Tag: Tom Moulton

Grace Jones – I Need A Man (US 12″ Promo) (1977)

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NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: October 4, 2011

“I’m looking for a real man… Strong hands, sweet lips, a warm heart!”

Before she was a New Wave fashion icon, avant-garde provocateur, and the fierce dominatrix of the 1980s, Grace Jones made her dance floor debut with the bold and unapologetically funky “I Need A Man.” Released in 1975 in France and later re-recorded for the U.S. market in 1977, this track marked the beginning of her transformation into a queer and club culture legend.

Originally written by Pierre Papadiamandis and Paul Slade and first released as a B-side, “I Need A Man” got a second life when it was reworked for the burgeoning disco scene. The 12-inch version—especially the U.S. promo pressing on Beam Junction/Island—delivered a punchier, extended arrangement that became a favorite in underground gay clubs, particularly in New York’s vibrant disco scene. It quickly gained momentum, ultimately landing Grace her first #1 on the Billboard Hot Dance Club Play chart in 1977.

Produced by disco pioneer Tom Moulton, the remix retained all the raw sensuality of the original while dialing up the groove and extending it to nearly 8 minutes of funk-fueled seduction. With her commanding presence and deep contralto, Jones doesn’t just ask for a man—she demands one, flipping the script on gender dynamics and asserting herself with the kind of dominance that would soon become her signature.

The track’s thumping bassline, rhythm guitar licks, and gospel-inspired backing vocals give it a distinctly pre-disco feel—almost like a bridge between glam rock and Studio 54—making it one of the more unique dance singles of the mid-’70s.

This release would be the first in a string of club hits for Grace, laying the groundwork for her 1977 debut album Portfolio, and eventually leading to her more experimental collaborations with Sly & Robbie and Jean-Paul Goude in the ’80s. But it all started here—with a simple, sultry, and powerful declaration: “I Need A Man.”

If you’ve only known Grace Jones from her more aggressive ’80s output like “Pull Up to the Bumper” or “Slave to the Rhythm,” this early disco gem shows a different side of her artistry—flirtatious, fearless, and already way ahead of her time.

SIDE A:
I Need A Man (Disco Mix) 7:37

SIDE B:
I Need A Man (Instrumental Version) 4:57

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1977 I Need A Man U.S. Billboard Hot 100 #83
1977 I Need A Man U.S. Billboard Hot Dance / Disco #1

RELEASE INFORMATION:
Label: Beam Junction – 12-BJ 1004
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1977
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
“A TOM MOULTON MIX”
Promotional Copy Not For Sale
Made In U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Grace Jones – Pull Up To The Bumper (Remix) (UK 12″)

Burning The Ground Exclusive 1985

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Originally posted May 21, 2011

“Pull Up to the Bumper” was the second single released by Grace Jones from her critically-acclaimed 1981 album Nightclubbing. The song has since come to be one of Jones’ signature tunes. The song was co-written by Jones herself, Sly Dunbar, Dana Mano, and Robbie Shakespeare.

Upon its release, “Pull Up to the Bumper” spent seven weeks at number 2 on the U.S. Billboard Hot Dance Club Play chart, as well as becoming a Top-5 single on the U.S. R&B chart.

In 1985 the track was remixed and re-released to promote the Island Life compilation, the Extended Remix includes additional keyboard overdubs and remix by Paul “Groucho” Smykle. This 1985 remix peaked at #12 on the UK pop chart in early 1986.

Jones’ genre-hopping artistry earned her a diehard LGBTQ+ fan base from day one, largely because of her very uncommon divadom. By gleefully toying with masculine and feminine conventions, she offered her queer audience a constantly evolving performance in which they could recognize their own sexual fluidity. “Bumper” succinctly captures Jones’ protean mix of playfulness and aggression, simultaneously tongue-in-cheek and deadly serious. It’s a masterstroke of double entendre that, with its sinuous reggae-disco backdrop and Jones’ snarled vehicular puns, really only demands one thing from you: that you move.

SIDE A:
Pull Up To The Bumper (Extended Remix) 6:25
Remix –  Paul “Groucho” Smykle
Producer – Alex SadkinChris Blackwell
Written-By – Dana ManoGrace JonesKoo Koo Baya

SIDE B:
La Vie En Rose 7:20
Arranged By – Duke Williams
Producer – Tom Moulton
Written-By –  E. Piaf*, Louiguy

Nipple To The Bottle 5:50
Producer – Alex SadkinChris Blackwell
Written-By – Grace JonesSly Dunbar

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

RELEASE INFORMATION:
Label: Island Records ‎– 12 IS 240
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Dub, Downtempo, Disco

CREDITS:
Mastered By – GD* (tracks: B1, B2), Jonz* (tracks: A)

NOTES:
Pull Up To The Bumper
A version of this song appears on the Grace Jones album ‘Island Life’
Rydim Music Ltd.
(P) 1985 Original sound recording made by Island Records Inc.

La Vie En Rose
Produced for Beam Junction Productions
Taken from the album ‘Island Life’
Noel Gay Music-MPCS
(P) 1977 Island Records Inc.

Nipple To The Bottle
Taken from the album ‘Living My Life’
Rydim Music Ltd.
(P) 1982 Island Records Inc.

Find the 12″ at DISCOGS

VINYL ReSTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Bananarama – Bananarama Remixed Vol 1 (Europe 12″)

BURNING THE GROUND EXCLUSIVE

“Bananarama Remixed: Vol 1” is a 12″ single released by London Records and Because Music, it the first in a series of Bananarama Remix EPs. This limited edition blue vinyl features fresh interpretations of Bananarama classics. Exclusively features Ewan Pearson’s huge remix of “Aie A Mwana”, Tom Moulton’s classic disco mix of “Cruel Summer”, plus Leo Zero offers two interpretations of Bananarama’s smash hit “Venus”. All remixes are previously unreleased.

This 12″ was released for Record Store Day 4/13/2019 limited to 500 copies.

SIDE A:
Aie A Mwana (Ewan Pearson Remix) 6:44
Producer –John Martin (9), Paul Cook, Sarah Dallin
Remix, Co-producer – Ewan Pearson

Cruel Summer (Tom Moulton Remix) 7:55
Mastered By – Simon Francis
Remix – Tom Moulton

SIDE B:
Venus (Leo Zero Remix) 5:53
Engineer, Programmed By, Mixed By – Leo Elstob
Remix, Producer – Leo Zero

Venus (Leo Zero Disco Remix) 4:32
Engineer, Programmed By, Mixed By – Leo Elstob
Remix, Producer – Leo Zero

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: London Records ‎– LMS5521271
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Limited Edition, Special Edition, Blue
Country: Europe
Released: 13 Apr 2019
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Written-ByDaniel Vangarde (tracks: A1), Jean Kluger (tracks: A1), Joseph Avion (tracks: A1), Keren Woodward (tracks: A2), Robbie van Leeuwen (tracks: B1-B2), Sarah Dallin (tracks: A2), Siobhan Fahey (tracks: A2), Steve Jolley & Tony Swain (tracks: A2

NOTES:
Record Store Day 2019.
Die cut sleeve. Opaque blue vinyl.
Limited Edition 500.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.