Tag: US

Machine – There but for the Grace of God Go I (US 12″)

Burning The Ground Exclusive 1979

“There but for the Grace of God Go I” by Machine is a classic Disco track, known for its socially conscious lyrics and powerful beat. Released in 1979, the song was written by August Darnell, also known for his work with Kid Creole & The Coconuts, and his brother Stony Browder Jr. Its story addresses themes of societal pressures, racism, and the desire for a better life.

The song follows a Latino couple, Carlos and Carmen Vidal, who move from the South Bronx to try to raise their daughter in a safer, more affluent environment. However, in their attempt to distance her from the influences they consider harmful, they isolate her and ultimately face the irony of trying to shield her from the very world they were once part of. The line “Too much love and protection can lead to your child’s rejection” captures this tragic twist perfectly.

Musically, “There but for the Grace of God Go I” combines funky basslines, driving percussion, and a memorable horn section, encapsulating the disco sound with a touch of Latin influence. Machine’s vocals are intense and commanding, matching the urgency of the lyrics. The song was both popular on the dance floor and impactful in its message, resonating with audiences who appreciated its unique blend of a danceable beat and socially aware storytelling.

The song became a cult classic, especially in the dance and disco scenes, and its influence has endured, with various artists and DJs sampling or covering it. It remains a staple for those looking to explore disco music with a deeper message, showcasing how the genre could offer not just infectious rhythms but also poignant reflections on society.

“There but for the Grace of God Go I” enjoyed notable success, especially within the dance and disco communities. The song quickly became a club favorite, thanks to its infectious groove and powerful social message. In the United States, it achieved significant success on the Billboard charts, peaking at #77 on the Billboard Hot 100 but making a much bigger impact on the dance floors. It reached the Top 10 on the Billboard Disco Top 100 chart, a reflection of its popularity in nightclubs and discos across the country.

The song resonated in New York’s vibrant disco scene and quickly spread internationally, particularly in Europe. It became a hit in Belgium, the Netherlands, and France, where its socially conscious lyrics and energetic beat struck a chord with fans of both disco and funk. “There but for the Grace of God Go I” helped establish Machine as one of the bands that pushed disco into a slightly edgier, message-driven direction, paving the way for future dance hits with more substantive themes.

SIDE A:
There But For The Grace Of God Go I 4:59
Written-By – August DarnellKevin Nance

SIDE B:
Get Your Body Ready 4:07
Vocals [Uncredited] – Jocelyn Brown
Written-By – Kevin Nance

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1979 There but for the Grace of God Go I U.S. Billboard Hot 100 #77
1979 There but for the Grace of God Go I U.S. Billboard Black Singles #91
1979 There but for the Grace of God Go I U.S. Billboard Hot Dance / Disco songs #8

RELEASE INFORMATION:
Label: RCA Victor – PD-11457Hologram Records (3) – PD-11457
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1979
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
Produced for ITC Corp. Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Quincy Jones Featuring Patti Austin – Razzamatazz (US 12″)

Burning The Ground Exclusive 1981

“Razzamatazz” is a lively, jazz-infused track by Quincy Jones, featuring the soulful vocals of Patti Austin. It’s from Jones’ 1981 album “The Dude”, a groundbreaking release that showcases his incredible versatility as a producer, composer, and arranger. The album itself is a genre-blending masterpiece, merging elements of jazz, R&B, funk, and pop, and “Razzamatazz” stands out as a prime example of this fusion.

The song’s upbeat tempo, vibrant brass section, and lively rhythm embody the playful energy of its title. Austin’s vocals add an infectious spark, perfectly complementing the lush instrumentation. “Razzamatazz” became one of the album’s hits, especially popular in the UK, where it reached the Top 20 on the singles chart, giving Quincy Jones a significant presence in pop and R&B.

“The Dude” was highly acclaimed, earning several Grammy Awards and becoming a commercial success. “Razzamatazz” helped to reinforce Jones’ reputation not just as a jazz musician but as a crossover artist capable of appealing to pop audiences worldwide. The song remains a classic example of early 80s jazz-pop, with its dynamic rhythm and colorful production still resonating with listeners.

