Tag: US 12″

Lorraine McKane – Let The Night Take The Blame (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

Side One

After what has been a really tough week especially here in the US. I want to wish everyone a great weekend. I also want to send out my thoughts and prayers to those affected in Boston and Texas. Have a great weekend everyone. Enjoy the music.

~ DjPaulT

 

DISCO FRIDAY!

One of my all-time favorite dance/disco tracks! Not much is known about Lorraine McKane except that she released two full length albums for the Japanese market, “You make me feel brand new” and “Perfect Beat”. Released only as a 12″”Let The Night Take The Blame” is her best known track and was a constant request during mt dj days. Surprisingly the song did not make an impact on the US dance charts.

The song was released three times the original in 1984 and new remixes in 1986 and 1994.

SIDE A:
Let The Night Take The Blame (Vocal) 9:28

SIDE B:
Let The Night Take The Blame (Instrumental) 5:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (company)

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7061
Format:
Vinyl, 12″, 33 RPM
Country: US
Released: 1984
Genre: Electronic
Style: Disco
Credits: Producer – Steven O’Donnell*
Written-By – Jennings*, J. V. Edwards*, S. O’Donnell*

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Eartha kitt – Where Is My Man (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

A. Front

DISCO FRIDAY!

“Where Is My Man” is the title of a song from 1983 by the American singer and actress Eartha Kitt, which appeared on her 1984 album I Love Men The song was co-written by comedy writer Bruce Vilanch along with musicians and producers Fred Zarr and Jacques Morali.

The song was first released in France as a single where it was wildly successful. The song features Kitt singing in a low, seductive-sounding voice. Included in the song are some sounds that have come to be associated with Kitt, including a purring sound similar to one she made while portraying Catwoman on the 1960s TV series Batman. The lyrics to the song detail specific things the singer expects to receive from her future lover, such as a trip to Saint-Tropez and shopping at Tiffany’s.

The title failed to find release in the United States until the producers’ attorneys (the firm of Grubman, Indursky, Shindler) introduced the title to their client, New York based Streetwise Records. Streetwise Records released the title in late 1983 in the United States to the dance and club markets. It was Kitt’s first recording released in the United States after her ostracism and self-imposed exile to Paris following her outspoken objection to the Vietnam War at a White House function in 1968, and it became her biggest-selling single in 30 years.

In the United Kingdom, “Where Is My Man” reached the Top 40 on the UK Singles Chart, where it peaked at #36. This was her first UK Hit single in 28 years, the previous chart entry, “Under The Bridges of Paris” dating from 1955. The single was also a hit in dance clubs around the world peaking at #5 in Sweden and #22 in Netherlands. In the US, the song made the Top 10 on the Billboard Hot Dance Club Play chart, peaking at #7 and remaining on the survey for 14 weeks.

SIDE A:
Where Is My Man (Vocal) 6:24
Remix – Steve Thompson

SIDE B:
Where Is My Man (Instrumental) 5:10
Remix – Steve Thompson

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1983 Where Is My Man U.S. Billboard Hot Dance/Club Play #7

 

RELEASE INFORMATION:
Label: Streetwise ‎– SWRL 2217
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1983
Genre: Electronic
Style: Disco
Credits: Arranged By – F. Zarr*, J. Morali*
Engineer – B. Scheniman*
Engineer [Assisted By] – M. Pollack*
Executive Producer – Henri Belolo
Mastered By – Herbie Jr.*
Producer – Jacques Morali
Strings – H. Ott*
Written-By – B. Vilanch*, F. Zarr*, J. Morali*

NOTES:
Produced for Can’t Stop Productions, Inc.
Recorded & Mixed at Power Station, NYC.
Jacket made in Canada
Special versions from the LP “I LOVE MEN”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Tina Turner – Better Be Good To Me (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

R E Q U E S T

“Better Be Good to Me” is a hit single from Tina Turner’s solo album, Private Dancer. The song had originally been released in 1981 by Spider, a band from New York City with co-writer Holly Knight as a member. The Turner version was successful in the United States on the Hot 100 and the US R&B/Hip-Hop chart. It peaked at number five on the Billboard Hot 100 and number six on the US R&B/Hip-hop chart. At the 27th Grammy Awards in 1985, this song won Best Rock Vocal Performance, Female, one of four Grammys won by Turner in that ceremony.

