Tag: Pride Month

Donna Summer – This Time I Know It’s For Real (US 12″) (1989)

Burning The Ground Exclusive

The Queen of Disco meets the Kings of Hi-NRG.

To kick off Pride Month with absolute euphoria, I’m posting one of Donna Summer’s finest late-’80s dance anthems—“This Time I Know It’s For Real”. Released in 1989, this track marked a bold comeback and a stunning collaboration with UK production powerhouse Stock Aitken Waterman (SAW). And yes—it still hits.

After years of genre-hopping in the ’80s, Donna returned to her roots on the dancefloor with this glossy, synth-loaded smash. It climbed to #7 on the US Billboard Hot 100 and became a major hit worldwide—her first UK Top 10 in almost a decade.

The 12″ version stretches the joy a little longer, and if you grew up hearing this in the clubs—or maybe roller-skating under mirror balls—it’s pure serotonin. For many of us, Donna Summer wasn’t just a disco icon; she was a spiritual mother of the dancefloor. Her music was freedom, sweat, style, and everything Pride stands for.

This song is also a nod to new beginnings—proof that it’s never too late for a second act, for reinvention, for love that finally feels real.

🌈 Pride Month Note:
There’s no better way to honor Pride than by turning up a Donna Summer track—because whether you were on the floor at Studio 54 or twirling in your bedroom, her voice gave us permission to feel fabulous, free, and fearless.

Happy Pride. Long live the Queen. Turn it UP.

SIDE A:
This Time I Know It’s For Real (Extended Remix) 7:22
Written-By – Summer, Stock Aitken Waterman

SIDE B:
If It Makes You Feel Good (LP Version) 3:45
Written-By – Stock Aitken Waterman*

This Time I Know It’s For Real (Instrumental) 3:34
Written-By – Summer, Stock Aitken Waterman

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 This Time I Know It’s For Real U.S. Billboard Hot 100 #7
1989 This Time I Know It’s For Real U.S. Billboard Adult Contemporary #2
1989 This Time I Know It’s For Real U.S. Billboard Hot Dance Club Songs #5
1989 This Time I Know It’s For Real U.S. Billboard Hot Dance Singles Sales #1

RELEASE INFORMATION:
Label: Atlantic – 0-86415
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Recorded at PWL

Printed in U.S.A.

A. Remixed from Atlantic LP 81987 – “Another Place And Time”
B1. From Atlantic LP 81987 – “Another Place And Time”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Pride Month 2025 – Celebrating with Love, Respect, and Music

Each June, Pride Month allows us to honor the LGBTQ+ community — to celebrate resilience, visibility, creativity, and most of all, love. For decades, this month has stood as a reminder of both how far we’ve come and how far we still have to go in building a world where everyone can live authentically, safely, and joyfully.

Here at Burning the Ground, where we celebrate the music that helped shape generations — from underground dance floors to radio waves and neon-lit nights — it’s impossible to ignore the deep connection between the LGBTQ+ community and the world of remix culture, club anthems, and boundary-pushing expression. Pride lives in these grooves, in the bold beats of self-discovery, in the joy of being seen and heard.

But let’s be real: not everyone sees Pride Month the same way. Some feel unsure, uncomfortable, or even disagree with aspects of it. And while we may not all come from the same place, this space was always meant to be about connection. Through music, we’ve all learned that difference doesn’t have to divide — it can unite. It can teach. It can inspire.

Whether you’re out and proud, still on a journey, an ally, or just someone passing through — you are welcome here. You don’t have to have it all figured out. What matters is that we approach one another with kindness and a willingness to listen. No rainbow flag should feel like a wall; it should feel like an open door.

This month, we continue to honor the artists, DJs, producers, and fans — many of whom were and are part of the LGBTQ+ community — who brought the dance floor to life, often against the odds. Their courage, creativity, and rhythm echo through every remix we post.

Let’s turn the volume up, keep our hearts open, and remember what this music taught us: freedom feels like a beat you can move to.

Happy Pride Month.

— Paul
Burning the Ground

Village People – Y.M.C.A./Macho Man (US 12″)

Burning The Ground Exclusive 1978

I could not close PRIDE month without showcasing one of the greatest PRIDE Anthems ever recorded Y.M.C.A. recorded by Village People.

Village People reign supreme as gay-anthem chart toppers. Songs like ‘Macho Man’, ‘Go West’ (covered brilliantly by the Pet Shop Boys), ‘Cruisin’’ and ‘In the Navy’ are full of double entendres, and 1978’s ‘Y.M.C.A.’— which became one of the most popular singles of the 1970s — is no different. The Young Men’s Christian Association was so appalled at the song’s implications that it threatened to sue until it noticed that membership had significantly increased in the wake of the tune’s success. Turns out any press is good press — eh, boys?

In 1978 Casablanca Records released a double A-side 12″ which included the Diso Mixes of “Y.M.C.A.” along with “Macho Man”. Both tracks appear only on one side of the record.

“Y.M.C.A.” is a song by American disco group Village People, written by Jacques Morali (also the record’s producer) and singer Victor Willis and released in October 1978 by Casablanca Records as the only single from their third studio album, Cruisin’ (1978). A medley with “Hot Cop” reached No. 2 on the US Billboard Dance Music/Club Play Singles chart, while the song reached No. 2 on the Billboard Hot 100 in early 1979, placing behind both “Le Freak” by Chic and “Da Ya Think I’m Sexy?” by Rod Stewart. Outside the US, “Y.M.C.A.” reached No. 1 on the UK Singles Chart around the same time, becoming the group’s biggest hit. It has sold 12 million copies worldwide.

“Macho Man” was released as the second single and title song of their album of the same name (1978). The song entered the Billboard Hot 100 on June 24, 1978 (when the album had already been charting since March) before picking up more airplay that August. It became the Village People’s first charting hit in the United States, peaking on the Hot 100 at number 25 on the week of September 2.

A medley with “I Am What I Am” and “Key West” reached number four on the Billboard Dance Music/Club Play Singles chart. On the survey of Chicago radio superstation WLS-AM, “Macho Man” spent two weeks at number three.

SIDE A1:
Y.M.C.A. (Disco Mix) 6:47
Written-By – Henri Belolo, Jacques Morali, Victor Willis

SIDE A2:
Macho Man (Disco Mix) 5:15
Written-By – Henri Belolo, Jacques Morali, P. Whitehead*, Victor Willis

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Casablanca – NBD 20144
Format: Vinyl, 12″, 33 ⅓ RPM, Single Sided, Single, Stereo
Country: US
Released: 1978
Genre: Funk / Soul
Style: Disco

CREDITS:

NOTES:
Produced for Can’t Stop Productions, Inc.
Manufactured and Distributed by Casablanca Record and FilmWorks, Inc.

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



International Chrysis – Rebel Rebel (UK 12″)

Burning The Ground Exclusive 1994

“Rebel Rebel” is a song written and originally recorded by English singer-songwriter David Bowie in 1974.

In 1994 English duo Dead Or Alive covered the song under the short-lived moniker International Chrysis.  The name was a tribute to International Chrysis (1951 – 26 March 1990), an American transgender entertainer and protégé of Salvador Dalí. She also played the damsel in distress in the music video for Van Halen’s version of “(Oh) Pretty Woman”.

International Chrysis was an attempt to create a new identity for themselves, Pete Burns and Steve Coy re-formed their band and released one single as International Chrysis on Stock, Aitken, and Waterman’s PWL label. The single reached #76 in the UK, and #97 in Australia in the United States the single was not released but did receive considerable club play.

“Rebel Rebel” would later be included in the album “Nukleopatra” (1995).

International Chrysis had planned to release a full album Complications with the label forced them to leave PWL with no distributor in the UK for what would become the album “Nukleopatra” once again under the name Dead Or Alive.

SIDE A:
Rebel Rebel (The Hole Mix) 6:34
Written-By – David Bowie

SIDE B:
Rebel Rebel (The Safe Hands Mix) 5:23
Remix – Safe Hands
Written-By – David Bowie

The Right Stuff 4:07
Written-By – Pete Burns, Steve Coy

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: PWL International – PWLT 303, PWL International – 4509 96450 0
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: May 30, 1994
Genre: Electronic
Style: Euro House

CREDITS:

NOTES:
Recorded and mixed at PWL THE HIT FACTORY

Dedicated to Courtney Love

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.