Tag: Pet Shop Boys

December 11, 2025

Pet Shop Boys – Was It Worth It? (US 12″) (1991)

Burning The Ground Exclusive

By the end of 1991, the Pet Shop Boys had firmly established themselves as synth-pop icons. Their first greatest hits compilation, Discography: The Complete Singles Collection, not only celebrated their decade-long run of chart-topping singles but also introduced two new songs: “DJ Culture” and “Was It Worth It?”. Released on 9 December 1991 by Parlophone, “Was It Worth It?” became the second and final single from the compilation, peaking at number 24 on the UK Singles Chart. While it ended a streak of 16 consecutive top 20 hits dating back to West End Girls in 1985, the song remains a standout for its reflective optimism and danceable production.

Recorded at Sarm West with production group Brothers in Rhythm, the song was a collaborative effort. Neil Tennant began writing “Was It Worth It?” before their fourth studio album, Behaviour (1990), and Chris Lowe contributed the memorable chorus. Steve Anderson of Brothers in Rhythm added a piano part that Tennant likened to Black Box’s 1989 hit “Ride on Time”. The track features a call-and-response format, with backing vocals from Tessa Niles, Carol Kenyon, and Ghida de Palma, giving it a layered, uplifting feel.

Lyrically, Tennant described the song as “a reaffirmation of the worth of love, an ‘I am what I am’ sort of song.” He called it “a very gay song. Very gay positive. It’s basically saying: if I had to do it all again, I wouldn’t change a single thing.” Its upbeat message and celebratory tone make it one of the Pet Shop Boys’ most affirming singles, even if it didn’t achieve their usual chart success.

The B-side, “Miserablism”, produced by Harold Faltermeyer and mixed by Julian Mendelsohn, was originally intended for Behaviour but was removed late in the album’s process. Meanwhile, the single’s cover art is a charming nod to fan creativity: dolls of Tennant and Lowe crafted by Japanese fan Toshima Tada, holding bouquets of red roses reminiscent of the Behaviour album cover. The 7-inch back cover featured yellow roses, while the 12-inch opted for a blue background.

The accompanying music video, directed by Eric Watson, embraced a playful, theatrical energy. Shot in a club setting, it combined footage of the duo performing at Heaven with scenes of a vibrant, drag-filled crowd. Inspired by films like Saturday Night Fever and Hairspray, as well as the moveable clubnight Kinky Gerlinky, the video showcased extravagant costumes, dance, and pure fun—Chris Lowe famously appears in a towering orange Kenzo hat, doing absolutely nothing while the rest of the club revels.

Although “Was It Worth It?” didn’t break into the top 20, it remains an essential part of the Pet Shop Boys’ catalog: a perfectly crafted, celebratory pop song that affirms love, identity, and the joy of dancing through life’s choices.

SIDE A:
Was It Worth It? (12″ Version) 7:12
Producer – Brothers In Rhythm, Pet Shop Boys
Remix – Pet Shop Boys

Was It Worth It? (Dub Version) 5:12
Engineer – Paul Wright
Instrumentation By, Programmed By – Philip Kelsey
Producer – Brothers In Rhythm, Pet Shop Boys
Remix – Dave Seaman, Philip Kelsey

SIDE B:
Miserablism (Electro Mix) 5:35
Producer – Harold Faltermeyer, Pet Shop Boys
Producer [Additional Production], Remix – Moby

Miserablism (Short Version) 4:11
Mixed By – Julian Mendelsohn
Producer – Harold Faltermeyer, Pet Shop Boys

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI Records USA – VNR-56243, EMI Records USA – VNR 56243
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House, Techno, Synth-pop

CREDITS:

Design – Farrow*, PSB*, 3a*
Photography By – Robert Shackleton
Written-By – Pet Shop Boys

NOTES:
A2: Remixed for Creative Theives Conglomerate/DMC.

Printed in the U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 2, 2025

Pet Shop Boys – West End Girls (The Shep Pettibone Mastermix) (Europe 12″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Originally posted February 4, 2013

Few songs encapsulate the sound of the mid-80s like West End Girls by Pet Shop Boys. Originally released in 1984, the song was re-recorded in 1985 with producer Stephen Hague. It became an international hit in 1986, topping charts worldwide. Its mix of moody synth-pop, hip-hop-inspired beats, and Neil Tennant’s signature deadpan delivery created a track that still resonates today. But for remix enthusiasts, one particular version stands out—the Shep Pettibone Mastermix.

Shep Pettibone, a legend in the remix world, was at the height of his powers in the mid-to-late ’80s, working with artists like Madonna, New Order, and Janet Jackson. His take on West End Girls amplifies its dancefloor appeal, giving it a sharper, club-friendly edge while retaining the song’s atmospheric charm. Clocking in at over eight minutes, Pettibone’s remix extends and reshapes the track, introducing new percussive elements, enhanced synth layers, and a driving rhythm that makes the song even more energetic and dynamic.

One of the standout elements of the Shep Pettibone Mastermix is its use of breakdowns and vocal manipulation. Tennant’s vocals are layered and looped, adding depth and drama to the track. The bassline, already a defining feature of the original, is pushed forward, creating a groove that feels tailor-made for dance floors. The result is a remix that not only respects the essence of the song but elevates it into something fresh and dynamic.

It’s important to note that the Shep Pettibone Mastermix that appears on the 12″ single is not the same version that appeared on DISCO: The Remix Album. Additionally, to my knowledge, neither version on the 12″ single has appeared on CD. The B-side A Man Could Get Arrested is also a different version than the one that appears on the Alternative compilation or the Please Further Listening edition.

Though the Shep Pettibone Mastermix wasn’t the most commercially promoted remix of West End Girls, it remains a favorite among DJs and collectors, capturing a moment when remix culture was beginning to redefine pop music. It’s a testament to both Pet Shop Boys’ innovative songwriting and Pettibone’s ability to transform great songs into club classics.

For those who appreciate the extended mix era, this remix is a must-listen—a perfect blend of the Pet Shop Boys’ signature style and Shep Pettibone’s remix mastery. If you haven’t revisited it in a while, now’s the time to put it back on and experience West End Girls in a whole new way.

SIDE A:
West End Girls (The Shep Pettibone Mastermix) 8:13
Producer – Stephen Hague
Remix, Producer [Additional Production] – Shep Pettibone

SIDE B:
West End Dub 9:35
Producer – Stephen Hague
Remix, Producer [Additional Production] – Shep Pettibone

A Man Could Get Arrested 4:21
Producer – Bobby Orlando, The Pet Shop Boys*
Remix – Frank Roszak

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1986	West End Girls	U.S. Billboard Hot 100	#1
1986	West End Girls	U.S. Billboard Hot Adult Contemporary Tracks	#26
1986	West End Girls	U.S. Billboard Hot Dance/Club Play	#1
1986	West End Girls	U.S. Billboard Hot Black Singles	#36
1986	West End Girls	U.S. Billboard Hot Mainstream Rock Tracks	#37

RELEASE INFORMATION:
Label: Parlophone – 060-20 0998 6, EMI – 1C K 060 20 0998 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1985
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:

Written-By – Tennant / Lowe

NOTES:
Tracks A and B1: Mixing and additional production for Mastermix Productions

Printed in Germany
Made in EEC.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

August 8, 2024

Pet Shop Boys – Jealousy (UK 12″)

Burning The Ground Exclusive 1991

Thank you Josh for your generous donation, and REQUEST.

“Jealousy” is a song originally written in 1982 by English synth-pop duo Pet Shop Boys, recorded for their fourth studio album, Behaviour (1990). It was released on 27 May 1991 as the album’s fourth and final single. The song reached #12 on the UK singles chart.

Neil Tennant states that “Jealousy” is the first proper song ever composed by the duo. Chris Lowe composed the melody at the piano in his parents’ home and, as he felt it should be a ballad, asked Tennant to write an intense-sounding lyric. Tennant complied by writing a lyric about the simplest form of jealousy: infidelity suspicions aroused by someone’s indifferent or disrespectful attitudes towards another person’s feelings (such as making his/her partner wait all night for a phone call that never comes). The song was then left off three albums because the duo were waiting for legendary film composer Ennio Morricone to agree to score the orchestral arrangement for the song. Morricone’s answer never came, and Harold Faltermeyer ended up doing the arrangement for the song’s release on Behaviour.

The album version, coming at the end of Behaviour, closed off the album with a sampler-based orchestral outro. The single version is slightly remixed and uses a real orchestra instead during the outro. The extended version of the single version lengthens the outro while adding an orchestral intro as well; in addition, Neil Tennant recites a quote from William Shakespeare’s Othello (Act III, Scene III) over both sequences:

Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever medicine thee to that sweet sleep
Which thou owedst yesterday.

The B-side “Losing My Mind”, taken from the Stephen Sondheim musical Follies, was based on a demo originally recorded as a proposal for the Liza Minnelli album Results. Its release here follows the releases of Minnelli’s version on both Results and as the lead single from the album. As with the A-side, “Losing My Mind” was released in an extended mix (the “Disco mix”) on the 12-inch single which was recorded in 1988-89.

SIDE A:
Jealousy (Extended Mix) 7:56
Arranged By [Orchestral Arrangement] – Harold Faltermeyer
Engineer – Brian Reeves
Producer – Harold Faltermeyer, Pet Shop Boys
Recorded By [Orchestra] – Mike Jarret
Written-By – Tennant/Lowe

SIDE B:
Losing My Mind (Disco Mix) 6:08
Engineer – Roy Spong
Producer – Pet Shop Boys
Programmed By [Additional Programming] – Newman
Written-By – Sondheim

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12r6283, Parlophone – 20 4224 6
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: May 28, 1991
Genre: Electronic, Pop
Style: Synth-pop, Ballad

CREDITS:

Design – Mark Farrow, Pet Shop Boys, 3a*
Mixed By – David Jacob
Photography By – Eric Watson (3)

NOTES:
Orchestra recorded at Abbey Road Studios.
Manufactured in the UK

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

June 13, 2024

Blur – Girls & Boys (US Limited Edition 12″)

Burning The Ground Exclusive 1994

“Girls & Boys” is a song by English rock band Blur, released in March 1994 by Food Records as the lead single from the group’s third studio album, Parklife (1994). The frontman of Blur, Damon Albarn wrote the song’s lyrics with bandmembers Graham Coxon, Alex James and Dave Rowntree, while Stephen Street produced it.

Charting at number five on the UK Singles Chart, “Girls & Boys” was Blur’s first top-five hit and their most successful single until “Country House” reached number one the following year. In the United States, the track reached number 59 on the US Billboard Hot 100 chart and number four on the Billboard Modern Rock Tracks chart. Kevin Godley produced the music video for the song. “Girls & Boys” was named single of the year by NME and Melody Maker and was nominated for best song at the MTV Europe Music Awards.

Damon Albarn was inspired to write the song while on holiday in Magaluf, Spain, with then-girlfriend Justine Frischmann, lead singer of Elastica. According to Albarn, the city had “really tacky Essex nightclubs” and a rampant sexual scene among visitors, with “All these blokes and all these girls meeting at the watering hole and then just copulating. There’s no morality involved, I’m not saying it should or shouldn’t happen.” The music has a convergence of various pop and dance styles, summed up by bassist Alex James as “Disco drums, nasty guitars and Duran Duran bass.” Drummer Dave Rowntree admitted that he is not playing on the track, being replaced by a drum machine he programmed. He said it was his favourite song on Blur: The Best Of (2000) because he “isn’t really in it. It’s cool not being in your own song.” The vocals were recorded with a demo featuring only the keyboards. This song is written in the key of G minor.

Pet Shop Boys, provided a remix of the track for the single release. The single’s front cover was taken from a pack of Durex condoms.

The accompanying music video for “Girls & Boys” was directed by English singer, songwriter, musician and music video director Kevin Godley. It features Blur performing the song against a bluescreen backdrop of documentary footage of people on Club 18-30 package holidays. Godley branded the video as “Page 3 rubbish”, while Blur found it “perfect”.

SIDE A:
Girls & Boys (PSB 12″ Mix) 7:15
Programmed By – Pete Gleadall
Remix, Producer [Additional] – Pet Shop Boys

SIDE B:
Girls & Boys (Album Version) 4:18

Girls & Boys (PSB 7″ Mix) 4:04
Programmed By – Pete Gleadall
Remix, Producer [Additional] – Pet Shop Boys

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Poster: Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1994	Girls & Boys	U.S. Billboard Hot 100	#59
1994	Girls & Boys	U.S. Billboard Alternative Airplay	#4
1994	Girls & Boys	U.S. Billboard Hot Dance Club Songs	#21
1994	Girls & Boys	U.S. Billboard Hot Dance Singles Sales	#23
1994	Girls & Boys	U.S. Billboard Mainstream Top 40	#40

RELEASE INFORMATION:
Label: SBK Records – Y-58155
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, Limited Edition, Orange
Country: US
Released: 1994
Genre: Electronic, Rock
Style: Synth-pop, Indie Rock, Britpop

CREDITS:

Producer – Stephen Street
Written-By – James*, Albarn*, Rowntree*, Coxon*

NOTES:
Pressed on transparent orange vinyl.
Contains a 20″ x 30″ fold-out poster.

From the LP “PARKLIFE”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.