Tag: US

Scritti Politti – Perfect Way (US 12″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer

NEW Meticulous Audio Restoration

I first posted this track back on November 30, 2010, but I’ve dug deep into the crates to give it a meticulous new 2025 transfer. Every element—from the layered synths to the crisp percussion—has been carefully preserved, making the song sound brighter, cleaner, and more detailed than ever before.

🎶 Perfect Way: Scritti Politti’s Shimmering 80s Pop Masterpiece

“Perfect Way” by Scritti Politti is a landmark 1980s pop track that blended intellectual lyricism with slick, synth-driven production, becoming the band’s biggest U.S. hit and a defining moment in their career..

Origins and Release

Released in August 1985, Perfect Way was written by Green Gartside and David Gamson and appeared on Scritti Politti’s second studio album, Cupid \& Psyche 85. The album marked a shift from the band’s earlier post-punk experiments into a polished, funk-infused pop sound. Produced by Gartside, Gamson, and Fred Maher, the song showcased the group’s fascination with combining avant-garde ideas with mainstream accessibility.

Musical Style

The track is often described as new wave meets funk-pop, characterized by:

  • Bright, layered synthesizers
  • Crisp drum programming
  • Funk-inspired bass lines
  • Gartside’s smooth, almost detached vocal delivery

This sleek production reflected the mid-1980s trend toward highly produced, radio-friendly pop, but Scritti Politti added their own cerebral twist. The lyrics are abstract, full of paradoxes and playful contradictions, with lines like “I got a perfect way to make a new proposition” that highlight Gartside’s interest in language and philosophy.

Chart Performance

Interestingly, Perfect Way had a modest impact in the UK, peaking at No. 48 on the singles chart. However, in the United States, it became Scritti Politti’s breakthrough hit, climbing to No. 11 on the Billboard Hot 100 in 1986. This transatlantic success cemented the band’s reputation as one of the more sophisticated acts of the synth-pop era.

Cultural Impact

One of the most fascinating aspects of Perfect Way is its influence beyond pop music. Miles Davis, the legendary jazz trumpeter, recorded an instrumental version for his 1986 album Tutu. Davis’s choice to reinterpret the song demonstrated its musical depth and adaptability, bridging the gap between pop and jazz.

Legacy

Today, Perfect Way stands as Scritti Politti’s signature song in the U.S. and a quintessential example of mid-80s pop innovation. It represents:

  • The band’s transition from underground post-punk to mainstream success
  • The era’s obsession with glossy, high-tech production
  • A rare case of British intellectual pop resonating more strongly in America than at home

While Scritti Politti never replicated the same level of U.S. chart success, Perfect Way remains a time capsule of 1980s pop sophistication, celebrated for its fusion of catchy hooks and cerebral lyricism.

In short: Perfect Way is Scritti Politti’s most commercially successful single, a synth-pop gem that captured the sleek sound of the 1980s while also earning respect from jazz greats like Miles Davis.

About the 12″ single.

This US 12″ single contains an edited version of the “Way Perfect Mix,” clocking in at 5:27; the full 7:24 “Way Perfect Mix” is included on the US 12″ Promo that I posted in December 2024.

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

SIDE A:
Perfect Way (Way Perfect Mix) 5:27
Mixed By – Committee (3)

SIDE B:
Perfect Way (Way Perfect Version) 5:07
Engineer [Remix] – Steve Peck

Chart Performance – Scritti Politti: Perfect Way (1985)
Chart Peak Position Date
US Billboard Hot 100 #11 1985
US Billboard Hot Dance Music / Club Play #6 1985
US Billboard R&B / Hip-Hop #85 1985
UK Singles Chart #48 1985

RELEASE INFORMATION:
Label: Warner Bros. Records – 0-20362Warner Bros. Records – 9 20362-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single, SRC Pressing
Country: US
Released: Oct 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Original version on the Warner Bros. album “Cupid & Psyche 85”

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Sade – The Sweetest Taboo (US 12″ Promo) (1985)

Burning The Ground Exclusive

Released in late 1985 as the lead single from Promise, Sade’s sophomore album, “The Sweetest Taboo” is a silky, sunlit groove that effortlessly blends jazz, pop, and soul into one of the most distinctive sounds of the decade. The track was written by Sade Adu and bandmate Martin Ditcham and produced by Robin Millar, who also helmed their debut Diamond Life.

