thanks so much, Retro Hound! You’re right—Taylor Dayne really did have a lot of competition in the late ’80s, but her voice and those unforgettable hooks made her stand out in such a big way. I’m glad you’re enjoying the double feature on this one—it’s always fun to shine a little extra light on a track with such a strong message and sound. Appreciate you following along!
—Paul
Hey Paul This Is The Sound I Love. Your Mix Quality Is Much Better Than Cherry Pop. Thanks For The Jamm!!
Yeah, Cherry Pop pretty much records the vinyl once with a 10-year old, 12,000 hour stylus and calls it a day. Such a bummer they (or some other Label) doesn’t give vinyl ripping the kind of serious attention Paul does. And, that’s why I love coming here every day!!
This is a great song, and there was a time when I loved Taylor Dayne. I’m sad that I don’t feel the same about her anymore, because of some choices she has made. This is a case of memories are wonderful and living in ignorance of a performer’s true values can be utter bliss. Thank you for your hard work on this just the same Paul. xoxo <3
Thanks, Jeremy. I hear you—I know some people felt really let down by her choices, especially that Mar-a-Lago New Year’s Eve event during the pandemic. For me, what I try to hold onto is the music and the memories it gave us back then. That’s really the heart of why I archive and share these mixes—so the songs themselves don’t get lost, even if our feelings about the artist have shifted. I truly appreciate your kind words and support.
—Paul ❤️
Thank so much, Paul!! I always relish your rips of classic dance music! This is another extraordinary release from Miss Dayne! The energy here is contagious and hard-hitting! You’re wonderful bringing these lost classics back to us!!
Jeff
Thanks so much, Jeff! I really appreciate your kind words. Taylor Dayne definitely brought so much energy to her music, and I’m glad these rips help bring that back to life. It’s always a joy to share these classics and keep them spinning for everyone who still loves them.
—Paul
Thanks, Paul! Great mixes! I wanted to let everyone know that these mixes (and more) are on her Tell It To My Heart (Deluxe Edition) album release. So, please support the artist by purchasing the 2-cd set. Yes, I know Paul does an excellent job but I really, really try to find all his rips on cd releases so I can support the artist (and hopefully encourage the labels to release more mixes on cd format). Thanks so much again, Paul!!
Thanks so much, Fred! I really appreciate your support. I absolutely agree about supporting the artists—I did buy the Tell It to My Heart (Deluxe Edition) CD myself. Unfortunately, the sound quality on some of those mixes just isn’t quite where it could be, which is why I still like to share my vinyl rips here. Archiving my record collection is a hobby and passion for me, so it’s not just about what’s on CD, but also preserving the sound of these original 12-inch singles. That said, I’m with you 100%—purchasing these releases is the best way to encourage labels… Read more »
Exactly…you said it better than I…I love your work and feel it’s always better than the deluxe/remastered sets. I just wanted to promote the notion of supporting the artists. Have a great day!!
The best way to support an artist is to see them live. They make way more money performing live than through record sales. This is especially true for these 70s/80s/90s artists. I have met many of them backstage, and they really rely on people coming to their gigs. One of them told me once that they make more money from one concert ticket than from selling 1000 CDs or a million streams! Sad but true!
You are correct. However, I wasn’t speaking “supporting” as entirely monetarily. I hate concerts and even if I liked them, I couldn’t go to 10 a year to support the artists. By purchasing their cds it drives recognition that people out here still want to buy and listen to their stuff which in turn may increase tour dates which in turn would be much more rewarding for money. And in the case of deluxe and remasters, if the Labels see people buying the deluxe editions with bonus remixes, the Labels will likely release more artists’ on deluxe cds. It’s not… Read more »
Excellent points, Fred! I agree!
I have a tendency to pre-order most of the Deluxe Editions of my favorite artists, especially from Cherry Red, if they feature remixes and/or non-album tracks I don’t already have. I just wish they would be a little more diligent with their quality.The deluxe editions aren’t cheap, and it sucks when the quality of the few tracks I was missing isn’t all that great.