Tag: UK

The B-52’s – Love Shack (UK 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Love Shack” is a single by American new wave band The B-52’s from their 1989 album Cosmic Thing. It was released on June 20, 1989, and produced by Don Was. The song was a comeback of sorts for the band following their decline in popularity in the mid-1980s and the death of guitarist Ricky Wilson in 1985.

“Love Shack” is considered the band’s signature song and has been a concert staple since its release. Commercially, the single topped the charts in Australia, Ireland and New Zealand and reached number two on the UK Singles Chart, number three on the US Billboard Hot 100, and number five on the Canadian RPM Top Singles chart. It also became a top-twenty hit in Belgium and the Netherlands.

SIDE A:
Love Shack (12″ Remix) 6:13
Remix – Danny Rampling

SIDE B:
Love Shack (12″ Mix) 7:57
Remix – Ben Grosse

Love Shack (7″ Version) 4:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989/90 Love Shack U.S. Billboard Hot 100 #3
1989/90 Love Shack U.S. Billboard Alternative Songs #1
1989/90 Love Shack U.S. Billboard Hot Dance Music/Club Play #7

 

RELEASE INFORMATION:
Label: Reprise Records ‎– W9917T, Reprise Records ‎– W9917 (T)
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Feb 1990
Genre: Rock
Style: New wave

CREDITS:
Design – Bill Smith Studio
Photography By – Janette Beckman
Producer – Don Was
Written-By – B52’s*

NOTES:
Made in UK

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Berlin – Like Flames (UK 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Like Flames” is a song by American band Berlin released in 1986 as the lead-off single of their third album Count Three & Pray.

Berlin worked with Canadian producer Bob Ezrin on the album. The producer, best known for his work with Alice Cooper and KISS, gave the record a radically different ’80s pop-rock guitar sound than Berlin’s previous releases, which had a more new wave/synth-pop sound. Berlin singer Terri Nunn and their label, Geffen Records, were approving of the change of sound, but it did not sit well with founding member John Crawford and drummer Rob Brill, who wrote the song. The recording of the album wasn’t a relaxed affair, as differences of opinion between band members plagued the recording sessions. These clashes were further exacerbated by the recording of the group’s previous single, the worldwide #1 hit “Take My Breath Away” from the soundtrack of the film Top Gun, which Nunn was eager to record, while the other two members were not excited about due to the song not being written by them (it was written and produced by Giorgio Moroder), and with a sound not representative of the band.

“Like Flames” was released as the lead-off single from the album in October 1986 and, following up “Take My Breath Away”, a #1 record in September of that year, was expected to do well. However, the record and the album did not find chart success, peaking at #82 in the US and becoming their last chart hit in that country. In Europe, the record performed better on the strength of “Take My Breath Away”, reaching the top 20 in several countries, but still it was only a moderate hit. In the UK, “Like Flames” was released as the second single off the album in March 1987, following “You Don’t Know”, which was released as the next single elsewhere. It peaked at #47 there.

Nunn has blamed the lack of success to the sudden change of style for the band, which alienated their established fanbase of their synth-pop albums, and failing to gain new fans from their new-found fame with “Take My Breath Away”, because the album sounded nothing like it, although the hit song was included on the album at the insistence of Geffen to capitalize on its success. The record’s lack of success and their internal clashes eventually led to the demise of the band in 1987.

SIDE A:
Like Flames (Extended Version) 7:02
Edited By – David Leonard
Written-By – Rob Brill

SIDE B:
Trash 3:40
Producer – Berlin
Written-By –John Crawford

You Don’t Know (Extended Version) 5:32
Producer – Andy Richards, Berlin
Remix – David Leonard
Written-By – John Crawford

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Like Flames U.S. Billboard Hot 100 #82

 

RELEASE INFORMATION:
Label: Mercury ‎– MERX 240
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1986
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Producer – Bob Ezrin

NOTES:
Track A edited and track B2 remixed at Sunset Factory, Los Angeles.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Billy Idol – Hot In The City (Extended Version) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“Hot in the City” is a 1982 song by Billy Idol, released on his self-titled album. It charted at No. 23 in the US and No. 58 in the UK. A re-release of the song in the UK in 1987 reached No. 13.

There are two versions of the video. The first version (the 1982 version) starts off with a girl walking into a record store. She picks up a Billy Idol record and the song starts to play. The video features scenes from New York City, interspersed with stock footage of nuclear bomb tests. The second version (the 1987 version) was banned by MTV because it showed Idol’s then-girlfriend Perri Lister bound to a cross toward the end of the video. The later version was included on the DVD edition of The Very Best of Billy Idol: Idolize Yourself.

Although the released version of the song has Idol shouting “New York!”, other versions of the song were recorded for various radio stations, including ones for such cities as “Amarillo”, “Boston”, “Minneapolis”, “New Haven”, “Chattanooga”, and “Sioux Falls”.

The song, with a remixed synthesizer intro, was used as the introduction
for Booker, the TV series spin-off of 21 Jump Street. It is also featured in the 1988 hit film, Big, starring Tom Hanks.

The song was used by the NBA’s Phoenix Suns during the introductions of the visiting team at home games during the team’s run to the 1993 NBA Finals.

SIDE A:
Hot In The City (Extended Version) 5:18

SIDE B:
Dead On Arrival 3:52

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Hot In The City U.S. Billboard Hot 100 #23

 

RELEASE INFORMATION:
Label: Chrysalis ‎– CHS 12 2625
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: Pop Rock

CREDITS:
Producer – Keith Forsey
Written-By – B. Idol*

NOTES:
Both tracks taken from the album ‘Billy Idol’

Find the 12″ at DISCOGS

VIMYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Eurythmics – There Must Be An Angel (Playing With My Heart) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

“There Must Be an Angel (Playing with My Heart)” is a 1985 song written and performed by the British musical duo Eurythmics. Released as the second single from their fifth album Be Yourself Tonight, the song features a harmonica solo by the American musician Stevie Wonder. The song became a worldwide success; most notably in Ireland, Norway and the United Kingdom, where it became the duo’s only chart-topping single to date.

In the United States, the single peaked at #22 on the Billboard Hot 100 singles chart.

SIDE A:
There Must Be An Angel (Playing With My Heart) (Special Dance Mix) 6:15
Backing Vocals – Angel Cross
Bass – Dean Garcia
Drums, Percussion – Olle Romö*
Engineer – Don Smith
Engineer [Additional] –Jon Bavin
Engineer [Assistant] – Jay Willis
Harmonica – Stevie Wonder
Keyboards – David A. Stewart
Remix – Dean Garcia, Jon Bavin
Strings – Michael Kamen
Vocals, Keyboards – Annie Lennox

SIDE B:
Grown Up Girls 4:13
Instruments [All Instruments] – Annie*, Dave*
Saxophone – Martin Dobson

VINYL GRADE:
Vinyl: Bear Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 There Must Be An Angel (Playing With My Heart) U.S. Billboard Hot 100 #22
1985 There Must Be An Angel (Playing With My Heart) U.S. Billboard Hot Dance Music/Club Play #31

 

RELEASE INFORMATION:
Label: RCA ‎– PT 40248(R), RCA ‎– PT 40248 R
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Jun 1985
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Artwork [Construction By] – Laurence*
Engineer – Adam Williams
Mastered By – JA*, SM*
Painting –Lindsey Loch
Producer – David A. Stewart
Written-By – Lennox*, Stewart*

NOTES:
Track A: From the album “Be Yourself Tonight”

Stevie Wonder appears courtesy of Motown Record Corporation.
Manufactured in England

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.