Where Diamond Life introduced the world to Sade’s cool sophistication, Promise deepened the palette—more organic, more textured, and more confident. “The Sweetest Taboo” perfectly captures that evolution. Built around a gentle Latin-tinged rhythm, velvety guitar, and understated percussion, the song creates a mood that feels both romantic and timeless.

Lyrically, Sade describes a love so deep it feels almost forbidden—a passion that transcends words. Her vocal delivery is intimate and soothing, floating effortlessly over the groove. “There’s a quiet storm / And it never felt like this before,” she sings, inviting listeners into a serene emotional space few artists could craft so delicately.

The single became one of Sade’s signature hits, reaching #5 on the Billboard Hot 100 and #1 on the Adult Contemporary chart in early 1986. It also found success across Europe, further cementing the group’s status as global icons of refined, emotive pop. The accompanying music video, directed by Brian Ward, mirrors the song’s warmth—featuring Sade in desert landscapes and dreamlike imagery that evoke both freedom and longing.

“The Sweetest Taboo” is more than just a hit single; it’s a defining moment in 1980s music—smooth yet soulful, intimate yet sophisticated. Nearly forty years later, its gentle rhythm and Sade’s unmistakable voice still sound like the essence of quiet passion.

SIDE A:
The Sweetest Taboo (Short Version) 4:24

SIDE B:
The Sweetest Taboo (Long Version) 5:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Sade: The Sweetest Taboo (1985)
Chart Peak Position Date
US Billboard Billboard Hot 100 #5 1985/86
US Billboard Hot Adult Contemporary #1 1985/86
US Billboard R&B/Hip-Hop Songs #3 1985/86
UK Singles Chart #31 1985/86
Canada Top Singles (RPM) #12 1985/86

RELEASE INFORMATION:
Label: Portrait – RAS 2219
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1985
Genre: Jazz, Funk / Soul, Pop
Style: Smooth Jazz, Soul

CREDITS:

NOTES:
DEMONSTRATION
NOT FOR SALE
Taken From The Portrait Lp: “PROMISE”

“Long Version” is also known as “Extended Version”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Elvira And The Vi-Tones – 3-D TV (US 12″) (1982)

Burning The Ground Exclusive

As October draws to a close and the cobwebs grow thick across the turntable, it’s only fitting to summon one of the most iconic ghouls of the small screen — Elvira, Mistress of the Dark. This week’s Spooky Season Spin dusts off a wonderfully campy slice of early ’80s novelty pop: “3D TV” by Elvira and The Vi-Tones, released in 1982 on Rhino Records.

Rhino was still a young indie label back then, known for its tongue-in-cheek humor and love of retro kitsch — making it the perfect home for Elvira’s vinyl debut. Riding the wave of her rising fame as the hostess of Elvira’s Movie Macabre, Cassandra Peterson brought her character’s darkly comic charisma straight into the groove, complete with her trademark double entendres and ghoulish giggles.

“3D TV” is a bouncy new wave novelty track with plenty of synthesizer fizz and surf-rock guitar twang — think B-52’s meets The Munsters. Elvira hams it up with perfect B-movie flair, warning of a world where everything’s jumping off the screen in eye-popping, brain-melting 3D. It’s goofy, camp, and irresistibly fun — the kind of track that would have fit right in at a midnight Halloween party in 1982, surrounded by fog machines and neon lights.

Flip the record over, and you get the equally fabulous “Elvira’s Theme,” a vampy instrumental drenched in eerie organ riffs and haunted-house sound effects. It’s short, sweet, and pure Elvira — part horror, part humor, and 100% cult queen.