+De-notes vinyl-only

SIDE A:
Razzamatazz (Special Extended Version)+ 4:55
Written-By – Rod Temperton

SIDE B:
Betcha’ Wouldn’t Hurt Me (Special Extended Version)+ 5:22
Written-By – Stephanie AndrewsStevie Wonder

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: A&M Records – SP-12040
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: Jun 6, 1981
Genre: Electronic, Funk / Soul, Pop
Style: Jazz, Soul

CREDITS:

NOTES:
Both tracks are special extended versions from the A&M album “The Dude”.
Patti Austin appears courtesy of Qwest Records.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Paul Parker – One Look (One Look Was Enough) (US 12″)

Burning The Ground Exclusive 1987

“One Look (One Look was Enough),” released in 1987, is a quintessential dance anthem by San Francisco-based Hi-NRG artist Paul Parker. Produced by Parker himself alongside Man Parrish, this single took the dance floors by storm and secured Parker his second #1 on the Billboard Dance Chart. With its pulsating beats, electrifying synth lines, and Parker’s unmistakable, powerful vocals, “One Look” exemplifies the freestyle and Hi-NRG styles that dominated the late 80s. The track remains a staple of the era, highlighting Parker’s influential role in shaping the high-energy dance music that filled clubs and captivated audiences worldwide.

SIDE A:
One Look (One Look Was Enough) (Extended Dance Mix) 6:08
Mixed By – Randy Easterling

SIDE B
One Look (One Look Was Enough) (The Man Parrish Mix) 6:38
Mixed By – Man Parrish

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 One Look (One Look Was Enough) U.S. Billboard Hot Dance Music / Club Play #1

RELEASE INFORMATION:
Label: Dice Records – TGR 1011Dice Records – TGR-1011Dice Records – 1011
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic
Style: HiNRG, Freestyle, Electro

CREDITS:

NOTES:
A. Mixed for A Maze Productions
Engineered for Cyberteknics and for Network Sound Studio.
Mastered for Frankford-Wayne, NYC

Jacket Made in Canada

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Howard Jones – Things Can Only Get Better (US 12″)

Burning The Ground Exclusive 1985

NEW 2024 Transfer!
NEW Meticulous Audio Restoration!

Original post date: January 20, 2013

“Things Can Only Get Better” by Howard Jones is an iconic track that captures the upbeat, positive energy of the mid-80s synthpop era. Released in 1985 as the lead single from his second studio album, Dream Into Action, the song was an immediate hit, reaching #5 on the Billboard Hot 100 in the U.S. and #6 in the UK charts. Known for its infectious optimism, “Things Can Only Get Better” became an anthem of resilience and hope, qualities that resonated with fans worldwide.

The track showcases Jones’ skillful blend of synthesizers, upbeat rhythms, and introspective lyrics. Musically, it features a prominent bassline, funky guitar riffs, and a brass section that adds an extra layer of excitement to the track. The song’s melody is uplifting, with Jones’ dynamic vocals driving home the theme of perseverance. His lyrics focus on pushing through life’s challenges and remaining hopeful, with the refrain “Things can only get better” embodying the core message of positivity.

Jones, who had already made waves with hits like “New Song” and “What Is Love?”, continued to solidify his place in the 80s music scene with this release. Not only did Dream Into Action go on to become a commercial success, but the single also helped define his image as a thoughtful pop artist. Jones’s brand of synthpop was different in that he combined the new wave, electronic feel with introspective, almost philosophical lyrics—an approach that set him apart in a decade where flashy beats often took center stage.

“Things Can Only Get Better” has been widely regarded as a classic 80s anthem, even appearing in films, TV shows, and commercials over the years. Its infectious optimism still resonates today, and its message of hope continues to be a source of inspiration for listeners across generations.

SIDE A:
Things Can Only Get Better (LP Version) 4:05
What Is Love? (New Extended Version) 6:34
Lyrics By – Howard JonesWilliam Bryant (3)
Music By – Howard Jones

SIDE B:
Things Can Only Get Better (Extended Version) 7:26
New Song (New Version) 4:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Things Can Only Get Better U.S. Billboard Hot 100 #5
1985 Things Can Only Get Better U.S. Billboard Hot Adult Contemporary Tracks #28
1985 Things Can Only Get Better U.S. Billboard Hot Dance/Club Play #10
1985 Things Can Only Get Better U.S. Billboard Hot Black Singles #54
1985 Things Can Only Get Better U.S. Billboard Hot Mainstream Rock Tracks #21

RELEASE INFORMATION:
Label: Elektra ‎– 0-66915
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo, Yellow Sleeve
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Produced for Gestalt.
Mastered at Sterling.

Picture sleeve available in 3 other colors pink, white, and orange.

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.