Tag: Brothers In Rhythm

Pet Shop Boys – Was It Worth It? (US 12″) (1991)

Burning The Ground Exclusive

By the end of 1991, the Pet Shop Boys had firmly established themselves as synth-pop icons. Their first greatest hits compilation, Discography: The Complete Singles Collection, not only celebrated their decade-long run of chart-topping singles but also introduced two new songs: “DJ Culture” and “Was It Worth It?”. Released on 9 December 1991 by Parlophone, “Was It Worth It?” became the second and final single from the compilation, peaking at number 24 on the UK Singles Chart. While it ended a streak of 16 consecutive top 20 hits dating back to West End Girls in 1985, the song remains a standout for its reflective optimism and danceable production.

Recorded at Sarm West with production group Brothers in Rhythm, the song was a collaborative effort. Neil Tennant began writing “Was It Worth It?” before their fourth studio album, Behaviour (1990), and Chris Lowe contributed the memorable chorus. Steve Anderson of Brothers in Rhythm added a piano part that Tennant likened to Black Box’s 1989 hit “Ride on Time”. The track features a call-and-response format, with backing vocals from Tessa Niles, Carol Kenyon, and Ghida de Palma, giving it a layered, uplifting feel.

Lyrically, Tennant described the song as “a reaffirmation of the worth of love, an ‘I am what I am’ sort of song.” He called it “a very gay song. Very gay positive. It’s basically saying: if I had to do it all again, I wouldn’t change a single thing.” Its upbeat message and celebratory tone make it one of the Pet Shop Boys’ most affirming singles, even if it didn’t achieve their usual chart success.

The B-side, “Miserablism”, produced by Harold Faltermeyer and mixed by Julian Mendelsohn, was originally intended for Behaviour but was removed late in the album’s process. Meanwhile, the single’s cover art is a charming nod to fan creativity: dolls of Tennant and Lowe crafted by Japanese fan Toshima Tada, holding bouquets of red roses reminiscent of the Behaviour album cover. The 7-inch back cover featured yellow roses, while the 12-inch opted for a blue background.

The accompanying music video, directed by Eric Watson, embraced a playful, theatrical energy. Shot in a club setting, it combined footage of the duo performing at Heaven with scenes of a vibrant, drag-filled crowd. Inspired by films like Saturday Night Fever and Hairspray, as well as the moveable clubnight Kinky Gerlinky, the video showcased extravagant costumes, dance, and pure fun—Chris Lowe famously appears in a towering orange Kenzo hat, doing absolutely nothing while the rest of the club revels.

Although “Was It Worth It?” didn’t break into the top 20, it remains an essential part of the Pet Shop Boys’ catalog: a perfectly crafted, celebratory pop song that affirms love, identity, and the joy of dancing through life’s choices.

SIDE A:
Was It Worth It? (12″ Version) 7:12
Producer – Brothers In RhythmPet Shop Boys
Remix – Pet Shop Boys

Was It Worth It? (Dub Version) 5:12
Engineer – Paul Wright
Instrumentation By, Programmed By – Philip Kelsey
Producer – Brothers In RhythmPet Shop Boys
Remix – Dave SeamanPhilip Kelsey

SIDE B:
Miserablism (Electro Mix) 5:35
Producer – Harold FaltermeyerPet Shop Boys
Producer [Additional Production], Remix – Moby

Miserablism (Short Version) 4:11
Mixed By – Julian Mendelsohn
Producer – Harold FaltermeyerPet Shop Boys

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI Records USA – VNR-56243EMI Records USA – VNR 56243
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1991
Genre: Electronic
Style: House, Techno, Synth-pop

CREDITS:

NOTES:
A2: Remixed for Creative Theives Conglomerate/DMC.

Printed in the U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Lulu – Independence (US 12″)

Burning The Ground Exclusive 1993

As we celebrate PRIDE Month I want to take a minute to remember the 49 people that were murdered at PULSE Nightclub eight years ago today June 12, 2016.

“Independence” is a song recorded by Scottish singer and songwriter Lulu. It was released in 1993 by Dome, Parlophone, and SBK as the first single from her eleventh album of the same name (1993), and was by many seen as the singer’s comeback, after not releasing new material since 1982. The song was written by Leon Ware and Winston Sela, and produced by Cary Baylis, Eliot Kennedy, and Mike Ward. It became a hit in both Europe and the US, peaking at number 11 on the UK Singles Chart, number 34 on the Eurochart Hot 100, and number three on the US Billboard Hot Dance Club Play chart. The song received remixes by Brothers In Rhythm, C.J. Mackintosh, and Tony Humphries, and a music video was also produced to promote the single.

