Tag: Japan

Arcadia – Goodbye Is Forever (Extended Remix) (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Goodbye Is Forever” is the second single released by the Duran Duran offshoot band, Arcadia. The song achieved success only in the United States, peaking at number 33 on the Billboard Hot 100 chart in March 1986. It also was released by Capitol Records in January 1986 in many regions around the world except the UK.

The B-side of Goodbye Is Forever was the mid-tempo ballad “Missing” which was released only as a promo track in the U.S and Canada.

SIDE A:
Goodbye Is Forever (Extended Version) 6:43
Remix – Francois Kevorkian*, Ron Saint Germai*

Goodbye Is Forever (7inch Remixed Version) 4:11
Remix – Alex Sadkin, Walter Samuel

SIDE B:
Goodbye Is Forever (Dub Version) 5:14
Remix – Francois Kevorkian*, Ron Saint Germai*

Missing 3:40
Mixed By – Larry Alexander
Mixed By [Assistant] – Billy Miranda

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Goodbye Is Forever U.S. Billboard Hot 100 #33

 

RELEASE INFORMATION:
Label: EMI ‎– S14-130
Format: Vinyl, 12″, 45 RPM, Single
Country: Japan
Released: 05 Mar 1986
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Liner Notes [Lyrics Translation] – 山本安見*
Photography By [Arcadia] – Norman Parkinson
Photography By [Staircase] –Tansy Spinks
Producer – Alex Sadkin, Arcadia (3)
Sleeve – Assorted Images
Written-By – Rhodes*, Taylor* (tracks: A1, A2, B1), Le Bon*

NOTES:
Taken from the album “SO RED THE ROSE”

2-digit numeric code on back cover reads:
40 32 52 52 32 42 28 00 =
M I S S I N G _
00 28 44 44 22 18 12 24 32 52 26 44 50 24 06 24 50 =
_ G O O D B Y E I S F O R E V E R

2-digit numeric code on A-side label reads:
02 30 24 46 50 44 40 32 52 24 =
T H E P R O M I S E

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Bronze
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Duran Duran – Union Of The Snake (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Union of the Snake” is the ninth single by the English new wave band Duran Duran, released on 17 October 1983.

“Union of the Snake” was the lead single from the band’s third album Seven and the Ragged Tiger (1983), and preceded its release by one month. It was originally titled, “The Union at Stake”, when the band was interviewed on The Oxford Road Show in March 1983 before their first performance of “Is there something I should know?” on U.K. television. It became one of Duran Duran’s most popular singles, hitting number one on the US Cash Box and peaking at number three on both the US Billboard Hot 100 for three consecutive weeks at the end of 1983. Further chart movement was prevented by “Say Say Say” by Paul McCartney and Michael Jackson and “Say It Isn’t So” by Daryl Hall and John Oates. It also reached number three on the UK Singles Chart.

After a songwriting session near Cannes in France, much of the band’s third album was recorded at George Martin’s AIR Studios on the Caribbean island of Montserrat with producer Alex Sadkin, then mixed at 301 Studios in Sydney. Mixing for “Union of the Snake” was done right up to the last minute before the tapes had to be turned over to EMI for pressing.

Lyricist Simon Le Bon (notoriously reticent about explaining his oblique lyrics) hinted in the Duran Duran lyric book The Book of Words that the borderline might be one between the conscious and subconscious minds. In later interviews, he proclaimed that it was a reference to Tantric sex.

Drummer Roger Taylor stated that the beat and drum track was based upon David Bowie’s 1983 single “Let’s Dance”.

The B-side to “Union of the Snake” was the atmospheric piece “Secret Oktober”. Twenty-four hours before the master tapes of the single were to be delivered to EMI for distribution, singer Simon Le Bon and keyboardist Nick Rhodes wrote and mixed the B-side “Secret Oktober” in an all-night recording session.

**The “Super Mix” contained on this Japan 12″ single is also titled “Monkey Mix” on other releases.

SIDE A:
Union Of The Snake (Super Mix) 6:23

SIDE B:
Union Of The Snake (Single Version) 4:20
Secret Oktober 2:45

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Obi: Near Mint
Insert: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Union Of The Snake U.S. Billboard Hot 100 #6
1983 Union Of The Snake U.S. Billboard Mainstream Rock Tracks #2
1983 Union Of The Snake U.S. Billboard Hot Dance Music/Club Play #33

 

RELEASE INFORMATION:
Label: EMI ‎– EMS-27008
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1983
Genre: Electronic, Rock, Pop
Style: Pop Rock, Synth-pop

CREDITS:
Liner Notes [対訳] – 山本安見*
Photography By – Jeff Hornbaker
Producer – Alex Sadkin
Producer [In Association With] – Duran Duran, Ian Little
Sleeve – assorted iMaGes*
Written-By, Arranged By – Duran Duran

NOTES:
Track A termed (Super Mix) on the back sleeve, also referred to as (The Monkey Mix) on other releases (116bpm).
Track B1 termed (Single Version) on the back sleeve, (7″ Version) on the label.

With obi and single-sided lyric/info insert.

〄 MADE IN JAPAN

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Michael Jackson – Billie Jean (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Billie Jean” is a song by American singer Michael Jackson, released by Epic Records on January 2, 1983, as the second single from Jackson’s sixth studio album, Thriller (1982). It was written and composed by Jackson and produced by Jackson and Quincy Jones. “Billie Jean” blends post-disco, rhythm and blues, funk and dance-pop. The lyrics describe a woman, Billie Jean, who claims that the narrator is the father of her newborn son, which he denies. Jackson said the lyrics were based on groupies’ claims about his older brothers when he toured with them as the Jackson 5.

“Billie Jean” reached number one on the Billboard Hot 100, topped the Billboard Hot Black Singles chart within three weeks, and became Jackson’s fastest-rising number one single since “ABC”, “The Love You Save” and “I’ll Be There” in 1970, which he recorded as a member of the Jackson 5. It remained at number one for nine weeks on the chart. Billboard ranked it as the No. 2 song for 1983. “Billie Jean” is certified 6x Platinum by the Recording Industry Association of America (RIAA). The song has sold over 10 million copies worldwide, making it one of the best-selling singles of all time. It was also a number one hit in the UK, France, Switzerland and Belgium for example, and reached the top ten in many other countries. “Billie Jean” was one of the best-selling singles of 1983, helping Thriller become the best-selling album of all time, and became Jackson’s best-selling solo single.

Jackson’s performance of “Billie Jean” on the TV special Motown 25: Yesterday, Today, Forever won acclaim and was nominated for an Emmy Award. It introduced several of Jackson’s signatures, including the moonwalk and white sequined glove, and was widely imitated. The “Billie Jean” music video, directed by Steve Barron, was the first video by a black artist to be aired in heavy rotation on MTV. Along with the other videos produced for Thriller, it helped establish MTV’s cultural importance and make music videos an integral part of popular music marketing. The spare, bass-driven arrangement of “Billie Jean” helped pioneer what one critic called “sleek, post-soul pop music”. It also introduced a more paranoid lyrical style for Jackson, a trademark of his later music.

“Billie Jean” was awarded honors including two Grammy Awards and an American Music Award. In a list compiled by Rolling Stone and MTV in 2000, the song was ranked as the sixth greatest pop song since 1963. In 2004, Rolling Stone placed it at number 58 on its list of The 500 Greatest Songs of All Time and was included in the Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll. Frequently listed in magazine polls of the best songs ever made, “Billie Jean” was named the greatest dance record of all time by BBC Radio 2 listeners.

SIDE A:
Billie Jean (Long Version) 6:21

SIDE B:
Billie Jean (Instrumental Version) 6:21

VINYL GRADE:
Vinyl: Near Mint
Sleeve/OBI: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Billie Jean U.S. Billboard Hot 100 #1
1983 Billie Jean U.S. Billboard Hot Black Singles #1
1983 Billie Jean U.S. Billboard Adult Contemporary #9

 

RELEASE INFORMATION:
Label: Epic ‎– 12・3P-490
Series: Michael Jackson Jumbo Single Series 1
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1983
Genre: Pop, Rock
Style: Funk, Soul, Pop

CREDITS:
Co-producer – Michael Jackson
Producer –Quincy Jones
Written-By – M. Jackson*

NOTES:
Special Versions
Taken from the LP “Thriller”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Wham! – The Edge Of Heaven (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1986

“The Edge of Heaven” is a song by English pop duo Wham!, released on Epic Records in 1986. It was written and produced by George Michael, one half of the duo, and was promoted in advance as Wham!’s farewell single.

With the known desire of George Michael to move into a more adult market, Wham! had announced in the spring of 1986 that Michael and his musical partner Andrew Ridgeley would go their separate ways after a farewell single, album and concert. The album was called The Final and the concert was held in front of 72,000 fans at London’s Wembley Stadium on Saturday 28 June 1986. Prior to the official release date of the single, the song had been performed during their 1985 “Whamamerica!” tour.

The single, a five-minute tale of emotional and physical frustration within a relationship, was a slick and upbeat — albeit harder-edged than earlier works — a pop tune which became the fourth and final No. 1 in the UK Singles Chart (and the final US Top Ten hit, reaching #10) for the duo. Elton John, a friend of Michael and Ridgeley, played piano on the track.

Michael has said the lyrics to the song were “deliberately and overtly sexual, especially the first verse”. The reason for this, he says, was he thought no one would care “because no one listens to a Wham! lyric. It had got to that stage.”

Epic released a double record set in the UK, with an updated version of Wham!’s early signature song “Wham Rap! (Enjoy What You Do)” on the flip of disc one, and two new songs – “Battlestations” and a cover of the Was (Not Was) song “Where Did Your Heart Go?”—on the flip of the second disc. “Where Did Your Heart Go?” was later given equal billing and reached a lowly position in the UK Top 40 as a result.

In the United States, “The Edge of Heaven” was backed with a live version of “Blue” from Wham!’s tour of China. “Where Did Your Heart Go?” was released separately as the follow-up and the fourth and last single from Music from the Edge of Heaven (the shortened American version of The Final), and charted at #50 (backed with “Wham! Rap ’86”).

**As a special bonus track, I have added the mega-rare “Extended Edit” of “Battlestations” which should have been released as a single in my opinion. The track is remixed and edited by Steven Bourasa for the Hot Tracks remix service.

SIDE A:
The Edge Of Heaven 4:31
Written-By – G. Michael*

SIDE B:
Where Did Your Heart Go? 5:41
Written-By – Don Was & Dave Was*

BONUS TRACK:
Battlestations (Extended Edit) 6:36
Edited By – Steven Bourasa*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 The Edge Of Heaven U.S. Billboard Hot 100 #10
1986 The Edge Of Heaven U.S. Billboard Adult Contemporary #22

 

RELEASE INFORMATION:
Label: Epic ‎– 12・3P-748
Format: Vinyl, 12″, 45 RPM, Single
Country: Japan
Released: 21 Jul 1986
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Engineer – Chris Porter
Producer, Arranged By – George Michael

NOTES:
Special thanks to Elton for The Edge Of Heaven

“Battlestations” taken from Hot Tracks Series 5, Issue 11

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.