The 12″ single has become a bit of a collector’s curiosity today — a perfect snapshot of when MTV, horror hosts, and new wave collided in glorious low-budget excess. Whether you’re spinning it at your own haunted dancefloor or just admiring that deliciously kitsch picture sleeve, “3D TV” is the kind of relic that reminds us Halloween was made for vinyl.

So dim the lights, pour yourself a goblet of something red, and let Elvira take control of your screen and your speakers — in all her gory glory.

🕸️ Happy Halloween from Burning the Ground! 🕸️
Where spooky grooves rise from the grave, one 12″ at a time.

SIDE A:
3-D TV (Three Dimensional) 2:29

SIDE B:
Elvira’s Theme 1:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Rhino Records (2) – RNTI 401
Format: Vinyl, 12″, 33 ⅓ RPM, Mini-Single
Country: US
Released: 1982
Genre: Rock, Stage & Screen
Style: Pop Rock, Horror Rock

CREDITS:

NOTES:
Comes with a pair of paper 3-D glasses

Special Thanks To: Ray Colcord, John Hanlon, Dawna Kaufman, John Paragon, Gary Poirot, Larry Thomas, Robert Williams, Cassandra Petterson

Guy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjpaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Crypt Keeper – The Crypt Jam (US 12″ Promo) (1992)

Burning The Ground Exclusive

🧛‍♂️ “Let’s all go to the crypt where the cool ghouls hang!”

In 1992, the wisecracking host of HBO’s Tales from the Crypt decided to take his gruesome groove to the dance floor with “The Crypt Jam.” Voiced by John Kassir in character as the delightfully demented Crypt Keeper, the single was released on Big Screen Records and both written and produced by Chuckii Booker, the multi-talented R&B artist best known for his hits “Turned Away” and “Games.”

Booker’s production gives “The Crypt Jam” a slick early-’90s new jack swing feel—thick, punchy beats, funky synth bass, and layers of spooky samples. What could have been a mere novelty track is instead surprisingly danceable and well-crafted, thanks to Booker’s polished touch.

The Crypt Keeper’s signature cackles, graveyard puns, and horror humor are all here in full force—making it a fun, campy club track that bridges the gap between horror fandom and early ’90s dance culture.

The music video, featuring the Crypt Keeper rapping, dancing, and surrounded by creepy party guests, aired on MTV and was included on various Tales from the Crypt home video releases. It’s gloriously over-the-top: part Halloween special, part hip-hop parody, and pure early-’90s entertainment.

Though “The Crypt Jam” didn’t chart, it found an afterlife as a Halloween cult favorite. Fans of Booker’s production can easily hear his rhythmic fingerprints throughout, turning the Crypt Keeper’s macabre humor into something that could have haunted any club floor in 1992.

💀 Fun Fact:
Chuckii Booker’s involvement makes this one of the rare novelty singles tied to a TV character that actually carries legitimate R&B and dance credentials. Booker handled everything from songwriting to production, giving the track a professional polish that sets it apart from most TV tie-ins of the era.

🕸️ For this post, I created custom sleeve artwork to give this undead dance floor classic the proper cover it never had. Inspired by vintage Tales from the Crypt comic art and early-’90s horror design, it captures the ghoulish fun and funky energy of The Crypt Jam.

Even after three decades, this spooky groove proves that when it comes to beats from beyond the grave, nobody does it deader than the Crypt Keeper.

SIDE A:
The Crypt Jam (Radio Edit) 4:00
The Crypt Jam (Album Version) 4:31
Scales From The Crypt (Club Mix) 7:08

SIDE B:
The Crypt Jam (TV Mix) 4:30
The Crypt Jam (A Cappella Crypt Keeper Mix) 3:46
The Crypt Jam (Fat Instrumental Mix) 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Big Screen Records – PRO-A-5577
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1992
Genre: Hip Hop
Style: RnB/Swing, Pop Rap, Horror Rock

CREDITS:

NOTES:
Custom artwork: DjPaulT

PROMOTION ONLY.
NOT FOR SALE.

Performed By The Crypt Keeper (John Kassir)
LP Version from the Big Screen Records album
ORIGINAL MUSIC FROM TALES FROM THE CRYPT

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.