“Independence” was a notable hit for Lulu and by many seen as her comeback in the 90s. The song reached its highest chart position as number three on the US Billboard Hot Dance Club Play chart. In Europe, the single entered the top 20 in the UK, peaking at number 11 on the UK Singles Chart on 30 January 1993, in its second week on the chart, just barely missing the top 10. Having debuted at number 14 the week before, the song then dropped to number 14 and 29 the following weeks, before leaving the UK Top 40. On both the Music Week Dance Singles chart and the Record Mirror Club Chart, “Independence” however managed to enter the top 10, peaking at number nine. In Ireland, it peaked at number 21, as well as on the European Dance Radio Chart, where it peaked in March 1993. On the Eurochart Hot 100, the song reached its highest chart position as number 34 in February, in its second week on the chart. It debuted at number 52 on 6 February after charting in the UK.

Larry Flick from Billboard called it a “delicious pop/house anthem”, noting that “she offers an assured vocal amid rousing mixes that will slam during mainstream peak-hour sets.” He also stated that Lulu is in “excellent voice on a disco-minded house jam. The anthemic tune has a sing-along chorus that will stick in the heads of club and radio folks upon impact. Could be the first step in Lulu’s carefully planned return to pop prominence.”

SIDE A:
Independence (CJ Mackintosh Club Mix) 7:51
Engineer [Remix] – Ren Swan
Remix, Producer [Additional Production] – CJ Mackintosh

Independence (Mackapella Mix) 6:06
Engineer [Remix] – Ren Swan
Remix, Producer [Additional Production] – CJ Mackintosh

Independence (CJ Mackintosh Radio Mix) 3:59
Engineer [Remix] – Ren Swan
Remix, Producer [Additional Production] – CJ Mackintosh

SIDE B:
Independence (Brothers In Rhythm Club Mix) 6:45
Engineer [Remix] – Paul Wright
Remix, Producer [Additional Production] – Brothers In Rhythm

Independence (Tony Humphries Free Dub Mix) 9:48
Remix – Tony Humphries

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1993 Independence U.S. Billboard Hot Dance Music/Club Play #3

RELEASE INFORMATION:
Label: SBK Records – Y-19777
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1993
Genre: Electronic
Style: House

CREDITS:

NOTES:
Original version appears on the Lulu album “Independence”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Pet Shop Boys – Where The Streets Have No Name (I Can’t Take My Eyes Off You) / How Can You Expect To Be Taken Seriously? (UK 7″)

Burning The Ground Exclusive 1991

“Where the Streets Have No Name (I Can’t Take My Eyes Off You)” is a song by English synth-pop duo Pet Shop Boys. The song is a medley of U2’s “Where the Streets Have No Name” and “Can’t Take My Eyes Off You”, a 1967 song by Frankie Valli, though in an arrangement informed by the 1982 disco version of the song by the Boys Town Gang rather than the original. The song accompanied “How Can You Expect to Be Taken Seriously?”, the third single from their fourth studio album, Behaviour (1990), as a double A-side in the United Kingdom (both singles were released separately in the United States). Released in March 1991 by Parlophone, the song became the duo’s 15th consecutive top-20 entry in the UK, peaking at number four on the UK Singles Chart.

The single’s other A-side, “How Can You Expect to Be Taken Seriously?”, criticizes the insincere humanitarian messages of a number of pop stars during the 1980s and the institutionalization of rock and roll. The band noted that “one song is about rock stars so to have a U2 song with it serves as a further comment.”

Also of note the version of “How Can You Expect to Be Taken Seriously?” is the “7” Perfect Attitude Mix” but not the same version that appeared on the U.S. CD Single this version is also used for the music video containing the “Gotta Have Fun” samples this mix only appears on the UK 7″ single, and the video. The mix title does not appear on the sleeve or record label.

SIDE A:
Where The Streets Have No Name (I Can’t Take My Eyes Off You) (7″ Edit) 4:32
Engineer – Ren Swan
Engineer [Assistant Engineer] – Steve Fitzmaurice
Guitar – J.J. Belle
Producer – Julian MendelsohnPet Shop Boys
Sequenced By – Dominic Clarke
Vocals [Additional Vocals] – Tessa Niles
Written-By [I Can’t Take My Eyes Off You] – Bob Gaudio/Bob Crewe
Written-By [Where The Streets Have No Name] – Clayton
EvanMullenHewson*

SIDE AA:
How Can You Expect To Be Taken Seriously? 4:09
Mixed By – Brothers In RhythmPaul Wright
Mixed By [Assisted By] – Richard Edwards
Producer – Harold FaltermeyerPet Shop Boys
Remix, Producer [Post-production] – Brothers In Rhythm
Written-By – Tennant/Lowe*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1991 Where The Streets Have No Name (I Can’t Take My Eyes Off You) U.S. Billboard Hot 100 #72
1991 Where The Streets Have No Name (I Can’t Take My Eyes Off You) U.S. Billboard Hot Dance Music Club Play #4

RELEASE INFORMATION:
Label: Parlophone – R 6285, Parlophone – R6285, Parlophone – 2042547
Format: Vinyl, 7″, 45 RPM, Single, Stereo
Country: UK
Released: Mar 11, 1991
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
A: listed as “7” Edit” only on the record label.

MANUFACTURED IN THE UK BY EMI RECORDS LIMITED.

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.