Tag: Phil Harding & Ian Curnow

Blue Mercedes – See Want Must Have (US 12″)

Burning The Ground Exclusive 1988

Blue Mercedes, the vibrant pop music duo from London, England, made waves in the late 1980s with their distinctive mix of style and danceable beats. “See Want Must Have,” released in April 1988, was the second single from their debut album Rich and Famous.

The track’s infectious energy and polished production made it a standout, earning it chart success on both sides of the Atlantic. In the U.K., the song climbed to #57 on the Singles Chart, while in the U.S., it resonated with club-goers, reaching an impressive #18 on the Hot Dance Club Play chart.

“See Want Must Have” exemplifies the duo’s knack for blending catchy melodies with a playful sense of luxury, cementing their place in the late ’80s pop and dance music scenes. It’s a track that continues to evoke the era’s glamorous, carefree spirit and remains a favorite among fans of retro dance music.

+De-notes vinyl-only

SIDE A:
See Want Must Have (Street Latin Wolff II) 8:48
Mixed By – Phil Harding & Ian Curnow

SIDE B:
See Want Must Have (Funk Ass Mix) 6:48
Mixed By – Mixmaster Phil Harding*

See Want Must Have (Street Latin Wolff II Dub)+ 5:58
Mixed By – The Mixmaster (2)The Yo Boy*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 See Want Must Have U.S. Billboard Hot Dance Music / Club Play #18

RELEASE INFORMATION:
Label: MCA Records – MCA-23857
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Original version appears on the Blue Mercedes LP “Rich And Famous”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Diana Ross – Love Hangover ’89 (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

Disco Love week

“Love Hangover” was the fourth number one single for Motown singer Diana Ross. Ross originally recorded “Love Hangover” in 1975. It was released in March 1976 and rose to number one on the Billboard Hot 100, Hot Soul Singles and Hot Dance Club Play charts simultaneously.

The song was written by Pamela Sawyer and Marilyn McLeod as a disco number. Producer Hal Davis recorded the instrumental track in 1975 thinking it ideal for Marvin Gaye or Diana Ross, who were his two favorite vocalists to work with. He thought Diana would be sexier on it, so he recorded the song with her. Studio musicians included James Gadson on drums, Henry E. Davis (of the band L.T.D.) on bass, and Joe Sample on keyboards.

Hal Davis instructed the song’s engineer Russ Terrana to install a strobe light so that Ross could be in the “disco” mindset. As the song changed from ballad to uptempo, Ross became more comfortable with the material; she hummed, sang bit parts, laughed, danced around and even imitated Billie Holiday. The carefree and sensual nature of Ross’ vocals and the music’s direction helped to sell the song, in addition to the background vocals relying heavily on Donna Summer’s 1975 hit “Love to Love You Baby”.

In 1989 Motown re-released the song as “Love Hangover ’89” with brand new remixes by PWL team Phil Harding & Ian Curnow. This version peaked at #3 on the Billboard Dance chart on April 8, 1989, after spending nine weeks on the survey.

SIDE A:
Love Hangover ’89 (12″ Version) 8:00

SIDE B:
Love Hangover ’89 (Urban Remix) 6:51
Remix – Tony King

Love Hangover ’89 (Dance Mix) 7:18

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Love Hangover ’89 U.S. Billboard Hot Dance Music/Club Play #3

 

RELEASE INFORMATION:
Label: Motown ‎– MOT-4632
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic, Pop
Style: House, Disco

CREDITS:
Executive Producer – Berry Gordy
Producer – Hal Davis
Remix – Phil Harding & Ian Curnow

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.