The song was featured in the tenth episode of Miami Vice and was included on the first volume of the Miami Vice soundtrack.

SIDE A:
Better Be Good To Me (Extended Version) 7:42
Producer – Rupert Hine

SIDE B:
When I Was Young 3:10
Producer – John Carter

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1984 Better Be Good To Me U.S. Billboard Hot 100 #5
1984 Better Be Good To Me U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks #6
1984 Better Be Good To Me U.S. Billboard Hot Dance/Club Play #16

 

RELEASE INFORMATION:
Label: Capitol Records ‎– V-8609
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1984
Genre: Electronic
Style: Pop Rock

NOTES:
Recorded In England
From the LP “PRIVATE DANCER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Linda Clifford – If My Friends Could See Me Now (US 12″)

BURNING THE GROUND EXCLUSIVE 1978

Side A

DISCO FRIDAY!

Linda Clifford (born June 14, 1948, New York) is an American R&B, disco and house music singer and actress, who scored hits from the 1970s to the 1980s, most notably “If My Friends Could See Me Now”, “Bridge over Troubled Water”, “Runaway Love” and “Red Light”.

“If My Friends Could See Me Now”, with music by Cy Coleman and lyrics by Dorothy Fields, is a number from the 1966 Broadway musical Sweet Charity. In the musical, the character of Charity, played in original New York cast by Gwen Verdon, reflects on her charmed life as she spends time with Vittorio. In the 1969 film adaptation of Sweet Charity, “If My Friends Could See Me Now” is performed by Shirley MacLaine.

In 1978 Linda Clifford released an album entitled If My Friends Could See Me Now featuring a disco version of the Sweet Charity number of that name. Clifford – who had been an extra in the filmation of Sweet Charity – originally responded negatively to the suggestion – made by a secretary at Curtom Records – that she record a dance version of “If My Friends Could See Me Now” “because I thought it would be sacrilegious. I’ve always been a theatre buff, so this [would be] a no-no….Then they recorded [the backing track] anyway and brought it to me, and I said, ‘Ooh, I like that.’ Once I heard the music I was like, ‘It’s different but it’s the same.'” Clifford would recall how subsequent to her success with “If My Friends Could See Me Now” Cy Coleman would “[call] in to a radio station that I was being interviewed on and thanked me over the air for doing his song and bringing it to the masses.”

“If My Friends Could See Me Now” in tandem with two other album tracks: “Gypsy Lady” and “Runaway Love”, hit #1 on the Billboard disco chart dated April 29, 1978 remaining at #1 for a total of five weeks. Released as a 7″ single in August 1978 – “Runaway Love” having been the lead 7″ single from the If My Friends… album – “If My Friends Could See Me Now” reached #56 on the Billboard Hot 100 with an R&B chart peak of #68. In the UK “If My Friends Could See Me Now” was issued as the A-side of a 7″ single – with “Runaway Love” as the B-side – in May 1978 failing to become a major UK hit with a peak of #50 on the UK chart dated June 24, 1978.

SIDE A:
If My Friends Could See Me Now 10:12
Written-By – C. Coleman*, D. Fields*

SIDE B:
Gypsy Lady 9:58
Engineer – R. Anfinsen*
Producer – Curtis Mayfield
Remix – J. Simpson*
Written-By – C. Mayfield*, G. Askey*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (generic)

CHARTS:

Year Single Chart Position
1978 If My Friends Could See Me Now U.S. Billboard Hot 100 #54
1978 If My Friends Could See Me Now U.S. Billboard Hot Soul Singles #68
1978 If My Friends Could See Me Now U.S. Billboard Hot Dance/Disco #1

 

RELEASE INFORMATION:
Label: Curtom ‎– DISCO PRO-A-709
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1978
Genre: Funk / Soul
Style: Disco
Credits: Producer, Arranged By – Gil Askey

NOTES:
Special Disco versions taken from the LP,
“If My Friends Could See Me Now”

Find The 12″ On DISCOGS

Side B

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi