Tag: US 7″

Berlin – The Metro (US 7″)

BURNING THE GROUND EXCLUSIVE 1981

A. Front

“The Metro” is a new wave song written by John Crawford for his band, Berlin. The song first appeared on Berlin’s breakthrough album Pleasure Victim, released on the independent label Enigma in 1982 and re-released on Geffen in 1983. “The Metro” became the third single from the album, and the second to appear on the Geffen label. It was produced and engineered (as was most of the album) by the band’s then-drummer and drum programmer, Daniel Van Patten.

The song is known as epitomizing the new wave genre, for showing the genre for what it essentially was: a blending of punk rock and pop, with heavy use of the Sequential Circuits Prophet-5 synthesizer. Terri Nunn said the song, which was a breakthrough hit for Berlin, “defined us and defined that period of music.”

The single surpassed the Hot 100 peak of their previous cult hit, “Sex (I’m A…)”, going to #58, and it remains their third-highest charting single in the U.S.

Special note about this single: 

This 7″ is the original 1981 US release on the now obsolete M.A.O. Records label.  The single contains the original mixes that were re-recorded for the Pleasure Victim EP. Not available elsewhere. The single also has alternate artwork and the labels list the sides as “E” and “W”.

 

SIDE E:
The Metro 4:12

SIDE W:
Tell Me Why 4:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 The Metro U.S. Billboard Hot 100 #58

 

RELEASE INFORMATION:
Label: M.A.O. Records ‎– MAO-S4
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1981
Genre: Electronic
Style: New Wave, Synth-pop
Credits: Producer – Daniel R. Van Patten
Written-By – Crawford*

NOTES:
Original mixes that were re-recorded for the Pleasure Victim EP. Not available elsewhere.

Find The 7″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Max Headroom – Merry Christmas Santa Claus (You’re A Lovely Guy) (US 7″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

Max Headroom is a fictional British artificial intelligence (AI), known for his wit and stuttering, distorted, electronically sampled voice. It was introduced in early 1984. The character was created by George Stone, Annabel Jankel, and Rocky Morton in the mid-1980s, and portrayed by Matt Frewer as “The World’s first computer-generated TV host” although the computer-generated appearance was achieved with prosthetic make up, as the computer technology of the time was not sufficiently advanced to achieve the desired effect. Preparing the look for filming involved a four-and-a-half hour session in make-up, which Matt Frewer described as “a very painful, torturous and disgusting enterprise”.

In 1986 Max was also featured on a single titled “Merry Christmas Santa Claus (You’re a Lovely Guy)” released by Chrysalis Records. The music video featured Max inside a TV screen playing piano surrounded by a choir.

SIDE A:
Merry Christmas Santa Claus (You’re A Lovely Guy) 4:00

SIDE B:
Gimme Shades 2:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Chrysalis ‎– VS4 44000
Format: Vinyl, 7″, Single, 45 RPM
Country: US
Released: 1986
Genre: Electronic
Style: Novelty
Credits: Photography – Tim Roney
Producer – Keith Strachan
Written By – P. Owen/D. Hansen
Written-By – David HansenPaul Owen (4)

Find The 7″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Whitney Houston – Love Will save The Day (US 7″)

BURNING THE GROUND EXCLUSIVE 1988

“Love Will Save the Day” was the fifth single by American singer-songwriter Whitney Houston from her second multi-platinum studio album Whitney. The single was released in July 1988 by Arista Records.

“Love Will Save the Day was produced by John “Jellybean” Benitez and features Roy Ayers on Vibraphone (Vibes).

At this time, Whitney Houston had achieved a record-breaking string of seven number-one hits, with four of those #1’s from her current album “Whitney”. “Love Will Save the Day” did not become Houston’s eighth consecutive number one, but continued her trend of hit singles by peaking in the US Top 10. The #9 peak on the Hot 100 was Houston’s lowest solo peak up to this time. The song also made the Top 10 without an accompanying music video.

Houston had stronger performances on the charts prior to this song but it did remain in the top 40 for 11 weeks, and reached #5 on the R&B Chart, and #1 on the Hot Club/Dance Play Tracks.

Internationally, the song mostly saw less success except in the United Kingdom, where it went Top 10 and Switzerland, where it went Top 20. It was a moderate hit in Germany, making 37; and was a minor hit in Australia, peaking at 77.

Special note about this single: The b-side of the US 7″ contains an Edited Remix of “How Will I Know”. This version is an edit of the 12″ Jellybean Dance Re-mix and is an exclusive b-side of “Love Will Save The Day” released only in the US, Canada and Japan.

 

SIDE A:
Love Will Save The Day (7″ Version) 4:19
Arranged By [Vocals] – Whitney Houston
Executive Producer – Clive Davis
Producer – John “Jellybean” Benitez
Written-By – Toni C.

SIDE B:
How Will I Know (Edited Remix) 4:45
Executive Producer – Clive Davis
Producer, Arranged By, Written-By – Narada Michael Walden
Remix – Jellybean*
Written-By – George MerrillShannon Rubicam

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1988 Love Will save The Day U.S. Billboard Hot 100 #9
1988 Love Will save The Day U.S. Billboard US Hot Adult Contemporary Chart #10
1988 Love Will save The Day U.S. Billboard Hot Black Singles #5
1988 Love Will save The Day U.S. Billboard Hot Dance/Club Play #1

 

RELEASE INFORMATION:
Label: Arista – AS 1-9720
Format: Vinyl, 7″, 45 RPM
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop, Pop/Rock
Credits: Design – Dave Brubaker

NOTES:
Side A: From the album “Whitney”
Side B: From the album “Whitney Houston”
Sleeve states:Remix previously only available on the 12-Inch ADI-9449 but this information is incorrect. The Edited Remix is only available as a B-side of “Love Will Save The Day” 7″ single.

Find The 7″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi