Tag: Quincy Jones

Quincy Jones Featuring Patti Austin – Razzamatazz (US 12″)

Burning The Ground Exclusive 1981

“Razzamatazz” is a lively, jazz-infused track by Quincy Jones, featuring the soulful vocals of Patti Austin. It’s from Jones’ 1981 album “The Dude”, a groundbreaking release that showcases his incredible versatility as a producer, composer, and arranger. The album itself is a genre-blending masterpiece, merging elements of jazz, R&B, funk, and pop, and “Razzamatazz” stands out as a prime example of this fusion.

The song’s upbeat tempo, vibrant brass section, and lively rhythm embody the playful energy of its title. Austin’s vocals add an infectious spark, perfectly complementing the lush instrumentation. “Razzamatazz” became one of the album’s hits, especially popular in the UK, where it reached the Top 20 on the singles chart, giving Quincy Jones a significant presence in pop and R&B.

“The Dude” was highly acclaimed, earning several Grammy Awards and becoming a commercial success. “Razzamatazz” helped to reinforce Jones’ reputation not just as a jazz musician but as a crossover artist capable of appealing to pop audiences worldwide. The song remains a classic example of early 80s jazz-pop, with its dynamic rhythm and colorful production still resonating with listeners.

+De-notes vinyl-only

SIDE A:
Razzamatazz (Special Extended Version)+ 4:55
Written-By – Rod Temperton

SIDE B:
Betcha’ Wouldn’t Hurt Me (Special Extended Version)+ 5:22
Written-By – Stephanie Andrews, Stevie Wonder

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: A&M Records – SP-12040
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: Jun 6, 1981
Genre: Electronic, Funk / Soul, Pop
Style: Jazz, Soul

CREDITS:

NOTES:
Both tracks are special extended versions from the A&M album “The Dude”.
Patti Austin appears courtesy of Qwest Records.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Honoring the Legacy of Quincy Jones: A Monumental Influence on Music

The music world has lost a true legend with the passing of Quincy Jones, an icon whose influence spanned genres, generations, and continents. Known for his unmatched contributions as a producer, composer, arranger, and visionary, Quincy Jones was a force of nature in the industry, forever changing the landscape of popular music.

A Career Like No Other

Quincy Jones’s career began in the 1950s, where he first made waves as a jazz trumpeter and later as a skilled arranger and composer. By the 1960s, he had expanded his talents, producing and arranging for legendary artists, including Frank Sinatra and Ray Charles. Over the decades, his work with Michael Jackson, most notably on the albums “Off the Wall”, “Thriller”, and “Bad”, cemented his place in music history. “Thriller” remains the best-selling album of all time, a testament to Jones’s genius for blending genres and elevating pop music to an art form.

But his achievements didn’t stop there. Jones was also a trailblazer in film and television scoring, creating soundtracks that were just as innovative and moving as his studio albums. He worked on classics like “The Italian Job” and the theme song for “Sanford and Son”, which showed his versatility and grasp of popular culture.

Shaping the Sound of the 80s

For those of us who treasure 80s and 90s music, Quincy Jones’s work was nothing short of magical. He helped shape the era with a distinct sound that was bold, innovative, and unapologetically modern. Tracks like “Billie Jean” and “P.Y.T.” set the dance floors ablaze, while songs like “Human Nature” and “The Lady in My Life” showed his talent for blending soul, jazz, and pop. His work was influential across all realms of music, from hip-hop sampling to electronic remixes, making his mark on countless 12” singles from that era.

A Lasting Legacy

Quincy Jones wasn’t just a music producer; he was a cultural ambassador, a man with an uncanny ability to bridge worlds and bring people together through music. He won 28 Grammy Awards over his lifetime, was a Kennedy Center Honoree, and earned countless accolades, but his impact was far greater than any award could capture. Quincy Jones created a legacy that will endure as long as music exists, inspiring artists to push boundaries, take risks, and speak to the heart of humanity.

The World Remembers

As we reflect on Quincy’s passing, we remember a man who never stopped innovating, who challenged what was possible, and who left an indelible mark on the world. From his early days in jazz clubs to his final productions, his contributions were nothing short of phenomenal. Let us celebrate the life and legacy of Quincy Jones, whose music will continue to inspire, uplift, and unite us all.

A Final Note

Quincy Jones’s influence on music and culture is impossible to overstate. He shaped decades of music and inspired generations of artists. His loss will be felt deeply, but his spirit lives on in every note, beat, and harmony he helped create. The music world mourns today, but his legacy will continue to burn bright.

Rest in peace, Quincy Jones, and thank you for everything.

-DjPaulT

Donna Summer – Love Is In Control (Finger On The Trigger) (US 12″)

Burning The Ground Exclusive 1982

In the name of LOVE week. To celebrate Valentine’s Day all posts up until February 14 will feature LOVE in the title. Additionally, to celebrate BLACK HISTORY MONTH all through February I will be featuring some great black artists from the decade of excess!

NEW 2023 Transfer!
NEW Meticulous Audio Restoration!

Originally posted April 14, 2011

“Love Is in Control (Finger on the Trigger)” is a Grammy-nominated single from Donna Summer’s self-titled 1982 album. The single was her 12th top 10 hit on the Billboard Hot 100 chart.

Summer’s 1980 The Wanderer album — her inaugural release on Geffen Records — had been certified gold in America although it did not enjoy numerous hit singles as some of her ’70s releases had enjoyed. Summer had prepped her next album, which would be released in 1996 as I’m a Rainbow — a double set which continued her association with Giorgio Moroder and Pete Bellotte, but David Geffen, decided to cancel the project, and assigned Summer to record an album with producer Quincy Jones. Jones was a much sought-after producer at the time, particularly due to his association with Michael Jackson’s album Off the Wall.

“Love Is in Control (Finger on the Trigger)” was the lead single off the Jones’ produced album Donna Summer. It was written by Jones and Rod Temperton (formerly of funk band Heatwave) — who’d also written Jackson’s “Rock with You”. Summer reported that the recording process for this album was challenging, as she was pregnant at the time and unhappy over I’m a Rainbow’ being shelved by Geffen Records.

The single was issued in three different versions: the 7″ single release (3:42), the LP version (4:19), and a 12″ single version (7:04). The 12″ version features a “Dance Remix” on Side One and an “Instrumental Version Featuring Ernie Watts On Sax Solo” on Side Two. Both are remixes by Craig Kostich and Bruce Swedien.

“Love Is in Control (Finger on the Trigger)” became a major hit, peaking at no. 10 on the US Billboard Hot 100 on the week of September 25, 1982, giving Summer her sixteenth top 40 hit, and reaching no. 4 on the US R&B Chart. It was Summer’s best R&B showing since “Bad Girls” in 1979—even using police whistles in the song as in “Bad Girls”. Although the parent album was certified gold in the US, it did not produce any more major hits and did not prove the powerhouse album Geffen Records had hoped for.

SIDE A:
Love Is In Control (Finger On The Trigger) (Dance Remix) 7:04

SIDE B:
Love Is In Control (Finger On The Trigger) (Instrumental) 7:04
Featuring, Soloist [Sax Solo], Saxophone – Ernie Watts

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 Love Is In Control (Finger On The Trigger) U.S. Billboard Hot 100 #10
1982 Love Is In Control (Finger On The Trigger) U.S. Billboard Hot R&B/Hip-Hop Songs #4
1982 Love Is In Control (Finger On The Trigger) U.S. Billboard Hot Dance Music/Club Play #3

RELEASE INFORMATION:
Label: Geffen Records – O-29938, Geffen Records – 9 29938-0 B
Format: Vinyl, 12″, 33 ⅓ RPM, ARC Pressing
Country: US
Released: 1982
Genre: Funk / Soul, Pop
Style: Synthpop

CREDITS:
Mastered By [Runout Etching ❀] – Brian Gardner
Producer, Written-By – Quincy Jones
Remix [Remixed By] – Bruce Swedien, Craig Kostich
Written-By – Merria Ross, Rod Temperton

NOTES:
(Instrumental Version Featuring Ernie Watts on Sax Solo)

*Remixed From The Original 4:20 Version
Available On The Geffen Album Donna Summer – Donna Summer

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable:Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.



Patti Austin – Rhythm Of The Street/It’s Gonna Be Special (US 12″)

Burning The Ground Exclusive 1984

“Rhythm of the Street”/”It’s Gonna Be Special” is a double A-side 12″ single by American R&B, pop, and jazz singer and songwriter Patti Austin. Both songs are taken from her self-titled 1984 album. “It’s Gonna Be Special” was also featured on the John Travolta & Olivia Newton-John film soundtrack “Two Of A Kind”.

“It’s Gonna Be Special” peaked at #15 on the US Billboard R&B chart as well as #5 on the Dance Chart. “It’s Gonna Be Special” failed to reach the Billboard Top 40 only peaking at #82.

“Rhythm of the Street” peaked at #33 on the US Billboard R&B chart as well as #11 on the Dance Chart. The song also reached #96 on the UK singles chart.

SIDE A:
Rhythm Of The Street (Dance Remix) 6:06
Producer – Narada Michael Walden
Written-By –Jeffrey Cohen, Narada Michael Walden, Preston Glass

SIDE B:
It’s Gonna Be Special (Dance Remix) 6:30
Producer –  Quincy Jones
Written-By – Clif Magness, Glen Ballard

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

 

Year Single Chart Position
1984 Rhythm Of The Street U.S. Billboard Hot Black Singles #33
1984 Rhythm Of The Street U.S. Billboard Hot Dance Music/Club Play #11
1984 It’s Gonna Be Special U.S. Billboard Hot Black Singles #15
1984 It’s Gonna Be Special U.S. Billboard Hot Dance Music/Club Play #5
1984 It’s Gonna Be Special U.S. Billboard Hot 100 #82

RELEASE INFORMATION:
Label: Qwest Records – 0-20222, Qwest Records – 9 20222-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1984
Genre: Electronic, Funk / Soul
Style: Funk

CREDITS:
Engineer [Mix] –  Michael Hutchinson
Executive-Producer – Ed Eckstine, Quincy Jones
Mixed By –John “Jellybean” Benitez

NOTES:
Original version(s) available on the Qwest album PATTI AUSTIN.

Find the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.