Tag: Harold Faltermeyer

Pet Shop Boys – Was It Worth It? (US 12″) (1991)

Burning The Ground Exclusive

By the end of 1991, the Pet Shop Boys had firmly established themselves as synth-pop icons. Their first greatest hits compilation, Discography: The Complete Singles Collection, not only celebrated their decade-long run of chart-topping singles but also introduced two new songs: “DJ Culture” and “Was It Worth It?”. Released on 9 December 1991 by Parlophone, “Was It Worth It?” became the second and final single from the compilation, peaking at number 24 on the UK Singles Chart. While it ended a streak of 16 consecutive top 20 hits dating back to West End Girls in 1985, the song remains a standout for its reflective optimism and danceable production.

Recorded at Sarm West with production group Brothers in Rhythm, the song was a collaborative effort. Neil Tennant began writing “Was It Worth It?” before their fourth studio album, Behaviour (1990), and Chris Lowe contributed the memorable chorus. Steve Anderson of Brothers in Rhythm added a piano part that Tennant likened to Black Box’s 1989 hit “Ride on Time”. The track features a call-and-response format, with backing vocals from Tessa Niles, Carol Kenyon, and Ghida de Palma, giving it a layered, uplifting feel.

Lyrically, Tennant described the song as “a reaffirmation of the worth of love, an ‘I am what I am’ sort of song.” He called it “a very gay song. Very gay positive. It’s basically saying: if I had to do it all again, I wouldn’t change a single thing.” Its upbeat message and celebratory tone make it one of the Pet Shop Boys’ most affirming singles, even if it didn’t achieve their usual chart success.

The B-side, “Miserablism”, produced by Harold Faltermeyer and mixed by Julian Mendelsohn, was originally intended for Behaviour but was removed late in the album’s process. Meanwhile, the single’s cover art is a charming nod to fan creativity: dolls of Tennant and Lowe crafted by Japanese fan Toshima Tada, holding bouquets of red roses reminiscent of the Behaviour album cover. The 7-inch back cover featured yellow roses, while the 12-inch opted for a blue background.

The accompanying music video, directed by Eric Watson, embraced a playful, theatrical energy. Shot in a club setting, it combined footage of the duo performing at Heaven with scenes of a vibrant, drag-filled crowd. Inspired by films like Saturday Night Fever and Hairspray, as well as the moveable clubnight Kinky Gerlinky, the video showcased extravagant costumes, dance, and pure fun—Chris Lowe famously appears in a towering orange Kenzo hat, doing absolutely nothing while the rest of the club revels.

Although “Was It Worth It?” didn’t break into the top 20, it remains an essential part of the Pet Shop Boys’ catalog: a perfectly crafted, celebratory pop song that affirms love, identity, and the joy of dancing through life’s choices.

SIDE A:
Was It Worth It? (12″ Version) 7:12
Producer – Brothers In Rhythm, Pet Shop Boys
Remix – Pet Shop Boys

Was It Worth It? (Dub Version) 5:12
Engineer – Paul Wright
Instrumentation By, Programmed By – Philip Kelsey
Producer – Brothers In Rhythm, Pet Shop Boys
Remix – Dave Seaman, Philip Kelsey

SIDE B:
Miserablism (Electro Mix) 5:35
Producer – Harold Faltermeyer, Pet Shop Boys
Producer [Additional Production], Remix – Moby

Miserablism (Short Version) 4:11
Mixed By – Julian Mendelsohn
Producer – Harold Faltermeyer, Pet Shop Boys

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI Records USA – VNR-56243, EMI Records USA – VNR 56243
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House, Techno, Synth-pop

CREDITS:

NOTES:
A2: Remixed for Creative Theives Conglomerate/DMC.

Printed in the U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Pet Shop Boys – Jealousy (UK 12″)

Burning The Ground Exclusive 1991

Thank you Josh for your generous donation, and REQUEST.

“Jealousy” is a song originally written in 1982 by English synth-pop duo Pet Shop Boys, recorded for their fourth studio album, Behaviour (1990). It was released on 27 May 1991 as the album’s fourth and final single. The song reached #12 on the UK singles chart.

Neil Tennant states that “Jealousy” is the first proper song ever composed by the duo. Chris Lowe composed the melody at the piano in his parents’ home and, as he felt it should be a ballad, asked Tennant to write an intense-sounding lyric. Tennant complied by writing a lyric about the simplest form of jealousy: infidelity suspicions aroused by someone’s indifferent or disrespectful attitudes towards another person’s feelings (such as making his/her partner wait all night for a phone call that never comes). The song was then left off three albums because the duo were waiting for legendary film composer Ennio Morricone to agree to score the orchestral arrangement for the song. Morricone’s answer never came, and Harold Faltermeyer ended up doing the arrangement for the song’s release on Behaviour.

The album version, coming at the end of Behaviour, closed off the album with a sampler-based orchestral outro. The single version is slightly remixed and uses a real orchestra instead during the outro. The extended version of the single version lengthens the outro while adding an orchestral intro as well; in addition, Neil Tennant recites a quote from William Shakespeare’s Othello (Act III, Scene III) over both sequences:

Not poppy, nor mandragora,
Nor all the drowsy syrups of the world,
Shall ever medicine thee to that sweet sleep
Which thou owedst yesterday.

The B-side “Losing My Mind”, taken from the Stephen Sondheim musical Follies, was based on a demo originally recorded as a proposal for the Liza Minnelli album Results. Its release here follows the releases of Minnelli’s version on both Results and as the lead single from the album. As with the A-side, “Losing My Mind” was released in an extended mix (the “Disco mix”) on the 12-inch single which was recorded in 1988-89.

SIDE A:
Jealousy (Extended Mix) 7:56
Arranged By [Orchestral Arrangement] – Harold Faltermeyer
Engineer – Brian Reeves
Producer – Harold Faltermeyer, Pet Shop Boys
Recorded By [Orchestra] – Mike Jarret
Written-By – Tennant/Lowe

SIDE B:
Losing My Mind (Disco Mix) 6:08
Engineer – Roy Spong
Producer – Pet Shop Boys
Programmed By [Additional Programming] – Newman
Written-By – Sondheim

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Parlophone – 12r6283, Parlophone – 20 4224 6
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: May 28, 1991
Genre: Electronic, Pop
Style: Synth-pop, Ballad

CREDITS:

NOTES:
Orchestra recorded at Abbey Road Studios.
Manufactured in the UK

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Giorgio Moroder – Chase (US 12″ Promo)

Burning The Ground Exclusive 1978

NEW 2024 Transfer!
NEW Meticulous Audio Restoration!

Originally posted November 10, 2012

“Chase” (also known as “The Chase”) is a 1978 instrumental composition by Italian music producer Giorgio Moroder. It was released as a single during 1978 from his Academy Award-winning soundtrack album Midnight Express (1978), and was a disco instrumental that was subsequently extended and released as a 13:00 12″ maxi single. It made the Billboard Hot 100 in January 1979, peaking at number 33, and the UK Singles Chart, peaking at number 48.

Created especially for the film Midnight Express, Alan Parker, the director of the film, explicitly asked Moroder for a song in the style of “I Feel Love”, which Moroder composed for Donna Summer. It was Moroder’s second time composing a movie soundtrack after his work on 1972’s German softcore sex film “Sex Life in a Convent”. The song’s main melody was played on a Roland SH-2000 synthesizer, while the bass lines were played on a Minimoog synthesizer. The track also has a flanging effect produced by the MXR Flanger, while other instruments used include an ARP/Solina String Ensemble, Fender Rhodes, Hohner Clavinet, and piano.

Although a disco piece, “Chase”, along with “I Feel Love”, is more specifically considered the pioneering introduction of the hi-NRG genre, which came to prominence in the early 1980s. The music was arranged by Harold Faltermeyer under the leadership of Giorgio Moroder.

Pitchfork named it the 175th best song of the 1970s, saying, “Any time someone describes a piece of music as ‘cinematic,’ there’s a decent chance they’re thinking, consciously or subconsciously, of ‘Chase’. It’s impossible to overstate, let alone list, the number of composers and films who’ve ripped off ‘Chase’.”

I also created custom front cover art for this post.

SIDE A:
Chase 13:06

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1979 Chase U.S. Billboard Hot 100 #33
1979 Chase U.S. Billboard Adult Contemporary Tracks #42
1979 Chase U.S. Billboard Hot Dance/Disco #31

RELEASE INFORMATION:
Label: Casablanca – NBD 20146 DJ
Format: Vinyl, 12″, 33 ⅓ RPM, Single Sided, Promo
Country: US
Released: 1978
Genre: Electronic, Stage & Screen
Style: Disco, Soundtrack

CREDITS:

NOTES:
Promotional Copy Not For Sale

Music From The Original Motion Picture Soundtrack Of Midnight Express
℗ 1978 Casablanca Record & FilmWorks, Inc.
Made in U.S.A.

Special One-Sided Record (Play Other Side)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Patti LaBelle – Stir It Up (US 12″)

Burning The Ground Exclusive 1985

NEW 2023 Transfer
NEW Meticulous Audio Restoration

Originally posted July 16, 2015

“Stir It Up” is a song by American singer Patti LaBelle. It was written by Dan Sembello and Allee Willis and recorded by LaBelle for the motion picture soundtrack album for the 1984 action comedy film Beverly Hills Cop; production was helmed by Harold Faltermeyer and Keith Forsey.

“Stir It Up” was the second of two songs she recorded for MCA Records immediately after signing her new contract with them (following “New Attitude”). Her first full-length album for MCA, Winner in You, would follow the next year.

Released as the second single from the soundtrack, which was awarded the 1986 Grammy Award for Best Score Soundtrack for Visual Media, it reached number five on the US Hot R&B/Hip-Hop Songs chart. “Stir It Up” was also used as the theme song to the short-lived sitcom Stir Crazy, based on the 1980 movie.

SIDE A:
Stir It Up (Extended Version) 7:09

SIDE B:
Stir It Up (Radio Edit) 5:29
Stir It Up (Percussapella) 5:23

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Stir It Up U.S. Billboard Hot 100 #41
1985 Stir It Up U.S. Billboard Hot R&B/Hip-Hop Singles & Tracks #18
1985 Stir It Up U.S. Billboard Hot Dance Club Play #5

RELEASE INFORMATION:
Label: MCA Records – MCA-23567
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Music From The Motion Picture Soundtrack Beverly Hills Cop.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.