Tag: Robert Clivillés

May 16, 2024

Robbie Nevil – Somebody Like You (US 12″)

Burning The Ground Exclusive 1989

“Somebody Like You” was the second single taken from American pop singer, songwriter, and record producer Robbie Nevil’s second studio LP “A Place Like This” (1988). At this point, Nevil had garnered four Billboard top 40 hits including his songs “C’est la Vie” (#2, 1986), “Dominoes” (#14, 1987), “Wot’s It to Ya” (#10, 1987), and “Back on Holiday” (#34, 1988).

“Somebody Like You” debuted on the Billboard Hot 100 on March 18, 1989, peaking at #68 on April 8, 1989, spending eleven weeks on the survey ending Nevil’s string of four consecutive Top 40 singles.

SIDE A:
Somebody Like You (TJ Mix) 6:34
Somebody Like You (Radio Dance Mix) 4:28

SIDE B:
Somebody Like You (Yu Yu Mix) 7:35
Somebody Like You (Where’s The Band Mix) 2:49

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1989	Somebody Like You	U.S. Billboard Hot 100	#68

RELEASE INFORMATION:
Label: EMI-Manhattan Records – V-56125, EMI-Manhattan Records – MIC 11193
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: House, Synth-pop

CREDITS:

Edited By – Luis Rivera
Producer – Chris Porter
Producer, Composed By – Robbie Nevil
Remix, Producer [Additional Production] – David Cole, Robert Clivilles*
Written-By – Jeff Pescetto, Richard Feldman, Robbie Nevil

NOTES:
Additional Production & Remix David Cole & Robert Clivilles for Done Properly Productions
Edited by Luis Rivera for Quickleaf Productions

Printed in U.S.A.

From the LP “A Place Like This”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

May 2, 2024

Seduction – You’re My One And Only (True Love) (US 12″ Promo)

Burning The Ground Exclusive 1989

Request

“(You’re My One and Only) True Love” is a single by Seduction. Although uncredited, the lead vocals and background vocals were performed by Martha Wash, with additional background vocals by Seduction.

In 1989, Wash recorded the song “(You’re My One and Only) True Love” as a demo, produced by David Cole who would later form C+C Music Factory. Cole later gave the song to the then-upcoming female group Seduction. The song appeared on Seduction’s debut album Nothing Matters Without Love, released in September 1989, retaining the use of Wash’s lead vocals and adding Seduction’s background vocals to the song. In addition, she was only credited for her background vocals and Cole remixed and altered Wash’s lead vocals of the song to make her voice less recognizable on the song.

“(You’re My One and Only) True Love” was released as Seduction’s second single in July 1989. The single became an unexpected success when it peaked at number twenty-three on the Billboard Hot 100 chart and number three on the Dance chart. Wash would file a lawsuit against the producers and A&M Records for unauthorized use of her voice. The case reached an out-of-court settlement in December 1990.

Martha Wash was also uncredited as lead vocalist on tracks from Black Box, and C+C Music Factory.

Martha Wash did not appear in the song’s music video instead Seduction lip-synced to her vocals.

SIDE A:
You’re My One And Only (True Love) (Club Mix) 7:43
You’re My One And Only (True Love) (Dub Mix) 5:26

SIDE N:
You’re My One And Only (True Love) (Freedom’s Here (With RC/DC)) 6:45
You’re My One And Only (True Love) (Underground Mix) 5:00
You’re My One And Only (True Love) (Hot Mix) 3:48

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1989	You’re My One And Only (True Love)	U.S. Billboard Hot 100	#23
1989	You’re My One And Only (True Love)	U.S. Billboard Hot Dance Music/Club Play	#3
1989	You’re My One And Only (True Love)	U.S. Billboard Hot R&B/Hip-Hop Songs	#56

RELEASE INFORMATION:
Label: Vendetta Records (2) – VE-7021
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1989
Genre: Electronic, Hip Hop
Style: Freestyle, Hip Hop

CREDITS:

Edited By – Omar Carrasquilla, Roger Pauletta
Executive-Producer – Anthony Sanfilippo, Bruce Carbone, Larry Yasgar
Mastered By – Jose Rodriguez*
Producer, Arranged By, Mixed By – Robert Clivilles And David Cole*
Rap – Freedom*
Written-By – Robert Clivilles / David Cole*, Frederick B. Williams

NOTES:
Lead Vocals (Uncredited) – Martha Wash

Produced, arranged, and mixed by Robert Clivilles and David Cole for Cole/Clivilles Music Enterprises.
Edited by Roger Pauletta and Omar Carrasquilla for The Razor Shop.
Mastered by Jose Rodriguez at Sterling Sound, NYC.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

March 21, 2024

Lisa Lisa & Cult Jam – Let the Beat Hit ‘Em (US 12″)

Burning The Ground Exclusive 1991

“Let the Beat Hit ‘Em” is a song by American urban contemporary band Lisa Lisa and Cult Jam, released as the first single from their fourth and final studio album, Straight Outta Hell’s Kitchen (1991). The song spent one week at number-one on the US R&B chart in the week of September 14, 1991, and also reached No. 37 on the Billboard Hot 100. On the US dance charts, it was the third and final number-one for the group. It also peaked at number one on the Canadian RPM dance chart. The song also reached number seventeen on the UK singles chart.

On “Let the Beat Hit ‘Em”, Lisa Lisa and Cult Jam sampled “Ghetto Heaven” by The Family Stand, The Emotions’ 1977 single “Best of My Love” and “Set It Off” by Strafe. and Donald Byrd Think Twice.

“Let the Beat Hit ‘Em” was also sampled by Kylie Minogue on the track “Too Much of a Good Thing” off her 1991 album Let’s Get To It.

A black-and-white music video was made to accompany the song, directed by German director Marcus Nispel.

SIDE A:
Let The Beat Hit ‘Em (The Brand New Super Pumped-Up C&C Vocal Club Mix) 7:34

SIDE B:
Let The Beat Hit ‘Em (The Paradise Garage Club Mix) 7:02
Let The Beat Hit ‘Em (Super Pumped-Up C&C Instrumental Mix) 5:27

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1991	Let the Beat Hit ‘Em	U.S. Billboard Hot 100	#37
1991	Let the Beat Hit ‘Em	U.S. Billboard Hot R&B Singles	#1
1991	Let the Beat Hit ‘Em	U.S. Billboard Hot Dance Music/Club Play	#1

RELEASE INFORMATION:
Label: Columbia – 44 73834
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House, Freestyle

CREDITS:

Arranged By [Vocals], Mixed By [Vocals] – Lisa Lisa
Co-producer, Programmed By – Alan Friedman
Design [Cover] – Jim deBarros
Edited By – Bob Rosa, Robert Clivillés, Robert Clivillés
Engineer, Mixed By – Bob Rosa
Mastered By – Herb “The Pump” Powers*
Photography By [Photo Image Concept] – Ken Nahoum, Lisa Lisa, Robert Clivillés
Producer [Additional Production], Remix – Robert Clivillés & David Cole*
Producer, Arranged By, Mixed By – Robert Clivillés & David Cole*
Written-By – A. Friedman*, D. Cole*, D. Ramos*, R. Clivillés*

NOTES:
Edited by Robert Clivillés & Bob Rosa (with the spirit of Chep Nunez).

From the LP “Straight Outta Hell’s Kitchen”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

April 1, 2021

Michael Jackson – Remember The Time (US 7″)

BURNING THE GROUND EXCLUSIVE 1991

“Remember the Time” is a 1992 single by American singer and songwriter Michael Jackson. It was released by Epic Records on January 14, 1992, as the second single from Jackson’s eighth studio album, Dangerous. The song was written and composed by Teddy Riley, Jackson, and Bernard Belle, and produced by Riley and Jackson. The song’s lyrics are written about remembering having fallen in love with someone.

“Remember the Time” was generally well-received by contemporary critics. The song was commercially successful, peaking at number three on the Billboard Hot 100 and number one on the Billboard Hot R&B Singles as well as the Mainstream Top 40 chart. It is certified Platinum by the Recording Industry Association of America (RIAA). Internationally, the song was a Top 10 hit in nine countries, peaking at No.1 in New Zealand, at No.2 in Spain, and No.3 in the United Kingdom.

“Black or White” was released by Epic Records on November 11, 1991, as the first single from his eighth studio album, Dangerous. He co-wrote, composed, and produced it with Bill Bottrell. The song is a fusion of pop-rock, dance, and hip hop. Epic Records described the song as “a rock ‘n’ roll dance song about racial harmony”.

“Black or White” peaked at number one on the Billboard Hot 100 on December 7, 1991, making it the fastest chart-topper since the Beatles’ “Get Back”. It stayed there for a total of seven weeks. Jackson became the first artist to have number one hits in the 1970s, 1980s, and 1990s with the song. It is certified 2x Platinum by the Recording Industry Association of America (RIAA). Around the world, “Black or White” hit number one in 20 countries, including the US, the UK, Canada, Mexico, Cuba, Turkey, Zimbabwe, Australia, New Zealand, Belgium, Denmark, Finland, France, Ireland, Israel, Italy, Norway, Spain, Sweden, Switzerland and the Eurochart Hot 100. It was the best-selling single worldwide of 1992.

**The “Underground Club Mix Edit” is exclusive to this US 7″ single.

SIDE A:
Remember The Time 4:00
Mixed By – Bruce Swedien, Teddy Riley
Producer – Michael Jackson
Written-By – B. Bell, M. Jackson, T. Riley*

SIDE B:
Black Or White (The Underground Club Mix Edit) 3:33
Edited By – Hex Hector, Ricky Crespo, Robert Clivillés
Executive Producer –Michael Jackson
Lyrics By [Rap Lyrics] – Bill Bottrell
Producer – Bill Bottrell, Michael Jackson
Producer [Additional Production] – David Cole
Producer [Additional Production], Remix – Robert Clivillés
Written-By, Composed By – Michael Jackson

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic ‎– 34-74200
Format: Vinyl, 7″, 45 RPM
Country: US
Released: 1991
Genre: Electronic, Funk / Soul, Pop
Style: House, New Jack Swing

NOTES:
Side A was taken from the Epic release “DANGEROUS”

Side B Is an Edited version of the “Underground Club Mix”, and is Previously Unreleased.

Find the 7″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi