Tag: Chris Lord-Alge

Stevie Nicks – I Can’t Wait (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

“I Can’t Wait” is a 1986 song by American singer-songwriter Stevie Nicks. It was the second single released off of her third studio album Rock a Little. The song peaked inside the US top 20 at #16 for two weeks and is one of only four of Nicks’ singles to enter the US Dance charts peaking inside the top 30. It also charted in the UK, reaching #54 in the early months of 1986, her first single to chart there since 1981’s “Stop Draggin’ My Heart Around”. The song also featured on the charts at the same time as another song of the same title by Nu Shooz, something of a rare incidence.

This UK 12″ contains an extended version of the album track “Rock A Little” although it is not listed as such on the sleeve or record label. This version only appears on European issues of the 12″ single.

SIDE A:
I Can’t Wait (Extended Mix) 6:00
Arranged By – George BlackRick Nowels
Backing Vocals [Background Vocals] – George Black, Maria Vidal
Mixed By – Chris Lord-Alge

SIDE B:
Rock A Little (Extended Version) 5:16
Engineer [Enginered By] – Shelly Yakus

I Can’t Wait (7-Inch Mix) 4:27
Arranged By – George Black, Rick Nowels
Backing Vocals [Background Vocals] – George Black, Maria Vidal
Mixed By – Chris Lord-Alge

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 I Can’t Wait U.S. Billboard Hot 100 #16
1986 I Can’t Wait U.S. Billboard Mainstream Rock Tracks #6
1986 I Can’t Wait U.S. Billboard Hot Dance Club Play #26

 

RELEASE INFORMATION:
Label: Parlophone ‎– 12R 6110
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic, Rock, Pop
Style: Pop Rock, Synth-pop

CREDITS:
Art Direction, Design – Michael Hodgson (2)
Photography [Photograph] – Tony McGee
Producer [Produced By] –  Jimmy Iovine
Programmed By [Programming] – Jamie Sheriff
Written-By – S. Nicks*

NOTES:
Original versions appear on the LP “ROCK A LITTLE”

Find the 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Rolling Stones – Too Much Blood (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

A. Front

“Too Much Blood” is a single released only in the United States by The Rolling Stones taken from their 1983 album Undercover.

Credited to Mick Jagger and Keith Richards, “Too Much Blood” is largely a Jagger composition. The song is a reflection of the many influences the Stones would have during their career in the mid-1980s. Jagger said at the time of its release, “I had made out a very honest burden of mind before everyone had arrived one night. It was just Charlie [Watts] and Bill [Wyman]. And one of our roadies called Jim Barber, he was playing guitar on it too. And I just started playing this riff I had, with this middle part, I didn’t have any words to it and then I just suddenly started rapping out these words which are the ones you hear.” (“Mick asked me if I could do an ‘Andy Summers’ on the track” – Jim Barber).

The song itself deals with the growing depictions of violence in the media at the time and the case of Issei Sagawa, with Jagger saying, “Well there was this scandalous, murderous story in France – it was a true story – about this Japanese guy who murdered this girl and it sort of captured the imagination of the French public, and the Japanese. The Russians wanted to make a movie out of it. So that was the first bit and then I started becoming more light-hearted about it, movies and all. …it came out as a sort of anti-gratuitous cinema of violence. And it’s a kind of anti-violent thing.”

“Did you ever see “The Texas Chain Saw Massacre”? Horrible, wasn’t it. You know, people ask me “is it really true where you live in Texas, is that really true what they do around there, people?” I say, “yea, every time I drive through the crossroads I get scared, there’s a bloke running round with a fucking chain saw. Oh! Oh! oh No, he’s gonna cut off, Oh no. Don’t saw off me leg, don’t saw off me arm.”

Jagger uses a half-hearted rap delivery for some lines, saying at the time, “I’m not a great rapper… It’s just made up on the spot as well. It’s completely extemporized, as well, most of it. A couple words I cleaned up. I don’t mean clean up, just made better sounds. That was just rap off the top of my head. I didn’t write it down, even.”

Recording took place at Paris’ Pathé Marconi Studios and New York City’s Hit Factory between October and November 1982. With Jagger on lead vocals, he also performs electric guitars with Barber and Richards. Horns are provided by Chops and percussion by Sly Dunbar.

A dance version of “Too Much Blood,” remixed by Arthur Baker, was released as a twelve-inch single in December 1984. A music video, directed by Julien Temple, was produced in support showing the band performing the song as well as Richards and guitarist Ron Wood chasing Jagger with chainsaws. The trio also appear, without chainsaws but still in character, on the record sleeve for the single. The video opens with an excerpt from the first movement of the String Quartet Number 3 by Béla Bartók. “Too Much Blood” has never been performed live by the Stones and appears on no compilation albums.

In the US the singles peaked at #44 on the Billboard Dance Chart and #38 on the Mainstream Rock Chart.

SIDE A:
Too Much Blood (Dance Version) 12:46
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

SIDE B:
Too Much Blood (Dub Version) 8:00
Edited By – Latin Rascals, The
Engineer [Remix Assistant] – Tom Lord-Alge
Engineer [Remix] – Chris Lord-Alge
Producer – Glimmer Twins, The
Remix – Arthur Baker

Too Much Blood (Album Version) 6:13
Mixed By – Chris Kimsey
Producer – Chris KimseyGlimmer Twins, The

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHART HISTORY:

Year Single Chart Position
1983 Too Much Blood U.S. Billboard Hot Mainstream Rock Tracks #38
1984 Too Much Blood U.S. Billboard Hot Dance Music/Club Play #44

 

RELEASE INFORMATION:
Label: Rolling Stones Records ‎– 0-96902
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Rock
Style: Dub
Credits: Art Direction – Bob Defrin
Mastered By – Greg Calbi
Recorded By – Chris Kimsey
Written-By – Jagger-Richards

NOTES:
From the album “UNDERCOVER”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Sheena Easton – So Far So Good (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Sleeve

Side 1

“So Far So Good” is a 1986 single produced by Narada Michael Walden and recorded by Sheena Easton for the soundtrack of the film “About last Night…”. In the United States the single barely missed the Billboard top 40 peaking at #43.

The b-sdie for the 12″ is the Nile Rodgers penned “Magic Of Love” a special edited version taken from the album “Do You”.

Special note about this single: In the US two seperate 12″ singles were released one featuring remixes by Chris Lord-Alge. The other released as “Red Mix” featured mixes by Rusty Garner. I have incorporated both singles for this post.

 

SIDE A:
So Far So Good (Extended Dance Version) 5:24
Producer – Narada Michael Walden
Producer [Additional], Remix – Chris Lord Alge*

So Far So Good (Dub Mix) 4:52
Producer – Narada Michael Walden
Producer [Additional], Remix – Chris Lord Alge*

SIDE B:
So Far So Good (Red Mix) 8:10
Engineer [Remix Engineer] – Ric Butz
Keyboards [Additional Keyboards Performed By] – Brad Buxer
Producer [Additional Production By], Remix [Remix By] – Rusty Garner
Producer [Produced By] – Narada Michael Walden

So Far So Good (Instrumental) 4:59
Engineer [Remix Engineer] – Ric Butz
Keyboards [Additional Keyboards Performed By] – Brad Buxer
Producer [Additional Production By], Remix [Remix By] – Rusty Garner
Producer [Produced By] – Narada Michael Walden

Magic Of Love (Edited Version) 3:33
Mixed By – James Farber
Written-by, Producer [Produced By] – Nile Rodgers

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1986 So Far So Good U.S. Billboard Hot 100 #43
1986 So Far So Good U.S. Billboard Hot Adult Contemporary Tracks #35
1986 So Far So Good U.S. Billboard Hot Dance/Club Play #32

 

RELEASE INFORMATION:
Label: EMI America ‎– V-19216, EMI America ‎– V-19220
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1986
Genre: Electronic, Pop
Style: Synth-pop
Credits: Written-By – Cynthia Weil (tracks: A1, A2 B1, B2), Tom Snow (tracks: A1, A2 B1, B2)

NOTES:
From The Motion Picture Soundtrack Album “About Last Night…”

Find The 12″ On DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Stevie Nicks – I Can’t Wait (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

Produced by Jimmy Iovine & Rick Nowles “I Can’t Wait” was the second single taken from Rock a Little the third studio album by Stevie Nicks released in late 1985 while Fleetwood Mac were still on a lengthy hiatus following their album Mirage in 1982, “I Can’t Wait” debuted on the Billbord Hot 100 on February 22, 1986. After staying on the charts for eight weeks the single peaked at #16 on March 8, 1986.

The US 12″ release of “I Can’t Wait” contained five remixes, Chris Lord-Alge contributed the Rock Mix and the Dub Rock Mix while Steve Thompson and Michael Barbiero worked their magic on the Dance Mix and Dub Dance Mix. The 12″ also features a Special Remix of the album track “The Nightmare” also remixed by Chris Lord-Alge.

SIDE A:
I Can’t Wait (Rock Mix) 5:57
I Can’t Wait (Dance Mix) 6:20

SIDE B:
The Nightmare (Special Remix) 6:38
I Can’t Wait (Dub Dance Mix) 4:23
I Can’t Wait (Dub Rock Mix) 5:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 I Can’t Wait U.S. Billboard Hot 100 #16
1986 I Can’t Wait U.S. Billboard Mainstream Rock Tracks #6
1986 I Can’t Wait U.S. Billboard Hot Dance Club Play #26

 

RELEASE INFORMATION:
Label: Modern Records – 0-96825
Format: Vinyl, 12″, 33 RPM
Country: US
Released: 1985
Genre: Electronic, Pop, Rock
Style: Synth-pop
Credits: Mixed By – Chris Lord-Alge
Remix – Steve Thompson & Michael Barbiero (tracks: A2, B2)
Keyboards [Additional] – David LeBolt
Producer – Jimmy IovineRick Nowles*

NOTES:
Original versions appear on the Stevie Nicks album “ROCK  A Little”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi